The
Flower Ornament Scripture
A
Translation of the Avatamsaka Sutra
Thomas
Cleary
Introduction
THE FLOWER ORNAMENT SCRIPTURE, called Avatamsaka in Sanskrit and
Huayan in Chinese, is one of the major texts of Buddhism. Also referred to as
the major Scripture of Inconceivable Liberation, it is perhaps the richest and
most grandiose of all Buddhist scriptures, held in high esteem by all schools
of Buddhism that are concerned with universal liberation. Its incredible wealth
of sensual imagery staggers the imagination and exercises an almost mesmeric
effect on the mind as it conveys a wide range of teachings through its complex
structure, its colorful symbolism, and its mnemonic concentration formulae.
It is not known when or by whom this scripture was composed. It is
thought to have issued from different hands in the Indian cultural sphere
during the first and second centuries AD, but it is written so as to embrace a
broad spectrum of materials and resists rigid systematization. While standard
figures and images from Indian mythology are certainly in evidence here, as in
other Buddhist scriptures, it might be more appropriate to speak of its
provenance in terms of Buddhist culture rather than Indian culture per se. The
Flower Ornament Scripture presents a compendium of Buddhist teachings; it
could variously be said with a measure of truth in each case that these
teachings are set forth in a system, in a plurality of systems, and without a
system. The integrity of Buddhism as a whole, the specificity of application of
its particular elements, and the interpenetration of those elements are
fundamental points of orientation of the unfolding of the scripture.
Historicity as such is certainly of little account in The Flower
Ornament Scripture. This is generally true of the Mahayana Buddhist scriptures,
although they usually present their teachings as having been revealed or
occasioned by the meditations of the historical Buddha Shakyamuni. In the case of
The Flower Ornament Scripture, most of the discourse is done by
transhistorical, symbolic beings who represent aspects of universal
enlightenment. The Buddha shifts from an individual to a cosmic principle and
manifestations of that cosmic principle; the "Buddha" in one line
might be "the Buddhas" in the next, representing enlightenment itself,
the scope of enlightenment, or those who have realized enlightenment.
Certainly one of the most colorful and dramatic rehearsals of
Buddhist teachings, The Flower Ornament Scripture became one of the pillars of
East Asian Buddhism. It was a source of some of the very first Buddhist
literature to be introduced to China, where there eventually developed a major
school of philosophy based on its teachings. This school spread to other parts
of Asia, interacted with other major Buddhist schools, and continues to the
present. The appreciation of The Flower Ornament Scripture was not, however, by
any means confined to the special Flower Ornament school, and its influence is
particularly noticeable in the literature of the powerful Chan (Zen) schools.
The work of translating from The Flower Ornament Scripture into Chinese apparently began in the second century AD, and continued for the better part of a thousand years. During this time more than thirty translations and retranslations of various books and selections from the scripture were produced. Numerous related scriptures were also translated. Many of these texts still exist in Chinese. Comprehensive renditions of the scripture were finally made in the early fifth and late seventh centuries. The original texts for both of these monumental translations were brought to China from Khotan in Central Asia, which was located on the Silk Route and was a major center for the early spread of Buddhism into China. Khotan, where an Indo-Iranian language was spoken, is now a part of the Xinjiang (Sinkiang) Uighur autonomous region in China, near Kashmir, another traditional center of Buddhist activity. The first comprehensive translation of The Flower Ornament Scripture was done under the direction of an Indian monk named Buddhabhadra (359-429); the second, under the direction of a Khotanese monk named Shikshananda (652-710) . The latter version, from which the present English translation is made, was based on a more complete text imported from Khotan at the request of the empress of China; it is somewhat more than ten percent longer than Buddhabhadra's translation.
The Flower Ornament Scripture, in Shikshananda's version, contains
thirty-nine books. By way of introduction to this long and complex text, we
will focus on a comparison of The Flower Ornament Scriptu re with other major
scriptures; as well as a brief glance at the main thrust of each book.
A Comparison with Other Major Buddhist Scriptures
Due to the great variety in Buddhist scriptures, analysis of their
interre lation was an integral part of Buddhist studies in East Asia, where
scriptures were introduced in great quantities irrespective of their time or
place of origin. In order to convey some idea of the Buddhism of The Flower
Ornament Scripture in respect to other major scriptures, as well as to
summarize some of the principal features of The Flower Ornament , we will begin
this Introduction with a comparison of The Flower Ornament with other important
scriptures. This discussion will be based on the "Discourse on the Flower
Ornament," a famous commentary by an eighth century Chinese lay Buddhist,
Li Tongxuan. What follows is a free rendering of Li's comparisons of The Flower
Ornament Scripture to the scriptures of the lesser vehicle (the Pali Canon), 1
the Brahmajala Scripture, the Prajnaparamita Scriptures, 2 the Sandhinirmocana
Scriptu re, the Lankavatara Scripture, 3 the Vimalakirtinirdesa Scripture, 4
the Saddharmapun darika Scripture, 5 and the Mahaparinirvana Scripture. 6
The scriptures containing the precepts of the lesser vehicle are
based on conceptual existence. The Buddha first told people what to do and what
not to do. In these teachings, relinquishment is considered good and
nonrelinquishment is considered not good.
Doctrine set up this way is not yet to be considered indicative of true
existence. This teaching based on existence is temporary, dealing with the
delusions of ordinary feelings and the arbitrary invention of ills; this
teaching is designed to stop these and enable people to live in truly human or
celestial states. That is why the preface of the precepts says that if one
wants to live in heavenly or human conditions one should always keep the
precepts.
People's fabricated doings are unreal, and not true attainment,
therefore their life in human and celestial states is impermanent, not truly
real. They have not yet attained the body of reality and the body of knowledge.
This teaching is not based on true existence; it is temporarily based on conceptual
existence. This is the model of the lesser vehicle. As for keeping precepts in
The Flower Ornament Scripture, it is not this way: as it says in the scripture,
"Is the body religious practice? Are walking, standing, sitting, or
reclining religious practice?" and so on, examining closely in search of
"religious practice, " ultimately finding it cannot be
apprehended-this ungraspability is why it is called pure religious prac tice.
As the scripture says, those engaged in such pure practice are said to uphold
the discipline of the buddha-nature, and attain the Buddha's reality body.
Therefore they attain enlightenment at the first inspiration. Because they keep
the discipline of buddha-nature, they are equal to the essence of Buddha, equal
in terms of noumenon and phenomenon, merging with the cosmos of reality. When
they keep discipline this way, they do not see themselves keeping precepts,
they do not see others breaking precepts. Their action is neither that of
ordinary people nor that of saints. They do not see themselves arousing the
determination for enlightenment, they do not see the Buddhas attaining
enlightenment. If there is anything at all that can be grasped or
apprehended-whether good or bad-this is not called enlightenment, not called
pure practice. One should see in this way. Such discipline based on the essence
is itself the body of reality; the body ofreality is the knowledge of Buddhas;
the knowledge of Buddhas is true enlightenment. Therefore this discipline of The Flower
Ornament Scripture is not the same as the teaching of the lesser vehicle, which
has choosing and rejection.
Next, the precepts for enlightening beings in the Brahmajala
Scripture are based on presentation of both conceptual existence and real
existence. For people who have big hearts and like to practice kindness and
compassion and those who seek Buddhahood, the Buddha says Vairocana is the
fundamental body, with ten billion emanation bodies. To suddenly cause us to
recognize the branches and return to the root, the scripture says these ten
billion bodies bring innumerable beings to the Buddha. It also says if people
accept the precepts of Buddha, they then enter the ranks of Buddhas: their rank
is already the same as great enlightenment and they are true offspring of Buddha.
This is therefore discipline based on the essence, and is thus based on
reality. This scripture abruptly shows great-hearted people the discipline of
the essence of the body of reality, while lesser people get it gradually.
Therefore one teaching responds to two kinds of faculties, greater and lesser.
The statement that the ten billion emanation bodies each bring countless beings
to the Buddha illustrates giving up the provisional for the true. This is the
teaching of true existence. Because in this teaching the provisional and true
arc shown at once, it is not the same as the lesser vehicle, which begins with
impermanence and has results that are also impermanent, because the precepts of
the lesser vehicle only lead to humanity and heavenly life. However, the
establishment of a school of true existence in the Brahmajala Scripture is not
the same as that expounded by Vairocana in The Flower Ornament Scripture. In
the Brahmajala Scriptu re, by following the teaching of the emanation bodies of
Buddha we arrive at the original body: in the school of the complete teaching
of the Flower Ornament, the original body is shown all at once; the fundamental
realm of reality, the body of rewards of great knowledge, cause and effect, and
noumenon and phenomena are equally revealed. Also the description of the extent
of the cosmos of The Flower Ornament Scripture is not the same as the
description in the Brahmajala Scripture.
As for the Prajnaparamita
Scriptures, they are based on
explaining emptiness in order to show the truth. When the Buddha first
expounded the teachings of the lesser vehicle to people, they stuck to
principles and phenomena as both real, and therefore could not get rid of
obstruction. Therefore Buddha explained emptiness to them, to break down their
attachments. That is why it explains eighteen kinds of emptiness in the
Prajnaparamita Scriptures-the world, the three treasures (the Buddha, the
Teaching, and the Community), the four truths (suffering, origin, ex tinction,
the path), the three times (past, present, and future) , and so on, are all
empty, and emptiness itself is empty too. This is extensively explained in
these scriptures, to nullify ignorance and obstructing ac tions. When
ignorance is totally exhausted, obstructing actions have no essence-nirvana
naturally appears. This is true existence; it is not called a school of
emptiness. However, though it is real true existence, many of the teachings
expounded have becoming and disintegration, therefore it cannot yet be
considered complete. As for The Flower Ornament Scripture, in it are the arrays
of characteristics and embellishments that are rewards or consequences of
enlightening practice-they can be empty and they can be actual. In this
scripture the teachings of emptiness and existence arc not applied
singly-noumenon and phenomena, emptiness and exis tence, interpenetrate,
reflecting each other. All the books of the whole Flower Ornament Scripture
interpenetrate, all the statements
intertwine. All the sayings in the scripture point to the same thing-when
one becomes all become, when one disintegrates all disintegrate. In the totality, because the essence is equal,
the time is equal, and the practice is equal, every part of the scripture is
equal, and so the explanations of the Teaching are equal. Therefore attainment
of buddhahood in the present means
equality with all Buddhas of past, present, and future: consequently there is
no past, present, or future-no time.
In this it differs from the Prajnaparamita
Scriptures, in which formation and disin tegration take place at separate
times and thus cause and effect are successive.
Now as for the Sandhinirmocana Scripture, this is based on
nonvoidness and nonexistence. Buddha explained this teaching after having ex pounded teachings of existence and of
emptiness, to harmonize the two views of being and nothingness, making it
neither emptiness nor exis tence. To this end he spoke of an unalloyed pure
consciousness without any defilement. According to this teaching, just as a rapid
flow of water produces many waves , all of which arc equally based on the
water, similarly the sense consciousnesses, the conceptual consciousness, the
judgmental consciousness, and the cumulative repository consciousness are all
based on the pure consciousness. As the Sandhinirmocana Scripture says, it is
like the face of a good mirror: if one thing which casts a reflection comes
before it, just one image appears; if two or more things come before it, two or
more images appear-it is not that the
surface of the mirror changes into reflections, and there is no manipulation or
annihilation that can be grasped either. This illustrates the pure con
sciousness on which all aspects of consciousness are based.
The Sandhinirmocana Scripture also says that though the
enlightening being lives by the teaching, knowledge is the basis, because the teaching is a construction. The
intent of this scripture is to foster clear understanding of the essence of
consciousness in the medium of consciousness. Because fundamentally it is only
real knowledge, it is like the stream of water, which produces waves without
leaving the body of the water. It is also like a clear mirror, which due to its
pure body contains many images without discrimination, never actually having anything
in it, yet not impeding the existence of images. Likewise, the forms of
conscious ness manifested by one's own mind are not apart from essential uncontrived
pure knowledge, in which there arc no attachments such as self or other, inside
or outside, in regard to the images manifested . Letting consciousness function
freely, going along with knowledge, this breaks up bondage to emptiness or
existence, considering everything neither empty nor existent. Therefore a verse
of the Sandhinirmocana Scripture says, "The pure consciousness is very
deep and subtle; all impressions are like a torrent. I do not tell the ignorant
about this, for fear they will cling to the notion as 'self.' " The
statement that the pure consciousness is very deep and subtle is to draw
ordinary people into realization of knowledge in consciousness: it is not the
same as the breaking down of forms into emptiness, which is practiced by the
two lesser vehicles and the beginning enlightening beings learning the gradual
method of en lightenment. It is also not the same as ordinary people who cling
to things as really existent. Because it is not the same as them, it is not
emptiness, not existence. What is not empty? It means that knowledge can, in
all circumstances, illumine the situation and help people. What is not
existent? It means that when knowledge accords with circumstances, there is no
distinction of essence and characteristics, and thus there is no birth,
subsistence, or extinction. Based on these meanings it is called "not empty,
not existent. "
While the Sandhinirmocatza Scripture in this way lets us know, in
terms of consciousness, that emptiness and existence are nondual, The Flower
Ornament Scripture is not like this: The Flower Ornament just reveals the
Buddha's essence and function of fundamental knowledge of the one reality, the
fundamental body, the fundamental cosmos.
Therefore it merges true essence and characteristics, the oceans of the
reality body and the body of consequences of deeds, the reward body. It directly points out at once to people of
the highest faculties the basic knowledge of the unique cosmos of reality, the
qualities of Buddhahood. This is its way of teaching and enlightenment; it does
not discuss such phenomena as producing consciousness according to illusion.
According to the Saddharmapundarika Scripture, Buddha appears in
the world to enlighten people with Buddha-knowledge and purify them, not for
any other religious vehicle, no second or third vehicle. Also it says that
Buddha does not acknowledge the understanding of the essence and
characteristics of Buddha by people of the three vehicles . Therefore the
Saddharmapundarika Scripture says, "As for the various meanings of essence
and characteristics, only I and the other Buddhas of the ten directions know
them-my disciples, individual illuminates, and even nonregressing enlightening
beings cannot know them. " Because the Saddharmapundarika Scripture joins
the temporary studies of the three vehicles and brings them ultimately to the
true realm of reality of the Buddha-vehicle, its doctrine to some extent
matches that of The Flower Ornament Scripture.
The Flower Ornament Scripture directly reveals the door of
consummate buddhahood, the realm of reality, the fundamental essence and
function of the cosmos, communicating this to people of superior faculties so
that they may awaken to it: it does not set up the provisional didactic device
of five, six, seven, eight, and nine consciousnesses like the Sandhinirmo cana
Scripture does. As for the Sandhinirmocana Scripture's establishment of a
ninth, pure consciousness, there are two meanings. For one thing, it is for the
sake of those of the two lesser vehicles who have long sickened of birth and
death and cultivate emptiness to annihilate consciousness, aiming directly for
empty quiescence. Also, in the next phase, the Prajnaparamita Scrip tures talk
a lot about emptiness and refute the notion of existence, to turn around the
minds of the two vehicles as well as enlightening beings engaged in gradual
study. They also make the six ways of transcendence the vehicle of practice.
Although some of those in the two vehicles are converted, they and the
gradual-practice enlighten ing beings are predominantly inclined toward
emptiness. This is because the elementary curative teachings for the
gradual-study enlightening beings are similar to some extent to those for the
lesser vehicles; they do have, however, a bit more compassion than the latter.
They have not yet realized principles such as that of the body of reality, the
buddha-nature, and fundamental knowledge. They only take the avenue of
emptiness as their vehicle of salvation and the six ways of transcendence as
their form of practice. Their elementary curative means are after all the same
as the two vehicles-only by
contemplation of impermanence, impurity, bleached bones, atoms, and so on,
do they enter contemplation of emptiness. But while the two vehicles head for
extinction, enlightening beings stay in life. They subdue notions of self and
phenomena by means of contemplations of voidness, selflessness, and so on.
Basically this is not yet fundamental knowledge of the body of reality and the
buddha nature; because their vision is not yet true, inclination toward
emptiness is dominant. For this reason the Sandhinirmocana Scripture
expediently sets up a pure consciousness distinct from the conceptual,
judgemental, and cumulative consciousnesses, saying that these consciousnesses
rest on the pure consciousness.
The Sandhinirmocana Scripture does not yet directly explain that
the impressions in the cumulative or repository consciousness are the matrix of
enlightenment. This is because the students are engaged in learning out of fear
of suffering; if they were told that the seeds of action are eternally real, they
would become afraid and wouldn't believe it, so the scripture temporarily sets
up a "pure consciousness" so that they won't annihilate the conscious
nature and will grow in enlightenment. For this reason the Vimalakirtinirdesa
Scripture says, "They have not yet fulfilled buddhahood, but they don't annihilate sensation to get
realization." Since sensation is not annihilated, neither are conception
and conscious ness. As for the Lankavatara Scripture, it does directly tell
those whose faculties are mature that the seeds of action in the cumulative
"store house" consciousness are the matrix of enlightenment. The
Vimalakirti nirdesa Scripture says, "The passions which accompany us are
the seeds of buddhahood. ''
People who practice the Way are different, on different paths,
with myriad different understandings and ways of acting. Beyond the two
vehicles that are called the lesser vehicles, the vehicle of enlightening
beings has four types that are not the same: one is that of enlightening beings
who cultivate emptiness and selflessness; second is that of enlightening beings
who gradually see the buddha-nature; third is that of enlightening beings who
see buddha-nature all of a sudden; fourth is those enlightening beings who, by
means of the inherently pure knowl edge of the enlightened, and by means of
various levels of intensive practice, develop differentiating knowledge, fulfill
the practice of Universal Good and develop great benevolence and compassion.
As for the Lankavatara Scripture, its teaching is based on five
elements, three natures, eight consciousnesses, and twofold selflessness. The
five elements are forms, names, arbitrary conceptions, correct knowledge, and thusness. The three
natures are the nature of mere imagination, the nature of relative existence,
and the nature of absolute emptiness: the imaginary nature means the
characteristics of things as we conceive of them are mere descriptions,
projections of the imagination; the relative nature means that things exist in
terms of the relation of sense faculties, sense data, and sense consciousness;
the absolute nature means that the imaginary and relative natures are not in
themselves ultimately real. The eight consciousnesses are the five
sense-consciousness, the conceptual consciousness, the discriminating
judgemental consciousness, and the cumulative or repository
"storehouse" consciousness. The twofold self lessness is the
selflessness of persons and of things.
According to this scripture, there is a mountain in the south seas
called Lanka, where the Buddha expounded this teaching. This mountain is high
and steep and looks out over the ocean; there is no way of access to it, so
only those with spiritual powers can go up there. This represents the teaching
of the mind-ground, to which only those beyond cultivation and realization can
ascend. "Looking out over the ocean" represents the ocean of mind
being inherently clear, while waves of consciousness are drummed up by the wind
of objects. The scripture wants to make it clear that if you realize objects
arc inherently empty the mind-ocean will be naturally peaceful; when mind and
objects are both stilled, everything is revealed, just as when there is no wind
the sun and moon are clearly reflected in the ocean.
The Lankavatara Scripture is intended for enlightening beings of
mature faculties, all at once telling them the active consciousness bearing
seed like impressions is the matrix of enlightenment. Because these enlight
ening beings arc different from the practitioners of the two lesser vehicles
who annihilate consciousness and seek quiescence, and because they are
different from the enlightening beings of the Prajnaparamita Scriptures who
cultivate emptiness and in whom the inclination toward emptiness is dominant,
this scripture directly
explains the total reality of the fundamental
nature of the substance of consciousness, which then be comes the function of
knowledge. So just as when there is no wind on the ocean the images of objects
become clearer, likewise in this teaching of the mind ocean if you comprehend
that reality is consciousness it becomes knowledge. This scripture is different
from the idea of the Sandhinirmocana Scripture, which specially sets up a ninth
"pure" consciousness to guide beginners and gradually induce them to
remain in the realm of illusion to increase enlightenment, not letting their
minds plant seeds in voidness, and not letting their minds become like spoiled
fruitless seeds by onesidedly rejecting the world. So the Sandhinirmocana
Scripture is an elementary gateway to entry into illusion, while the
Lankavatara and Vimalakirtinirdesa Scriptures directly point to the funda
mental reality of illusion. The Lankavatara explains the storehouse con
sciousness as the matrix of enlightenment, while the Vimalakirtinirdesa
examines the true character of the body, seeing it to be the same as Buddha.
The Lankavatara and Vimalakirtinirdesa Scriptures are roughly
similar, while the Sandhinirmocana is a bit different. The Flower Ornament is
not like this: the body and sphere of the Buddha, the doors of teaching, and
the forms of practice are far different. It is an emanation body which expounds
the Lankavatara, and the realm explained is a defiled land; the location is a
mountain peak, and the teaching explains the realm of consciousness as real;
the interlocutor is an enlightening being called Great Intellect, the teaching
of the emanation Buddha is temporary, and the discourse of Great Intellect is
selective. As for the teaching of The Flower Ornament Scripture, the body of
Buddha is the fundamental reality, the realm of the teaching and its results is
the Flower Treasury; the teaching it rests on is the fruit of buddhahood, which
is entered through the realm of reality; the interlocutors are Manjushri and
Universally Good. The marvelous function ofknowledge ofnoumenon and phenom
ena, the aspects of practice of five sets of ten stages, and their causes and
effects , merge with each other; the substances of ten fields and ten bodies of
buddhahood interpenetrate. It would be impossible to tell fully of all the
generalities and specifics of The Flower Ornament.
Next, to deal with the Vimalakirtinirdesa Scripture, this is based
on inconceivability. The Vimalakirtinirdesa Scripture and The Flower Ornament
Scripture have ten kinds of difference and one kind of similarity. The spheres
of difference are: the arrays of the pure lands; the features of the body of
Buddha as rewards of religious practice
or emanated phantom manifestations; the inconceivable spiritual powers; the
avenues of teaching set up to deal with particular faculties ; the
congregations who come to hear the teachings; the doctrines set up; the
activity manifested by the enlightening being Vimalakirti; the location of the
teaching; the com pany of the Buddha; and the bequest of the teaching. The one
similarity is that the teachings of methods of entry into the Way are generally
alike.
First, regarding the difference in the arrays of the pure lands, in the case of the
pure land spoken of in the Vimalakirtinirdesa Scripture Buddha presses the
ground with his toe, whereupon the billion-world universe is adorned with
myriad jewels, like the land of Jewel Array Buddha, adorned with the jewels of
innumerable virtues. All in the assembly rejoice at this wonder and see
themselves sitting on jewel lotus blossoms. But this scripture still does not
speak of endless arrays of buddha-lands being in one atom. The Flower Ornament
Scripture fully tells of ten realms of Vairocana Buddha, ten Flower Treasury
oceans of worlds-each ocean of worlds containing endless oceans of worlds,
interpenetrating each other again and again, there being endless oceans of
worlds within a single atom. The complete sphere of the ten Buddha-bodies and
the sphere of sentient beings interpenetrate without mutual obstruction; the
arrays of myriad jewels are like lights and reflections. This is extensively
recounted in The Flower Ornament Scripture; it does not speak of the
purification and adornment of only one billion-world universe.
Second, regarding the difference in the features of the Buddhas'
bodies, being rewards or emanations, the Vimalakirti Scripture is ex pounded
by an emanation Buddha with the thirty-two marks of great ness, whereas The
Flower Ornament is expounded by the Buddha of true reward, with ninety-seven
marks of greatness and also as many marks as atoms in ten Flower Treasury
oceans of worlds.
Third, the difference in inconceivable spiritual powers: according
to the Vimalakirti Scrip ture's explanation of the spiritual powers of enlight
ening beings, they can fit a huge mountain into a mustard seed and put the
waters of four oceans into one pore; also Vimalakirti's little room is able to
admit thirty-two thousand lion thrones, each one eighty-four thousand leagues high.
Vimalakirti takes a group of eight thousand enlightening beings, five hundred
disciples, and a hundred thousand gods and humans in his hand and carries them
to a garden; also he takes the eastern buddha-land of Wonderful Joy in his hand
and brings it here to earth to show the congregation, then returns it to its
place. These miraculous powers are just shown for the benefit ofdisciples and
enlight ening beings who arc temporarily studying the three vehicles . Why?
Because disciples and enlightening beings studying the temporary teach ings do
not yet see the Way truly, and have not yet forgotten the distinction of self
and other. The miracles shown are based on the perception of the sense
faculties , and all have coming and going, bound aries and limits. Also they
are a temporary device of a sage, intended to arouse those of small faculties
by producing miracles through spiritual powers, to induce them to progress
further. Therefore they are not spontaneous powers. The Flower Ornament
Scripture says it is by the power of fundamental reality, because it is the
natural order, the way things are in truth, that it is possible to contain all
lands of Buddhas and sentient beings in one atom, without shrinking the worlds
or expanding the atom. Every atom in all worlds , like this, also contains all
worlds.
As The Flower Ornament Scripture says, enlightening beings attain
enlightenment in the body of a small sentient being and extensively liberate
beings, while the small sentient being does not know it, is not aware of it.
You should know that it is because Buddha draws in those of lesser faculties by
temporary teachings that they sec Buddha outside themselves manifesting
spiritual powers that come and go-in the true teaching, by means of inherent
fundamental awareness one becomes aware of the fundamental mind, and realizes
that one's body and mind, essence and form, are no different from Buddha, and
so one has no views of inside or outside, coming or going. Therefore Vairocana
Buddha's body sits at all sites of
enlightenment without moving from his original place; the congregations from
the ten directions go there following the teaching without moving from their
original places. There is no coming and
going at all, nothing produced by miraculous powers . This is why the scripture
says it is this way in principle, in accord with natural law. When the
scripture says time and again that is by the spiritual power of Buddha and also
thus in principle or by natural law, it says "by the spiritual power of
Buddha" to put forward Buddha as what is honorable, and says "it is
thus in principle" or "by natural law" to put forward the
fundamental qualities of reality. There is no change at all, because every
single land, body, mind, essence, and form remain as they originally arc and do
not follow delusion-all objects and realms, great and small, are like lights,
like images, mutually reflecting and interpen etrating, pervading the ten
directions, without any coming or going, without any bounds. Thus within the
pores of each being is all of space-it is not the same as the temporary
teaching of miraculous p owers with divisions, coming and going, which cause
illusory views differing from the fundamental body of reality, blocking the
knowledge of the essence of fundamental awareness of true enlightenment. This
is why the enlightening being Vimalakirti set forth the true teaching after
showing miracles. The Vimalakirti Scripture says, "Seeing the Buddha is
like seeing the true character of one's own body; I see the Buddha doesn't come
from the past, doesn't go to the future,
and doesn't remain in the present. "Because those of small views studying
the temporary teaching crave wonders , the enlightening being uses crude means
according to their faculties to induce them to learn, and only then gives them
the true teaching. One should not cling to phantoms as real and thus
perpetually delude the eye of knowledge. Recognizing the temporary and taking
to the true, one moves into the gate of the realm of reality. That which is
contrived can hardly accomplish adaptation to condi tions, whereas the
uncontrived has nothing to do. Those who
strive labor without accomplishment, while nonstriving, according with con
ditions, naturally succeeds . In effortless accomplish ment, effort is not wasted;
in accomplishment by effort, all effort is impermanent, and many eons of
accumulated cultivation eventually decays. It is better to instantly realize
the birthlessness of interdependent origination, tran scending the views of
the temporary studies of the three vehicles .
Fourth is the difference in the teachings set up in relation to
people of particular faculties . The Vimalakirti Scripture is directed toward
those of faculties corresponding to the two lesser vehicles, to induce them to
aim for enlightenment and enter the great vehicle. It is also directed at
enlightening beings who linger in purity, whose compassion and knowledge is not
yet fully developed, to cause them to progress further. Therefore, in the
scripture when a group of enlightening beings from a pure land who have come
here arc about to return to their own land and so ask Buddha for a little
teaching, the Buddha, seeing that those enlightening beings are lingering in a
pure land and their compassion and knowledge are not yet fully developed,
preaches to them to get them to study finite and infinite gates of liberation,
telling them not to abandon benevolence and compassion and to set the mind on
omnis cience without ever forgetting it, to teach sentient beings tirelessly,
to always remember and practice giving, kind speech, beneficial action, and
cooperation, to think of being in mediative concentration as like being in
hell, to think of being in birth and death as like being in a garden pavilion,
and to think ofseekers who come to them as like good teachers. This is
expounded at length in the Vimalakirti Scripture.
This Vimalakirti Scripture addresses those of the two and three
vehicles whose compassion and knowledge are not fully developed, to cause them
to gradually cultivate and increase compassion
and knowledge-it doesn't immediately point out the door of buddhahood,
and doesn't yet say that beginners in the ten abodes realize true
enlightenment, and doesn't show great wonders, because its wonders all have
bounds.
Fifth is the difference in the assemblies who gather to hear the
teaching. In the Vimalakirti Scripture, except for the great enlightening
beings such as Manjushri and Maitrcya and the representative disciples such as
Shariputra, all the rest of the audience are students of the temporary
teachings of the three vehicles . Even if there are enlightening beings therein
who are born in various states of existence and bring those of their kind
along, they all want to develop the temporary studies of the three vehicles, and
gradually foster progress; the scripture does not yet explain the complete
fundamental vehicle of the Buddhas. In the case of The Flower Ornament
Scripture, all those who come are riding the vehicle of the Buddhas-enlightcncd
knowledge, the virtues of realization, the inherent body of reality. They are
imbued with Universally Good practice, appear reflected in all scenes of
enlightenment in all oceans of lands, and attain the fundamental truth, which
conveys enlightenment. There is not a single one with the faculties and
temperament of the three vehicles ; even if there are any with the faculties
and potential of the three vehicles, they are as though blind and death,
unknowing, unaware, like blind people facing the sun, like death people
listening to celestial music.
Vessels of the three vehicles who have not yet consummated the p
ower of the Way and haven't turned their minds to the vehicle of complete
buddhahood are always in the sphere of Buddhas in the ocean of the realm of
reality, with the same qualities and same body as Buddha, but they never are
able to believe it, are unaware of it, do not know it, so they seck vision of
Buddha elsewhere. As The Flower Ornament Scripture says, "Even if there
arc enlightening beings who practice the six ways of transcendence and
cultivate the various elements of enlightenment for countless billions of eons,
if they have not heard this teaching of the inconceivable quality of Buddha, or
if they have heard it and don't believe or understand it, don't follow it or
penetrate it, they cannot be called real enlightening beings, because they
cannot be born in the house of the Buddhas ." You should know the
audiences are totally different-in the Vimalakirti Scripture the earthlings are
not yet rid of discrimination, while the group from a pure land retain a notion
of defilement and purity. Such people's views and understanding are not yet
true-sticking to a pure land in one realm, though they be called enlightening
beings, they are not well rounded in the path of truth and they don't
completely understand the Buddha's meaning. Though they aspire to enlighten
ment, they want to remain in a pure land, and because they set their minds on
that, they are alienated from the body of reality and the body of knowledge.
For this reason the Saddharmapundarika Scripture says, "Even countless
nonregressing enlightening beings cannot know. " As for the audience of
The Flower Ornament, their own bodies are the same as the Buddha's body, their
own knowledge is the same as the Buddha's knowledge; there is no difference.
Their essence and characteristics contain unity and multiplicity, and sameness and distinction. Dwelling in
the water ofknowledge of the realm of reality, they appear as dragons; living in
the mansion of nirvana, they manifest negativity and positivity, to develop
people. Principal and companions freely interreflect and integrate, teacher and
student merge with one another, cause and effect interpenetrate. All of The
Flower Ornament audience are such people.
Sixth, regarding the difference in doctrines set up, the
Vimalakirti Scripture uses the layman Vimalakirti manifesting a few
inconceivable occult displays to cause those of the two lesser vehicles to
change their minds. Also Vimalakirti, in the midst of birth and death, appears
to be physically ill to have people know defilement and purity are nondual.
Also the scripture represents the great compassion of the enlightening being,
the "enlightening being with sickness" accepting the pains of the
world, and extensively sets forth aspects of nonduality. It sets up concen
tration and wisdom, contemplation and knowledge, which it uses to illustrate
that the principle of nonseeking is most essential. Thus it says, "Those
who seek truth should not seek anything. " Nevertheless, it is not yet
comparable to The Flower Ornament's full exposition of the teachings of
sameness and distinction and cause and effect of the forms of practice of five
and six levels-ten abodes, ten practices, ten concentra tions, ten
dedications, ten stages, and equalling enlightenment.
Seventh, regarding the difference of the activity manifested by
the enlightening being Vimalakirti, in order to represent great compassion
Vimalakirti appears to enter birth and death and shows the actions of its
ailments. In The Flower Ornament Scripture Vairocana, by great compas sion,
appears to enter birth and death and accomplish the practice of true
enlightenment, illustrating great knowledge able to appear in the world.
Eighth, regarding the difference in the locations of the
teachings, the expounding of the Vimalakirti Scripture takes place in a garden
in the Indian city of Vaishali and in Vimalakirti's room; the expounding of The
Flower Ornament Scripture takes place at the site of enlightenment in the
Indian nation of Magadha, and in all worlds, and in all atoms.
Ninth, regarding the difference in the company of the Buddha, at
the time of the preaching of the Vimalakirti Scripture, the Buddha's constant
company consisted of only five hundred disciples; at the time of the preaching
of The Flower Ornament, all the Buddha's company were great enlightening beings
of the one vehicle, and there were as many of them as atoms in ten
buddha-fields, all imbued with the essence and action of Universally Good and
Manjushri.
Tenth, regarding the difference in the bequest of the teaching, in
the Vimalakirti Scripture's book on handing over the bequest it says that
Buddha said to the enlightenment being Maitreya, "Maitreya, I now entrust
to you this teaching of unexcelled complete perfect enlighten ment, which I
accumulated over countless billions of ages. " Thus the teaching of this
scripture is bequeathed to those who have already become enlightening beings
and have been born in the family of Bud dhas. In The Flower Ornament Scripture's
book on manifestation of Buddha, the bequest of the teaching of the scripture
is made to ordinary people who as beginners can see the Way and be born in the
family of Buddhas. Why? This scripture is difficult to penetrate-it can only be
explained to those who can realize it by their own experience. This represents
the three vehicles as temporary, because the sage exhorts cultivation and
realization in the three vehicles , and anything attained is not yet real, and
because the doctrines preached are not yet real either. Therefore The Flower
Ornament Scripture says, "The treasure of this scripture does not come
into the hands of anybody except true offspring of Buddha, who are born in the
family of Buddhas and plant the roots of goodness, which are seeds of
enlightenment. If there are no such true offspring of Buddha, this teaching will scatter and perish before
long." It may be asked, "True offspring of Buddha are numberless-why
worry that this scripture will perish in the absence of such people?" The
answer to this is that the intent of the scripture is to bequeath it to
ordinary people to awaken them and lead them into this avenue to truth, and
therefore cause them to be born in the family of Buddhas and have them prevent
the seed of buddhahood from dying out. Thus ordinary people are caused to gain
entry into reality. If it were bequeathed to great enlightening beings, the
ordinary people would have no part in it. The sages made it clear that if there
were no ordinary people who study and practice, the seed of buddhahood would
die out among ordinary people, and this scripture would scatter and perish.
This is why the scripture is bequeathed to ordinary people, to get them to
practice it; it is not bequeathed to already established great enlightening beings
who have long seen the Way.
As for the similarity of means of entering the Way, the
Vimalakirti Scripture says, "Those who seek the truth shouldn't seek
anything, " and "Seeing Buddha is like seeing the true character of
one's own body; I see the Buddha does not come from the past, go to the future, or remain in the present,
" and so on. These doors of knowledge of elementary contemplations are
about the same as The Flower Ornament Scrip ture, but the forms of practice,
means of access, order, and guidelines are different.
Next, to compare the Saddharmapundarika Scripture to The Flower
Ornament Scripture, the Saddharmapundarika is based on merging the temporary in
the true, because it leads people of lesser, middling, and greater faculties
into the true teaching of the one vehicle, draws myriad streams back into the
ocean, returns the ramifications of the three vehicles to the source. Scholars
of the past have called this the common teaching one vehicle, because those of
the three vehicles all hear it, whereas they called The Flower Ornament the
separate teaching one vehicle, because it is not also heard by those of the
three vehicles . The Saddharmap undarika induces vessels of the temporary
teaching to return to the real; The Flower Ornament teaches those of great
faculties all at once so they may directly receive it. Though the name
"one vehicle" is the same, and the task of the teaching is generally
the same, there are many differences in the patterns. It would be impractical
to try to deal with them exhaustively,
but in brief there are ten
points of difference: the
teachers; the emanation of lights; the lands; the interlocutors who request the
teaching; the arrays of the assemblies, reality, and emana tions; the
congregations in the introduction; the physical transformation and attainment
of buddhahood by a girl ; the land where the girl who attains buddhahood lives;
the inspirations of the audiences; and the predictions of enlightenment of the
hearers.
First, regarding the difference in the teachers, the exposition of
the Saddharmapundarika is done by an emanation or phantom-body Buddha; a Buddha
who passed away long ago comes to bear witness to the scripture, and the
Buddhas of past, present, and future alike expound it. The Flower Ornament is
otherwise; the main teacher is Vairocana, who is the real body of principle and
knowledge, truth and its reward, arrayed with embodiments of virtues of
infinite characteristics. The Buddhas of past, present, and future arc all in
one and the same time; the character istics realized in one time, one cosmos,
reflect each other ad infinitum without hindrance. Because past and present are
one time, not past, present, or future, therefore the Buddhas of old are not in
the past and the Buddhas of now have not newly emerged. This is because in
fundamental knowledge essence and characteristics are equal, noumenon and
phenomena are not different. Thus the fundamental Buddha ex pounds the
fundamental truth. Because it is given to those of great faculties all at once,
and because it is not an emanation body, it is not like the Saddharmapundarika,
in which there is an ancient Buddha who has passed away and a present Buddha
who comes into the world and expounds the Saddharmapundarika.
Second, regarding the difference in emanation of lights, when ex
pounding the Saddharmapundarika the Buddha emanates light of realiza tion from
between his eyebrows; the range of illumination is only said to be eighteen
thousand lands, which all turn golden-there is still limitation, and it doesn't
talk of boundless infinity. Therefore it only illustrates the state of result,
and not that of cause. The Flower Ornament has in all ten kinds of emanation of
light symbolizing the teaching, with doctrine and practice, cause and effect; this
is made clear in the scripture.
Third, regarding the difference in the lands, when he preached the
Saddharmapundarika, Buddha transformed the world three times, causing it to
become a pure land; he moved the gods and humans to other lands, and then placed
beings from other hands here, transforming this defiled realm into a pure
field. When The Flower Ornament was expounded, this world itself was the Flower
Treasury ocean of worlds, with each world containing one another. The scripture
says that each world fills the ten directions, and the ten directions enter
each world, while the worlds neither expand nor shrink. It also says the
Buddhas attain the Way in the body of one small sentient being and edify
countless beings, without this small sentient being knowing or being aware of it. This is just because the ordinary and the sage are
the same substance-there is no shift. Within a fine particle self and other are
the same substance. This is not the same as the Saddharmapundarika Scripture's
moving gods and humans before bringing the pure land to light, which is set up
for those of the faculties of the temporary teaching, who distinguish self and
other and linger in views.
Fourth, regarding the difference in the main interlocutors who
request the teaching, in the case of the Saddharmapundarika, the disciple
Sharipu tra is the main petitioner. In The Flower Ornament, the Buddha has
Manjushri , Universally Good, and enlightening beings of every rank each
expound the teachings of their own status-these are the speakers. The Buddha
represents the state of result: bringing up the result as the cause, initiating
compassionate action, consummating fundamental knowledge, the being of the
result forms naturally, so nothing is said, because the action of great compassion
arises from uncreated fundamental knowl edge. Manjushri and Universally Good
represent the causal state, which can be explained; Buddha is the state of
result, enlightening sentient beings. The vast numbers described in the book on
the incalculable can only be plumbed by a Buddha-they are not within the scope
of the causes and effects of the five ranks of stages; hence this is a teaching
within the Buddha's own state, and so Buddhist himself expounds it. The book on
the qualities of Buddha's embellishments and lights is Buddha's own explanation
of the principles of Buddhahood after having himself fulfilled cause and
effect. The teachings in this book of the perpetual power of natural suchness
and the lights of virtue and knowledge also do not fall within the causes and
effects of the forms of practice in the five ranks of ten stages, and so the
Buddha himself explains it, making it clear that buddhahood does not have
ignorance of the subtle and most extremely subtle knowledge. The rest of the
books besides these two are all teachings of the forms of practice of the five
sets or ranks of stages, so the Buddha does not explain them himself, but has
the enlightening beings in the ranks of the ten developments of faith, ten
abodes, ten practices, ten dedications, and ten stages explain them: the Buddha
just emanates lights to represent them. In the exposition of The Flower
Ornament Scripture there is not a single disciple or lesser enlight ening
being who acts as an interlocutor-all are great enlightening beings within the
ranks of fruition of buddhahood, carrying out dialogues with each other,
setting up the forms of practice of the teaching of the realization of
buddhahood to enlighten those of great faculties. Thus it takes the fruit of
buddhahood all at once, directly taking it as the causal basis; the cause has
the result as its cause, while the result has the cause as its result. It is
like planting seeds: the seeds produce fruit, the fruit produce seeds. If you
ponder this by means ofthe power of concentration and wisdom, you can sec it.
Fifth, regarding the differences in the arrays of the assemblies,
reality and emanations, in the assembly of the Saddharmapundarika Scripture,
the billion-world universe is purified and adorned, with emanation beings filling
it, and the Buddhas therein also are said to be emanations. In the assemblies
of The Flower Ornament Scripture, however, the congregations all fill the ten
directions without moving from their original location, filling the cosmos with
each physical characteristic and land reflecting each other. The enlightening
beings and Buddhas interpenetrate, and
also freely pervade the various kinds of sentient beings. The bodies and lands
interpenetrate like reflections containing each other. Those who come to the
assemblies accord with the body of embellishment without dissolving the body of
reality-the body of reality and the body of embellishment arc one, without distinction; thus the forms are
identical to reality, none are emanations or phantoms. This is not the same as
other doctrines which speak of emanations and reality and have them mix in
congregations.
Sixth, regarding the difference of the congregations in the
introductions, in the assembly of the Saddharmapundarika, first it mentions the
disciples of Buddha, who are twelve thousand in all , then the nun
Mahaprajapati and her company of six thousand-she was the aunt of Buddha; then
it mentions Yashodhara, who was one of the wives of Buddha, then eighty
thousand enlightening beings, and then the gods and spirits and so on. The Flower Ornament Scripture is not like
this: first it mentions the leaders of the enlightening beings, who are as
numerous as atoms in ten buddha-worlds, and doesn't talk about their followers;
then it mentions the thunderbolt-bearing spirits, and after that the various
spirits and gods, fifty-five groups in all . Each group is different, and each
has as many individuals as atoms in a buddha-world, or in some cases it simply
says they are innumerable. The overall meaning of this is the boundless cosmos
of the ocean of embodiments of Buddha each body includes all, ad infinitum,
without bounds. One body thus has the
cosmos for its measure; the borders of self and other are entirely gone. The
cosmos, which is one's own body, is all-pervasive; mental views of subject and
object are obliterated.
Seventh, regarding the difference of physical transformation and
at tainment of buddhahood by a girl, in the Saddharmapundarika Scriptu re a
girl instantly transforms her female body, fulfills the conduct of enlight
ening beings, and attains buddhahood in the South. The Flower Ornament Scrip
ture is not like this; it just causes one to have no emotional views, so great
knowledge is clarified and myriad things are in essence real, without any sign
of transformation. According to the Vimalakirti Scrip ture, Shariputra says to
a goddess, "Why don't you change your female body?" The goddess says
to Shariputra, "I have been looking for the specific marks of 'woman' for
twelve years but after all can't find any what should I change?" As
another woman said to Shariputra, " Your maleness makes my femaleness.
" You should know myriad things are fundamentally "thus"-what
can be changed? In The Flower Ornament Scripture's book on entry into the realm
of reality, the teachers of the youth Sudhana-Manjushri and Samantabhadra
(Universally Good), monks, nuns,
householders, boys, laywomen , girls, wizards, and Hin dus-fifty-three people,
each are imbued with the conduct of enlighten ing beings, each are replete
with the qualities ofbuddhahood; while they are seen to be physically
dissimilar according to the people who perceive them, it is not said that there
is transformation . If you see with the eye of truth, there is nothing mundane
that is not true; if you look with the mundane eye, there is no truth that is
not mundane. Because the Saddharmap undarika addresses those with lesser,
middling, and greater faculties for the temporary teaching, whose views are not
yet ended, to cause them to develop the seed of faith, it temporarily uses the
image of a girl swiftly being transformed and becoming a Buddha, to cause them
to conceive wonder, at which only will they be inspired to aim for true
knowledge and vision. They are not ready for the fundamental truth, yet they
develop roots of goodness. This illustrates inducing those in the three
temporary vehicles back to the one true vehicle. Also it cuts through the fixed
idea of time, the notion that enlightenment takes three eons, provoking
instantaneous realization that past, present, and future are in essence
fundamentally one time, without beginning or end, in accord with the equality
of things. It rends the net of views of the three vehicles, demolishes the
straw hut of the enlightening being, and causes them to wind up at the door of
the realm of reality and enter the true abode of Buddhas. This is why it has
that girl become Buddha, showing it is not a matter of long cultivation in the
past; the fact that she is only eight years old also illustrates the present is
not past study-the time of her transformation is no more than an instant, and
she fully carries out the fruition of buddhahood without the slightest lack.
Truth is funda mentally thus-there is no time in essence.
Those involved in temporary studies block themselves with views
and miss the truth by themselves-they call it a miracle that the girl attained
buddhahood, and do not know they themselves are originally thus; completely in
the world, how can they point to eons of practice outside? If they don't get
rid of this view, they will surely miss enlightenment forever; if they change
their minds and their views vanish, only then will they realize their original
abode. It would be best for them to stop the compulsion of views right now.
They uselessly suffer through eons of pain and fatigue before they return.
As for The Flower Ornament Scripture's doctrine of the
interdependent origination of the cosmos, it makes it clear that the ordinary
person and the sage arc one reality; if one still retains views, one is blocked
from this one reality. If one retains views one is an ordinary person; if one
forgets sentiments one is a Buddha. Looking downward and looking upward,
advancing and withdrawing, contracting and expanding, hu mility and respect,
are all naturally interdependent, and are all practices of enlightening
beings-there is nothing at all with transformable char acteristics having
birth, subsistence, and extinction. Therefore this Flower Ornament teaching is
not the same as the Saddharmapundarika's girl being physically transformed and
attaining buddhahood.
Eighth, regarding the difference of the land in which the girl who
becomes a Buddha dwells , in the Saddharmapundarika Scrip tu re it says this is
the world of nondefilement in the South, not this earth. This is interpreted to
mean that nondefilement refers to the mind attaining harmony with reality, and
"the South" is associated with clarity, emp tiness, and detachment.
However, if one abides in "the South" as a separate place, then self
and other, "here" and "there" are still separate this is
still following the three vehicles to induce those with facility for the
temporary teachings to develop resolution and finally come to the
Buddha-vehicle. This is because the residual force of attachment to the three
vehicles is hard to break. Yet there is some change of mind, and though the
sense of self and other is not yet obliterated, the mind is suddenly impressed
by the body of the cosmos. This is not the same as The Flower Ornament, in
which self and other interpenetrate in each atom, standing in a universal
relationship of mutual interdependence and interpenetration.
Ninth, regarding the difference in inspirations, the
Saddharmapundarika Scripture says that when the girl attained buddhahood, all the
enlightening beings and disciples on earth, seeing her from afar becoming a
Buddha and preaching to the congregation of the time, were delighted and paid
respects to her from afar. Subsequently it says three thousand people on earth
dwelt in the stage of nonregression, and three thousand people aroused the
determination for enlightenment and received predictions of their future
buddhahood. When these six thousand people paid honor to the girl from afar and
were inspired, their discrimination between "there" and
"here" was not gone-they just pursued the created enlightenment of
the temporary studies of the three vehicles,
and had not attained the enlightenment of fundamental awareness of the
cosmos in its universal aspect, in which
self and other are one being.
The Flower Ornament is not like this : in terms of the cosmos of
universality, the teaching of universal vision, the realm of absorption in the
body of the matrix of
enlightenment, and the teaching of the
array of the cosmic net of lndra, the subtle knowledge of the interpenetration
of the whirls of the oceans of worlds is all attained at once-because
realization of one is realization of all, detachment from one is detachment
from all. Therefore within one's own body are the arrays of oceans of lands of
the ten bodies of Buddha, and within the Buddha's bodies is the realm of one's
own body. They mutually conceal and reveal each other, back and forth, over and
over-all worlds everywhere are naturally this way . It is like myriad streams returning
to the ocean: even when they have yet entered the ocean, the nature of moisture
is no different; and once they enter the ocean, they all are of the same salty
flavor. The same is true of all sentient beings-though delusion and
enlightenment differ, the ocean of original buddhahood is basically not
different.
Tenth, regarding the difference of giving the prediction of
enlightenment to the hearers, in the Saddharmapundarika Scripture, though the
girl who becomes a Buddha reflects all at once the timelessness of the
cosmos, completely revealing buddhahood,
those in the temporary studies of the three vehicles , although they have
faith, have not yet gotten rid of their residual tendencies and are not yet
able to attain immediate realizations; because they can only ascend to
enlightenment over a long period of time, they are given prediction of
enlightenment in the distant future. This is not the same as The Flower
Ornament Scripture, which teaches that when one is deluded one is in the realm
of the ordinary, and when one is enlightened one is then a Buddha-even if there
are residual habits, one uses the knowledge and insight ofbuddhahood to cure
them. Without the knowledge and insight of buddhahood, one can only manage to
analyze and subdue habits and cannot enter the rapids of buddhahood, but can
only enter buddhahood after a long time.
Because the faculty of faith of beginners in the three vehicles is
inferior, they are not able to get rid of their bondage; they are fully wrapped
up in their many ties and arc obsessed with the vicissitudes of mundane life.
Though they seck to transcend the world, their capacities arc inferior and they
get stuck and regress. This is why the Buddha has them contemplate such points
as birth, aging, sickness, death, impermanence, impurity, instantaneous decay,
and continual instability to cause them to become disillusioned. When they
develop rejection of the world, their minds dwell on the distinction between
purity and defilement; for the benefit of this type of people, who, though they
cultivate compassion and knowledge in quest of buddhahood, still think of a
pure land as elsewhere, and because they have not obliterated their partial
views characteristic of the three vehicles and so always see this world as
impure, the Buddha explains cause and effect and settles their doubts, and
temporarily makes the world pure, and then withdraws his mystic p ower so they
will again see defilement.
Due to the habit of those in the three vehicles of viewing
everything in terms of impermanence, selflessness, and emptiness, their minds
are hard to change; though the girl in the Saddharmapundarika shows the Buddha
vehicle all at once, and though they believe in it, yet they cannot yet realize
it immediately themselves. For this reason the predictions of full
enlightenment in the Saddharmapundarika assembly all refer to long periods of
time. The Saddharmapundarika gradually leads to The Flower Ornament, whereupon
they are directly taught that the determination for enlightenment is itself buddhahood.
There are two aspects of similarity between the Saddharmapundarika
and The Flower Ornament Scriptures. One is that of riding the vehicle of
buddhahood directly to the site of enlightenment. The vehicle of bud dhahood
is the one vehicle. As The Flower Ornament Scrip ture says, among all people
there are few who seek the vehicle of hearers, Buddhism disciples, even fewer
who seek the vehicle of individual illumination, while those who seek the great
vehicle are very few; yet it is easy to seek the great vehicle compared to the
great difficulty of believing in The Flower Ornament teaching. The scripture
also says that if there are any people who are fed up and depressed or
obsessed, they are taught the path of disciples
to enable them to escape from suffering; to those who are somewhat clear and
sharp in mind the principle of conditioning is explained, to enable them to
attain individual illumination; to those who willingly practice benevolence and
compassion for the benefit of many, the path of enlightening beings is
explained; if there are any who are intent on the matter of greatest
importance, putting the teachings of infinite enlightenment into operation,
they are taught the path of the one vehicle. This is the distinction of four
vehicles in The Flower Ornament Scripture; as for the Saddharmapundarika, it
sets out three temporary vehicles and finally reveals the true teaching, which
is the Buddha vehicle-there is no real second or third vehicle. The four
vehicles of these two scriptures coincide in their definitions, but the manner
of teaching is different.
Then again in the Saddharmapundarika it says that "Only this
one thing is true-the other two are not real. " Going by this passage, it
seems to be setting up three vehicles , but actually it is four teachings: the
one thing which is true is the Buddha-vehicle, while the other two refers to
the great vehicle ofenlightening beings and the lesser vehicles of individ ual
illuminates and hearers, the latter being considered together because they are
alike in respect to their revulsion to suffering.
Also, the girl in the Saddharmapundarika reflecting the nature of
past, present, and future in one instant, and the statement that there is not
the slightest shift from ordinary person to sage, are about the same as the
teaching of the understanding and practice and entry into the Way by the youth
Sudhana in the last book of The Flower Ornament Scripture. As for Sudhana's
attainment of buddhahood in one life, within an instant he realized the nature
of past, present, and future is wholly equal. This and the girl's instant
transformation to buddhahood are both in accord with fundamental truth, because
this is the way things are.
As for the Nirvana Scripture, it is based on the buddha-nature. It
has ten points of difference with The Flower Ornament Scripture, and one
similarity. The differences are as follows : the location; the arrays of the
realms; the audiences; the interlocutors of the teachings; the audiences'
hearing of the teaching; the purity or defilement of the lands of reward; the
temporariness and reality of the Buddha-body; the patterns of birth and
extinction; the forms of practice of the teachings; and the models of
companionship. The one point of similarity is illustrated by the Nirvana Scripture's
image of an herb in the snowy mountains of such a nature that cows who eat it
produce pure ghee with no tinge of blue, yellow, red, white, or black.
Regarding the first difference, that of location, the Nirvana
Scripture is preached between the twin trees on the bank of the Hiranyavati
River in Kushinagara, whereas The Flower Ornament is preached under a jewel
enlightenment tree at the sight of enlightenment in Magadha.
Second, regarding the difference in array of the realm, when the Nirvana Scripture was
expounded, the hallowed ground between the trees was thirty-two leagues in
length and breadth, completely filled by a great congregation. At that time the
places where the boundless hosts of enlightening beings and their companies sat were infinitesimal, like
points: all the great enlightening beings from all buddha-lands came and
assembled. Also it says that at that time, by the Buddha's power, in all the
worlds in that billion-world universe the ground was soft, level, uncluttered,
free from brambles, and arrayed with myriad jewels like the western paradise of
the Buddha of Infinite Life. Everyone in this great assembly saw all the
buddha-lands, numerous as atoms, as clearly as seeing themselves in a mirror.
Also it says that the trees suddenly turned white. This is all extensively
described in the scripture.
Now when The Flower Ornament Scripture was expounded, there were
ten flower-treasury oceans of worlds, each with twenty layers above and below.
On the bottom layer there are as many vast lands as atoms in one buddha-field,
each with as many satellite lands as atoms in ten buddha fields; this
increases with each successive layer. All of the worlds in these oceans of
worlds have adamantine soil, with trees, pavilions, palaces, mansions, lakes, seas,
all adorned with precious substances. As the scripture says, "One time the
Buddha was in the land of Magadha, at the site of enlightenment in a forest,
having just realized true enlightenment: the ground was made of adamantine
diamond, adorned with discs of exquisite jewels, flowers of myriad jewels, and
clear crystals," and so on, going on to say how all the adornments of
inconceivable cons of all buddha-lands were included and revealed there. This
is eulogizing the adornments of the sphere of Buddha. This is also extensively
described in the book
on the Flower Treasury universe: these arc the adornments of the
Buddha's own body of true reward, not like in the Nirvana Scripture where
Buddha uses mystic power to temporarily
purify the world
for the assembly. The reason for this is that in the Nirvana Scrip ture
the audience is a mixture of those with the faculties of the three vehicles, so
there would be no way for them to see this purity by themselves without the
support of the Buddha's spiritual power. In the case of The Flower Ornament the
audience is pure and unmixed, being only those with the faculty for the one
vehicle; the disciples of the lesser vehicle who are in the crowd do not
perceive these adornments of Buddha's realm, because their faculties are
different. Although the scripture says "by the spiritual power of Buddha,
" afterwards it says, after all, that it is by the power of natural law
being so, or it is so in principle. Here, "spiritual" or
"mystic" means accord with reality; it doesn't mean that someone who
is actually an ordinary person is given a temporary vision. The Flower Ornament
basically shows the true reward, while the spiritual p ower of the Nirvana
Scrip ture is a temporary measure. Also, the Nirvana Scripture has Buddha's
pure land in the west, beyond as many buddha-lands as particles of sand in
thirty-two Ganges Rivers-it is not here.
This obviously is a projec tion, and not real.
Third, regarding the difference in the audiences, all in the
audience of the Nirvana Scripture are human or celestial in nature, with those
of the three vehicles coming together: except for the great enlightening
beings, when they remember the Buddha they weep; bringing fragrant firewood for
the cremation, they grieve and lament, missing the days when they attended the
Buddha. All such people arc suited to hearing
that the Buddha passes away;
except for the enlightening beings of the one vehicle who have penetrated
Buddha-knowledge, all the others are like this. The audience of The Flower Ornament
Scripture consists of enlightening beings in the ranks of fruition of
buddhahood, in the ocean of knowledge of essence, all of whom are on the one
vehicle. The humans, celestials,
spirits, etc. arc all of the same faculties and enter the stream of Buddha
knowledge. In the first assembly it says that the enlightening beings, as many
of them as atoms in ten buddha-worlds, are all born from the ocean of the roots
of goodness of Buddha. The ocean of roots of goodness is the ocean of knowledge
of the reality body of Buddha, born of great knowledge. All Buddhas have as
their basis the fundamental knowledge of the body of reality-if enlightening
beings were not born from this, all their practices would be fabricated.
This congregation, from the first
inspiration to the entry into the ocean of Buddha-knowl edge, go through six
levels, cultivating ten develop ments of faith, ten abodes, ten practices, ten
dedications, ten stages, and equaling enlightenment, from shallow to deep, the
forms of practice diverse. This is not like the Nirvana Scripture, in which the
three vehicles are alike included, and the good types of humans and celcstials
come to the same assembly; in The Flower Ornament Scripture, those of the three vehicles are not in the
congregation, or even if they are, they are as though deaf, not hearing. So you
should know the assembly of those of the three vehicles in the
Nirvana
Scripture-enlightening
beings, Buddha's disciples,
hu mans, celestials, etc. -- is
not the same
as that of
The Flower Ornament Scripture, which consists only of
enlightening beings in the one vehicle, whose rank when they first set their
minds on enlightenment is the same as the rank of Buddha, who enter the stream
of knowledge of Buddha, share the same insight and vision as Buddha, and are
true offspring of Buddha.
Fourth, regarding the difference in the interlocutors, in the
Nirvana Scripture the main petitioners for the teaching are the enlightening
being Kashyapa, the enlightening beings Manjushri and Sinhanada, and Shari
putra, and so on, who are models of the teachings. The Devil, who is also a
principal petitioner, urges the Buddha to pass away. As for The Flower Ornament
Scripture, the leaders who set up the teachings are Universally Good, Manjushri,
Chief in Awareness, Truth Wisdom, For est of Virtues, Diamond Banner, Diamond
Matrix, and so on. In this way there arc ten "chiefs, " ten
"wisdoms, " ten "forests," and ten "matrices, "
great enlightening beings within the ranks of fruition of buddhahood, who set
up the teachings of forms of practice
of fruition of buddhahood in several ranks. Thus because these ranks are
identical to buddhahood and buddhahood is identical to these ranks, it shows
that in each rank there is fruition of buddhahood.
The enlightening beings who carry on dialogues setting up the
teach ings in The Flower Ornament are all enlightening beings from the ten
directions and from this world; all spiritually penetrate the source of
reality, their knowledge is equal to the cosmos: appearing as reflections or responses in the
ten directions, they arrive without coming or going. Their devices, in accord
with the nature of things, are not accomplished by coming and going. Even in
the minutest atomic particle there are infinite clusters of bodies; in a fine
hair an inconceivable ocean of forms is manifest. All things in the cosmos are
like this . In all places, the enlightening beings are suddenly there, without
having come from anywhere; suddenly they are absent, without having gone
anywhere. In all places and times, in the physical forms of living beings, the
moun tains, rivers, seas, and space of the environment, they appear in
physical forms , freely being and not being, infinitely interpenetrating and
inter reflecting. These arc all great enlightening beings, and therefore are
not like the enlightening being Kashyapa or the disciple Shariputra in the
Nirvana Scripture, who were born in human homes and appeared in the same state
as ordinary people to lead the people in the three vehicles, who felt sad and
wept on the passing of the Buddha.
Fifth, regarding the difference in the aGdiences' hearing of the
teach ing, the Nirvana Scriptu re is for those of the lesser vehicles and
enlighten ing beings involved in the temporary teaching, who carry out various
contemplative practices without having yet gotten rid of the obstruction of
clinging, and so are obsessed with the practice and cling fast to the forms of
practice, thus missing, in these forms of practice, the funda mental essence
of the uncreated body of reality, which has no proof or practice; by means of
practice, cultivation develops and becomes mani fest, constructing
realizations of the subject and object, enlightenment and nirvana: for these
people the Buddha explains in this Nirvana Scrip ture that all practices are
impermanent, being things that are born and perish, and that when birth and
destruction die out, extinction is bliss. This is because the good conduct
practiced and the realizing enlightenment are born phenomena, and the realized
nirvana is the phenomenon of extinc tion: since the mind retains subject and
object, birth and extinction do not cease, and while birth and extinction do
not cease one fails to penetrate the truth. Now this Nirvana Scripture therefore
explains that when the practices, the realizing enlightenment, and the realized
nirvana all become extinct, only then does one accord with truth: so it says,
"All practices are impermanent-they are born and perish. When birth and
decay have passed away, silent extinction is bliss." This is why the
Buddha disappeared. When the sense of subject and object is ended, that is
called great nirvana.
The nirvana of the two lesser vehicles can have subject and
object, and has cultivation and realization-therefore it is called created
noncontam ination. The nirvana of the Buddha has no subject or object: for
this reason, in the Nirvana Scrip ture Cunda says to the enlightening being
Manjushri, "Don't say the Buddha is the same as practices If you say the Buddha is the same
as practices, then you cannot say Buddha is free. " Therefore great
ultimate nirvana informs those of the three vehicles that all practices, the
enlightenment which realizes, and the nirvana which is realized, are all
impermanent. Since that which is born is originally nonexistent, extinction is
not experienced. No practice, no cultivation, is called great nirvana, and it
is called complete tranquility. Therefore the Nirvana Scripture has those in
the three vehicles who are attached to practices detach from practice and
cultivation, and has those with an object of realization carry out
no-realization and no-cultivation.
As for The Flower Ornament Scripture, the congregations from other
regions and the people of this world, in the ranks of the assembly, from their
very first determination for enlightenment immediately arrive at noumenal and
phenomenal freedom, the merging of principle and ac tion. Principle and action
are reflected at once, without before, after, or in between. All of this is
naturally so, based on the fundamental truth. If you keep thinking of beginning
and end, cause and effect, before and after, this is all mundane feelings, all
birth and death, having becoming and disintegration, all a matter of breaking
bonds according to faculties, not a matter of the true source of fulfillment of
buddhahood.
The various teachings' methods of guiding people all lead into The
Flower Ornament's ocean of fruition of knowledge of truth-this is their true
goal. The avenues of the teaching are clear, the guiding mirror is evident; you
should read through the whole scripture, with contempla tive knowledge
illuminating it as you go along: the mind opening up to understanding, the
clouds will disperse from the sun of knowledge. Suddenly you will ascend the
peak of wonder, surveying the ocean of knowledge; the two views of ordinary and
holy will be washed away by the water of concentration, and the two gates of
compassion and wisdom will appear through the spiritual body. This Flower Ornament
Scripture is expounded directly to those of supremely great hearts; it is like
directly bestowing monarchy on a commoner. It is like dreaming of a thousand
years, all to vanish upon awakening. This is like the saying of the Nirvana
Scripture that there is a certain herb in the snowy mountains; the
cows that eat this produce pure ghee, with no tinge
of blue, yellow, red, white, or black. Like this, people with
the broadest minds immediately see the buddha-nature and thereupon attain true
enlightenment, not coming to it gradually from lesser states . This is why we
say the hearing of the audiences is different-the Nirvana Scripture
unifies the branches and proceeds from the essence, but
does not yet talk about the simulta neous operation without interference of
knowledge and compassion, the real and the conventional.
Sixth, regarding the difference in purity and defilement of the
lands of reward, in the Nirvana Scripture the Buddha's land of reward is placed
in the West, past as many buddha-lands as grains of sand in thirty-two Ganges
Rivers-this is said to be the land of spiritual reward of Shakya muni Buddha.
This is because those involved in the temporary studies of the three vehicles
have not transcended defilement and purity and see this world as polluted,
evil, and impure; the Buddha therefore temporarily points out a land of reward
in the West. In the doctrine of true teaching of The Flower Ornament, this very
world itself is pure, without defile ment, and the worlds of the ten
directions are pure and flawless. This is because for enlightening beings of
the true teaching defilement and purity are ended, so the world is thoroughly
pure; enlightening beings of the
temporary teaching sec
defilement by themselves
where there is no defilement, and therefore Buddha points out a land of
reward in the West.
Seventh, regarding the difference in the temporariness and reality
of the embodiment of Buddha, the Buddha in the Nirvana Scripture with
thirty-two marks of greatness is temporary, while the true principle of
complete tranquility is real. Since the measureless arrays of all marks of
spiritual reward exist dependent upon the real, therefore according to The
Flower Ornament Scripture the thirty-two marks of Vairocana Buddha enter the
Buddha of nirvana-both are realm
noumenon and phenomena are nondual; without destroying the body of reality,
Buddha accords with the ocean of forms, measureless, endless. Forms, essence,
reward, and principle interidentify; they are like lights and reflections,
freely merging.
Eighth, regarding the difference in manifestations of birth and
extinc tion, in the Nirvana Scripture there is set up, for the people of the
vehicles of discipleship and individual awakening, Buddha's spiritual descent from Tushita heaven, birth
on earth, and so on, till his entry into final nirvana. For enlightening beings
of the great vehicle it says Buddha does not descend from heaven into the
mother's womb; it says Buddha is eternal, blissful, self, and pure,
beginningless and endless, unborn and unperishing, yet temporarily disappears.
Then it posits a land of reward, which it calls Shakyamuni Buddha's land of
reward, far away in the West. It makes this earth out to be a phantom land, a
realm of defilement. The Nirvana Scripture contains these things that are
different from The Flower Ornament, to lead those with facility for the
temporary teaching. The Flower Ornament is otherwise: it directly points out
the teaching of the fundamental body, the fundamental reality, going
beyond emotional and intellectual views, without
beginning or end, void of any sign of past, present, or future, one complete
real reward, unborn, unperishing, not eternal, not finite, the ocean of
realization in which essence and form interpenetrate freely. The emptiness of a
single atom has no difference throughout the cosmos; different types of people
create hindrance and bondage, their faculties and capacities are not equal, and
the temporary and the true are not the same, so as a result there are myriad differences
in ways of teaching. One should know the temporary and the true, one should
recognize the provisional and practice the real, and not miss the true teaching
by sticking to a temporary school.
Ninth, regarding the difference in the forms of practice of the
teach ings, according to the Nirvana Scripture even enlightening beings in the
tenth stage do not clearly know or see the buddha-nature. So it proceeds from
the ten outgrowths of faith of the ordinary person and later comes to the ten
abodes, where the enlightening beings see the buddha-nature a little bit: the
Nirvana Scripture sets up the process of ten abodes, ten practices, ten
dedications, and ten stages, to be cultivated gradually only in the stage of
equally enlightenment does it clarify the fulfillment of practice producing
fruition, and only the state of ineffable enlighten ment is finally
buddhahood. Then again, it also says there is an herb in the snowy mountains;
the cows that eat this produce pure ghee with no tint of blue, yellow, red,
white, or black-so it also expounds the teachings of immediate realization.
In the Nirvana Scripture there are after all types of teachings of
five vehicles , six vehicles , seven, eight, nine, and ten vehicles. There are
three kinds of vehicles of enlightening beings beyond the two vehicles of
hearers and individual
illuminates-altogether these make five
vehicles. If we include the five precepts and ten virtues, that makes a sixth
and
seventh vehicle. Also, those of the three vehicles , hearing the
same thing, each apprehend their own principles therein-therefore they make
three times three or nine vehicles . As for the practices of the three vehicles
of enlightening beings, they are: cultivating selflessness; proceeding from the
ten abodes to the ten stages, gradually seeing buddha-nature; and attaining
sudden realization without going through various stages.
In the Nirvana Scripture's book on the buddha-nature it says that
once the great enlightening beings saw the buddha-nature they all said, "
We revolved in measureless births and deaths, always confused by selfless
ness." This is like the saying in The Flower Ornament Scrip ture that
there are enlightening beings who practice the six ways of transcendence for
countless eons, attain the six spiritual powers, and read, write, and master
the canon of eighty-four thousand teachings, yet still do not believe in this
deep scripture. This is an example of such enlightening beings; the spiritual
powers they attain are not based on natural origina tion, but are consequences
of practicing virtues and contemplations such as selflessness. It is also like
the case of people living in earthly paradise: they too arc born there as a
result of having practiced contemplations of the nonexistence of self or possession;
their material livelihood is natu rally abundant, but they have no teaching of
enlightenment and do not realize liberation. The problem with all of these is
that in the past their action and understanding were mistaken, so they could
never forget what they had gained. The Nirvana Scripture, after having unified
humans, celestials, heretics, and those of the three vehicles , returns them
all to the buddha-nature, the complete tranquility of nirvana, the true
principle of naturelessness: it does not yet point out that the characteristics
of reward, the consequences of enlightenment, have no self or other, but
include both noumenon and phenomena, with knowledge and function interpen
etrating. So it still sets up distinctions such as self-other, purity-defile
ment, and so on, and therefore says the land of reward of Shakyamuni Buddha is
far away in the West. This is because the faculties of the people it addresses
cannot yet bear the whole truth; the teaching is set up according to the
faculties, to lead those of the three vehicles who have obstructions in
connection to reality. The complete quiescence of the buddha-nature, the
noumenal aspect of thusness, cannot show the inter play of forms; blocking
perception of existents, thus producing doubts, it screens the body of reality.
Thus the Nirvana Scripture's teaching of the fruition of
buddhahood after the ten stages is what is seen by beginners in the ten abodes
in The Flower Ornament Scripture. The herb in the mountains from which cows
produce pure ghee is like the beginners in the ten abodes in The Flower
Ornament seeing the Way and immediately seeing that self and other,
beginningless and endless, not old or new, are originally Buddha. Because body
and mind, essence and forms, are originally Buddha, this door of buddhahood is
considered liberation, riding the vehicle of buddhahood directly to the site of
enlightenment. In the various stations
and stages of enlightening beings, in each rank there is fruition
of buddhahood, just as the ocean is in each drop. They carry out their
practices within the buddha-nature, so there is progressive practice because of
their buddha-nature. In The Flower Ornament, enlightening beings at the outset,
in the beginning of the ten abodes, suddenly see the Buddha's body of reality,
the buddha-nature, the uncreated fruit of knowledge, and carry out all the
myriad practices of Universal Good, according with conditions without lingering,
all ofthem uncontrived.
The Nirvana Scripture says that the buddha-nature is not a created
phenomenon; but because it is covered by passions for outside objects, starting
from the first of the ten abodes one uses uncontrived concentra tion so that
one's essence accords with reality, where passions and objects have no inherent
nature-there is only the essence and function of reality, which has no greed,
hatred, or delusion, and is spontaneously Buddha. Therefore if you unite with
it for a moment, you become Buddha in a moment; if you unite with it in a day,
you become Buddha in a day what's the need for gradual step-by-step
accumulation of practice over eons to arrive at the fruit? When the mind is
hooked onto quantification of ages, the vision is blocked-what end would there
be to this? The teaching of the Buddhas is
basically not contained in time-counting time and setting up ages or
eons is not the buddha-vehicle.
Tenth, regarding the difference in patterns of companionship, in
the Nirvana Scripture it says a youth of the snowy mountains met a demigod and
was inspired by a half verse spoken by the demigod; valuing the half verse, he
forfeited his life to hear the rest-"All actions are imperma nent-this is
the phenomenon of birth and death. When birth and death are extinguished,
tranquil extinction is bliss. " This is saying that the nirvana of
buddha-nature cannot be cultivated by practices, because practices are
fabricated and impermanent, and it cannot be realized by mind, because mind has
subject and object. Thus its essence cannot be cultivated, its principle cannot
be witnessed by the mind. Mind itself is the essence-there is no further
subject or object. This is why Cunda said, "Don't say the Buddha is the
same as practices."
As for The Flower Ornament Scripture, the pattern set by the youth
Sudhana, from his first inspiration for enlightenment with
Manjushri, till his final meeting with the Universally Good enlightening being,
to each of the fifty-three teachers he met, he said, "I have aroused the
determination for unexcelled complete
perfect enlightenment-how would
you have me learn the path of enlightening beings and carry out the practices
of enlightening beings?'' It does not say all practices are impermanent. Why?
Because The Flower Ornament elucidates the teach ing of the cosmos of
interdependent origination, in which
noumenon and phenomena arc nondual. No condition is not quiescent, no phenom
enon is not real. All worlds are one ocean of the essence of reality; the
complete pervasion of great knowledge is the realm. The totality of everything
is the ocean of essence, the one real cosmos.
It is not explained according to action as sentient and insentient.
Therefore, since the realm of unalloyed reality in the Flower Ornament is all
knowledge, the land of the enlightening beings of the ten abodes is wisdom, the
land of the enlightening beings of the ten practices is knowledge, the land of
the enlightening beings of the ten dedications is wonder-it doesn't express two
different views of animate and inanimate.
The Nirvana Scripture addresses those of the temperaments of the
three vehicles; because their characters and behavior are inferior, the Buddha
has then harmonized by practices,
to overcome their gross
ills-only then can they enter the Way. But then they conceive of the practices
they are taught as absolute truths, and this screens the uncreated essence and
they miss out on the truth. For this reason Buddha explains that all practices
are impermanent, and the realizer and the realized are also phenomena that are
born and perish. This is not the same as Sudhana's instant awakening in which
there is no subject or object, intuitively becoming aware that one's own mind
is fundamentally Buddha. Not attaining buddhahood, not experiencing
enlightenment, the body and mind, essence and form, having no realization or cultivation,
not becom ing or decaying, arc originally thus, active or still according to
conditions, without destroying existence or nonexistence-the practices
carried out are only products of
knowledge. Therefore it doesn't say that all practices are impermanent in The
Flower Ornament Scripture.
As for the similarity between the Nirvana Scripture and The Flower
Ornament Scripture, an example of this is what is illustrated by the simile of
the special herb in the snowy mountains; also the Nirvana Scripture says that
all sentient beings have buddha-nature, and that the Buddhas have no final
entry into extinction. The Flower Ornament says, "The Buddhas do not come
forth into the world, and they have no extinction. " Also, the Nirvana
Scripture criticizes those of the two lesser vehicles for the discriminating
view of Buddha as descending from heaven into the womb, living as a prince,
leaving home, becoming enlightened, and passing away: this is like the notion
of The Flower Ornament that knowl edge enters past, present, and future
without coming or going, and all Buddhas attain great enlightenment by the
timeless essence. Instantly seeing the Way, views of past and present end,
"new" and "old" do not exist at all-one attains the same
enlightenment as countless Buddhas of the past, and also becomes Buddha at the same time as
the Buddhas of countless ages of the future, by personally witnessing the
timelessness of past, present, and future. Because there is no time, there is
no coming or going.
Even if people don't see or know themselves that their own body
and mind are fundamentally truly enlightened, the complete qualities of the
true enlightenment of one's own body and mind fundamentally have no
annihilation. And if they do themselves see and know the fundamental true
enlightenment of their own body and mind, their own true enlight enment has no
birth, because it is originally thus; and basically there is
no one who awakens and nothing awakened to. If any awake, they
after all awaken to this nonexistence of an awakening subject or an object of
awakening. Thus the realm of the Buddha of fundamental awareness has no
ordinary person, no sage, no concentration, no distraction; it is not
cultivated, not proved, not knowledge, not ignorance, not born, not destroyed.
This outline of the perspective of The Flower Ornament Scripture
in comparison with other important Buddhist scriptures generally follows the
work of the earlier specialists in Flower Ornament doctrine. Li To ngxuan's
work, with its emphasis on totality and immediate realization of the essential
unity of being, was highly appreciated especially by students of the Chan
school of Buddhism. The emphasis on the one vehicle and its totalistic
perspective presented in Li's introduction to The Flower Ornament Scripture is
particularly useful in view of the great variety and complexity of the contents
of the scripture, which make it easy to get lost in detail and miss the overall
meaning. While in a sense the specific principles and practices presented in
the scripture are all con tained in the one vehicle, they are also at once
introductions into the one vehicle as well as outgrowths of the one vehicle.
Once the fundamental premises and basic vocabulary of The Flower Ornament
Scripture have been established, no further generalization is adequate to
convey its contents.
A Thematic Summary of Each Book
The first book of the scripture, entitled The Wonderful Adornments
of the Leaders of the Worlds, describes a symbolic assembly of various groups
of beings at the site of Buddha's enlightenment. The title of this book refers
to the representatives of various realms of being who appear on the scene, but
it can also be read Wonderful Adornments of the Leader of the Worlds, referring
specifically to the Buddha, the various states of being seen as adornments of
the Buddha, their realizations representing aspects of Buddha's total
enlightenment. Buddhabhadra's translation entitles this book Pure Eyes of the
World, which likewise may also be read Pure Eye of the Worlds, representing the
total universal awareness of the Buddha.
In this opening book a general picture of the nature of buddhahood
and the general principles and scope of the teaching is built up through the
various beings' eulogies and descriptions of the liberations they have
realized. What is stressed is the universality and comprehensiveness of buddhahood,
which is described as both physically and metaphysically coextensive with the
cosmos itself. It emphasizes that Buddha expounds the truth by various means
and teaches innumerable practices for the benefit of all beings: here
"Buddha" refers to reality itself, and to people who are awake to
reality. The various kinds of beings that appear in this book do not in this
case represent their mundane aspects as such, but rather depict various facets
of the Buddha's enlightenment, while also representing the potential for
enlightenment inherent in all conscious beings, a fundamental theme of
universalist Buddhism.
The second book, entitled Appearance of the Buddha, tells about
characteristics of buddhahood, stressing the infinity and eternity of Buddha in
the cosmic sense of being reality itself. The epithet of Buddha used in the
title is Tathagata, which is understood in Chinese Buddhism to mean "one
who comes from thusness, " the term "thusness" referring to
being-as-it-is, unpredicated reality. The human Buddha is considered in one
sense as someone who is aware of fundamental continuity and identity with
reality. In this scripture the term "Buddha" is commonly used for
thusness or reality
itself; in this
book it is
pointed out that Buddha, as reality, appears everywhere
to all beings, but it is seen in accord with their perceptive capacities. It
conveys the parallel messages that all experience reality according to their
faculties and predilections, and that correlative to this, enlightened guides
present various teachings to people in accord with their needs, potentials, and
conditions. This accounts for the wide variety of doctrines in Buddhism, some
of which may on the surface seem so different as to be even mutually opposed;
underlying this variety is the fact that diverse aspects of a situation or
levels of truth may be discussed separately, and that different ways of seeing,
thinking, and acting may be recommended to different people, depending on the
time and circumstances. This principle of adaptation and specific prescription
is known as "skill in means" and is so basic and pervasive that it is
impossible to understand Buddhism without a thor ough appreciation of its
premises, its purpose and implications.
The third book, called The Meditation of the Enlightening Being
Universally Good, exposes the metaphysic of the bodhisattva or "enlight
ening being," the worker for universal enlightenment. The practical aspect
of the enlightening being is here and throughout the scripture typified by a
symbolic being called Universally Good, or Universal Good (Samantabhadra) . The
interrelatedness of all beings and the awareness of that interrelatedness on
the part of enlightening beings is graphically represented in this book. By
being in direct contact without "thusness" or "suchness"
without the distorting influence of preconceptions and partiality, enlightening
beings are, according to this book, aware of each other through being equally
focused on reality. The unity of their purpose-universal liberation and
enlightenment-which underlies di
versity of method is emphasized strongly here. Again, it is made clear that
enlightening beings may appear in virtually any form and employ a wide variety
of means, according to what is useful for the liberation of people in given
conditions. Universally Good, representing the enlight ening work as a whole,
extending throughout all places and times, therefore symbolizes a central
concept of this scripture.
The fourth book, The
Formation of the Worlds, presents visionary descriptions of worlds as
representing the consequences of aspirations and actions. Emphasized here is
the relativity of world and mind, how the features of the world depend on the
states of mind and corresponding deeds of the inhabitants. A considerable
portion of the contents of this and the following book consists of a series of
litanies of concentration formulae, intended to convey certain impressions to
the mind and to encapsulate certain aspects of the teaching to focus attention
on them. It is through transformation of the vision of the world as well as the
attitudes and actions connected with that vision that the world itself is
transformed. This point also is an important part of the message of the
scripture.
The fifth book is entitled The Flower Bank World. The so-called
Flower Bank World is also referred to as the Flower Bank Array ocean of worlds
, and may be translated as the world adorned by treasuries of flowers. This
"world" is in the scripture represented as an "ocean of worlds
," and is said to be our universe. In this scripture "flowers"
generally represent practices or deeds, which produce fruits and seeds of
consequent states . This book presents a visionary cosmology describing this
world system or universe as purified by the vows and deeds of Vairocana Buddha,
the glorified or cosmic aspect of the historical Bud dha. It represents the
world system as resting on an ocean of fragrant water, which symbolizes what is
called the "repository consciousness, " which is the mental
repository or "storehouse" in which all experiential impressions are
stored. It is from these impressions that
images of the world develop. These images of the world arc represented in the
scripture as features of the world system. The land masses in the world system
also contain seas of fragrant water, which symbolize virtuous qualities or
wholesome factors in the mind. Many varieties of adornment are described, symbolizing
not only virtues but also purely aesthetic views of the world without the
contamination of emotional judgements. As a further dimension, the description
of unthinkably many worlds over immensely vast reaches is calculated to foster
a perspective in which any world is, as it were, reduced in size, like a pebble
taken from the eye and returned to a mountain, no longer commanding the obsessive sense of unique significance that a
narrow focus of attention invests in it. These elaborate descriptions allude
also to the complexity of any realm, and try thereby to draw the consciousness
into a broader awareness and detach it from restrictive preoccupations.
Book six, Vairocana, recounts illustrative tales of the
development of the Buddha Vairocana in remote antiquity. The name "
Vairocana" is interpreted in two senses, universal illuminator and
specific illuminator, embodying both holistic and differentiating awareness. As
noted, Vairo cana is understood as another name for Shakyamuni in the cosmic,
metaphysical sense, and also in the sense of the qualities or verities of
buddhahood that arc common to all Buddhas. This book describes a variety of realizations and
attainments of Vairocana in the causal state, using mnemonic meditation
formulae representing basic principles and praxes of Buddhist teachings. These
are suggested in terms of various spells, trances, psychic powers, knowledges,
lights, activities, perspec tives, and so on.
The seventh book, called Names ofthe Buddha, again emphasizes that
Buddhas, enlightened people, develop profound insight into mentalities and
potentials, and teach people in accord with their capacities and needs. Thus it
is that all see Buddhas differently, according to their faculties and to the
teachings which have been adapted to their situations. This book recites names
and epithets of Buddhas to represent different perceptions or different facets
of the qualities of enlightenment. Some times these are given from the point
of view of cause, sometimes from the point of view of effect; sometimes they
are explicit, sometimes they arc veiled in metaphor.
The eighth book, The Four Holy Truths, is based on the same
principle as the foregoing book, presenting Buddhist teaching in myriad
different ways to accommodate various mentalities and understandings. Following
the lead of the seventh book, The Four Holy Truths gives various names and
capsule descriptions of four points that are believed to have been one of the
original teaching frames of the historical Buddha. Basically, these four truths
refer to the fact of suffering, the origin of suffering, the extinction of
suffering, and ways to the extinction of suffering. Here again the
representations of these points may be put in terms of cause or of effect.
Sometimes the mundane
truths-suffering and its
origin-are put in terms not of conventional reality but of ultimate
reality-inherent emptiness-to show a path of transition to the
world-transcending truths within the mundane itself.
Book nine, entitled Awakening by Light, is an expanding vision
unfolding within light issuing from Buddha's feet: the light progressively
illumines greater and greater numbers of worlds as it travels further and
further into space, radiating in all directions, revealing similar structures
and parallel events in each world. In every world are immense numbers of
Buddhas who each attract ten great enlightening beings, one from each of the
ten directions, who in turn are each accompanied by countless enlightening
beings. When the assemblies have all been arrayed, one of each group of ten
great enlightening beings chants descriptive eulogies of the Buddha, alluding
to the acts and realities of buddhahood.
Here again is emphasized the identity of Buddha with truth and ultimate
reality, the transcendental nature of the essence of Buddha.
The tenth book, called An Enlightening Being Asks for
Clarification, follows up on the ninth, with the same interlocutors. This book
goes explicitly into metaphysics, explaining the principle ofthe naturclessness
or essenceless of all phenomena. This means that things have no individ ual
nature, no inherent identity or essence of their own, because they are
interdependent and only exist due to causes and conditions. For this reason it
is repeatedly stated that the nature of things is natureless, that they have no
being of their own. It points out that
the seeming existence of things as discrete independent entities is in fact
conceptual, a descrip tion projected by the mind on the flux of sense data;
the real nature of things, it maintains, is insubstantial, and they die out
instant to instant. In this book it is restated that realms or conditions of
being are conse quences of action, but it goes on to say that action is
fundamentally baseless, or lacking in ultimate reality-it is the mind's
attachment to its own constructs that provides the sense of continuity.
Also stressed in this book is the point that the teachings of
Buddhas may be manifold and different according to specific circumstances, but
the essential truth is one and the various teachings and practices are all part
of a total effort. To clarify this point further, the different mental
conditions for which particular aspects of the teaching are recommended are
noted, to give some idea of the purposes of the diverse doctrines and
approaches of Buddhism. This book also emphasizes the critical impor tance of
actual application of the teachings, without which the mere description of
techniques is useless. A number of classic metaphors used in Chan Buddhism to
stress the need for application are taken from this particular book of The
Flower Ornament Scripture.
Book eleven, called Purifying Practice, was translated several
times, as early as the third century. It is a litany of prayers concentrating
on the development of outlook and mentality of the enlightening being. It
particularly focuses on the interconnectedness of all beings and the training
of this awareness. It details an elaborate scheme of thought cultivation in
which consciousness of daily activities is directed to specific wishes for
universal well-being and liberation. In terms of format, much of it is based on
entry into monastic life, and some of the specific actions and events on which
the contemplations are based are
of monastic life, but many others make no necessary distinction between lay and
monastic life.
The twelfth book is called Chief in Goodness, being named after
the enlightening being who expounds it. This book eulogizes the aspiration or
will for enlightenment, the monumental spiritual conversion by which an ordinary person becomes an
enlightening being whose life and action is based on and guided by the
determination for the enlightenment and liberation of all beings. The
inspiration of the genuine will for enlightenment is in a sense itself
transcendence of the world, as universal enlightenment becomes the reason for
being, and life itself is transformed into a vehicle of enlightenment.
Following this, faith is praised for its instrumental value as a means of
directing the mind and focusing endeavor. Then the book goes on to describe
practices and their results, in terms of both self-cultivation and assistance
to others. Again versatility is emphasized, and enlightening beings are
symbolically described as presenting all sorts of displays and teachings to
exert edifying and liberating influences on people.
Book thirteen is entitled Ascent to the Peak of Mount Sumeru.
Mount Sumeru, the polar mountain of a world, is pictured as the abode of Indra (or
Shakra) , the mythical king of the gods of the thirty-threefold heaven,
pictured as thirty-three celestial mansions on the peaks surrounding the summit
of Sumeru. This book is a brief visionary welcome of the Buddha into the palace
of Indra.
Book fourteen, Eulogies on Mount Sumeru, emphasizes the meta
physical aspect of Buddha, as being absolute truth. The thrust of this approach
is to counter preoccupation with forms. Buddha is said to be the very absence
of inherent existence or intrinsic nature of all condi tioned things.
Conventional reality is called a description consisting of habitual conceptions
and views. Defining the world through verbal and conceptual representations is
by its very nature limiting, restricting awareness, so this chapter stresses
the need to see through, see beyond conventional reality in order to become
enlightened. When the nature of perceptual and conceptual organization of
experience as a mere tool is forgotten or unknown, and a particular
organization hardens into an exclusive view, the mind has lost its freedom. The
dependence of views on social, cultural, and psychological factors attests to
their nonabsolute ness; the concern of Buddhist philosophy and meditation is
to sec through such conditioning and restore
the mind to openness and flexi
bility. This book states that the basis of delusion and falsehood is reality,
meaning that delusion and falsehood, being themselves conditioned, do not have
any inherent reality or inevitability-this very emptiness of inherent reality
is what is called absolute reality or truth. What is intended by this insight
is not nihilistic extinction, but seeing delusion for what it is: the term
"extinction" used in this connection essentially means the extinction
of conditioned views. Here the scripture says that having no views is true
seeing, which sees everything because it is seeing without the restriction of
predispositions of ingrained mental habits. This philosophy of the relativity
of mind and world is provided as a rational basis for dissolving clinging to
views and freeing the mind from the enclosure of inflexible, set ways of seeing
and thinking about things.
The fifteenth book, called Ten Abodes, is a brief description of
ten stations of enlightening beings. The first abode is that of initial
determi nation, setting the mind on omniscience, to broaden its horizons.
Second is preparing the ground, or cultivation; here the development of
universal compassion is emphasized. Also involved is learning, from people and
situations as well as from formal study. Third is the abode of practice, to
clarify knowledge; here various aspects of emptiness (indefiniteness,
nonabsoluteness) are emphasized. Fourth is the abode of "noble birth,
" which means rebirth from the enlightening teachings; here knowledge of beings, phenomena, causality, and so on-is emphasized, as well as the
knowledge, practice, and realization of the teachings of Buddhas of all times,
with awareness of the essence of buddhahood, which is equal in all times.
Fifth, the abode of skill in means, involves further develop ment of knowledge
and means of conveying knowledge, and
working for universal salvation without attachments. Sixth, the abode of the correct
state of mind, involves developing a mind that does not waver in face of
apparently contradictory aspects of things; here again the inherent emptiness
of things is emphasized. Seventh, the abode of nonregression, means not
regressing regardless of what one may hear in regard to different aspects of
things, and learning the principles of
reconciliation of oppositions through relativity. Eighth, the abode of youthful
nature, involves development of impeccability, of psychic freedom, and vast
extension of the range of study and application of the teachings. Ninth, the
abode of prince of the teaching, is a stage of development of discursive
knowledge and the particular sciences of teacherhood. Tenth is the stage of coronation or
anointment, referring to the accomplish ment of knowledge of all sciences and
means of liberation and the development of a sphere of buddhahood.
Book sixteen, entitled Religious Practice, describes detailed
analytic investigations which eventually arrive at ungraspability,
systematically removing the mind from fixations, dismantling the structure of a
formal religious world in order to embrace formless truth. After this the book
goes on to bring up the special powers of knowledge of Buddhas as realms of
deep study, and concludes with exhortations to integrate compassion with the understanding
of illusoriness.
The seventeenth book is called The Merit of the Initial
Determination for Enlightenment. This
book describes in grandiose terms the virtues of the aspiration for
enlightenment. It stresses the sense of this determi nation transcending all
limited aspirations, being directed toward omnis cience and universal
liberation and enlightenment. Many points or fields of knowledge are
specifically mentioned in this connection,
including the "mutual containment" or mutual immanence of different
quanta of being and time, alluding to the interdependence of definitions, and
the interrelation of elements and structural sets. Other prominent spheres of
knowledge are those involved in the study of mentalities and mental phenomena,
this kind of knowledge being essential to the science of liberation. The
tremendous emphasis on genuine and boundless deter mination for complete
universal enlightenment reflects its importance as the essence of the whole
enterprise of enlightening beings, who do not seek enlightenment for their own
personal ends. The correct orientation at the outset is deemed essential to
truly transcend the limitation of self; without this transcendent resolve, the
power of spiritual exercises exag gerates and bolsters the afflictions of
self-seeking and can lead to harmful aberrations.
Book eighteen, entitled Clarifying Method, presents a series of
lists of clements of the path of enlightening beings. First it stresses the
develop ment of the determination for omniscience, which means knowledge of
all things pertinent to liberation. Then it goes on to work on nonindulg ence
or heedfulness, in terms of ten items; these lead to ten kinds of purity.
Following this it brings up twenty things which are congenial to enlightenment,
ten things whereby enlightening beings can rapidly enter the stages of
enlightenment, ten things which purify their practices, ten results of purity
of practice, ten vows, ten ways of fulfilling vows, and ten spiritual
"treasuries" attained as a result of fulfilling vows . This book also
talks about means of purifying the ten essential ways of transcen dence, or
perfections of enlightening beings, and about specific cures of spiritual ills.
Book nineteen, Ascent to the Palace of the Suyama Heaven, is much
like book thirteen; here the Buddha is welcomed into the heaven called Suyama,
without, however, leaving the foot of the enlightenment tree and the peak of
the popular mountain Sumeru. This introduces the following book, in which the
all-pervasiveness of Buddha is stressed.
The twentieth book is called Eulogies in the Palace of the Suyama
Heaven. This book emphasizes the universality of Buddha in terms of
metaphysical essence and in terms of practice. The spiritual body of Buddha is
seen here as the cultivation ofenlightenment potential inherent in all conscious
beings in all times. The nature of Buddha, beings, and phenomena is spoken of
in these terms: "Sentient and nonsentient beings both have no true
reality. Such is the nature of all things-in reality they are not existent.
" Also, "Analyzing matter and mind, their nature is fundamentally
void; because they are void they cannot
be destroyed this is the meaning of 'birthlessness.' Since sentient beings are
thus, so are Buddhas-Buddhas and Buddhas' teachings in essence have no exis
tence. " And "The body is not Buddha, Buddha is not the body-only
reality is Buddha's body, comprehending all things. Those who can see the
Buddha-body pure as the essence of things will have no doubt about Buddha's
teaching. If you see that the fundamental nature of all things is like nirvana,
this is seeing Buddha, ultimately without abode. " This book is also the
source of the famous line often quoted in Chan Buddhism: "Mind is like an
artist, depicting the worlds. If one knows that the action of mind makes all
worlds, one sees Buddha and realizes the true nature of Buddha. "
Book twenty-one is entitled Ten Practices. These ten practices,
though under different names, correspond to the ten perfections, or ways of
transcendence, upon which the path of enlightening beings is based: giving,
ethical conduct, forbearance, energy, concentration, wisdom, expedient
methodology, power, commitment, and knowledge. The accomplishment of these is
based on the relativity = emptiness equation; the first six are especially
based on emptiness within relative existence, while the last four are based on
relative existence within emptiness.
The twenty-second book, Ten Inexhaustible Treasuries , deals with
ten sources of the development and activity of enlightening beings: faith,
ethics, shame, conscience, learning, giving, wisdom, recollection, pres
ervation of enlightening teachings, and elocution. Various items from these
"treasuries" are explained in detail. The section on faith deals with
the object of faith , mostly expressed in terms of absolute truth, as well as
states of mind engendered by faith. The section on ethics deals with general
ethical principles and orientation as well as specific articles of ethical
conduct. Shame refers to being ashamed of past wrongs; con science refers to resolve
not to continue to act unwisely. The section on learning deals with specifics
of interdependent origination of conditioned states, and with analytic
knowledge. Giving involves "giving up" in the sense of intellectual
and emotional relinquishment, such as nonattach ment to past and future, as
well as the act of giving itself and the frame of mind of generosity. Giving is
often put in hyperbolic or symbolic terms, and has the general sense of contributing one's resources including
one's very being-to the common weal rather than to purely private aims. The
section on wisdom deals with both phenomena and principles, with discursive
knowledge being described as leading to insight into emptiness and independent
understanding. The treasury of recollection involves recollection of every
moment of awareness-repre sented as countless ages due to the density of
experience-including changes undergone as well as contents of what has been
learned. Preser vation means preservation of Buddha-teachings and the sciences
involved therein. Elocution refers to exposition and teaching.
Book twenty-three, entitled Ascent to the Palace of the Tushita
Heaven, describes in great detail the arrays of ornaments set out to welcome
Buddha to this heaven. This is on a vaster scale than the other heavens which
Buddha visits in this scripture, because the Tushita heaven, the heaven of
happiness or satisfaction, represents the abode of a buddha-to be just before
manifesting complete enlightenment in the world. The assembly of enlightening
beings there is also depicted in terms of the practices and qualities that
developed them. After this is an elaborate description of the spiritual
qualities of Buddha.
Book twenty-four, Eulogies in the Tushita Palace, resembles the
other comparable books of the scripture, eulogizing the universality of the
awareness and metaphysical reality of Buddha, reconciling multiplicity and
unity, emphasizing the relativity of the manifestation of Buddha to the minds
of the perceivers.
The twenty-fifth book, called Ten Dedications, is one of the
longest books of the scripture,
indicative of the great importance of dedication in the life of
enlightening beings. Dedication particularly reflects two essential principles of
enlightening beings' practice: giving, or relinquish ment; and vowing, or
commitment. The basic orientation of
dedication is the full development, liberation, and enlightenment of all
beings. The scope of the ten dedications is beyond the capacity of an
individual to fulfill personally; it is through dedication that the individual
enlightening being merges with the total effort of all enlightening beings.
Forms of giving which arc not literally possible, for example, are presented at
great length; these represent nonattachment, both material and spiritual,
particularly in the sense of dedication to the service of all life. This book
recites extensive correspondences between specific contributions and the
results to which they are dedicated, representing the adaptation of enlightening
beings' activity to particular developmental needs. This is often presented in
spiritual or psychological terms, but also it is pre sented in material or
formal terms of glorified images of Buddha symbolizing the perfection of the
human being. This book again empha sizes the integration of wisdom and
compassion, acting purposefully even
while knowing the ultimately unreal nature of conditional existence. This skill
of acting without attachment, without compulsion, without grasping or rejecting
existence or emptiness, is presented as the essence of dedication and
fundamental to the path of enlightening beings.
Book twenty-six is the famous book on the ten stages of enlighten
ment. The teaching of the ten stages is presented as the foundation of all
Buddhist teachings, just as an alphabet is the foundation of all writings in
its language. This book is of such significance that it was translated into
Chinese no fewer than five times, three times as an individual scripture, over
a period of five hundred years; it also exists in Sanskrit as an individual
scripture.
The Flower Ornament Scripture is said to contain, in one form or
another, all phases of Buddhist teaching; true to the scripture's basic
structural principle of the parts reflecting the whole, this comprehensive
ness is also to be seen clearly within the book on the ten stages. Of the
various modes of teaching-sudden and
gradual, explicit and
implicit it is the gradual and explicit that overtly dominate in the
ten stages, thus making it one of the clearest and most straightforward of the
books of the scripture.
Pursuing a theme of developmental progression, the ten stages
encom pass the course of the enlightening being from the first ecstasies of
disentanglement and spiritual attraction to the final rain of teaching pouring
from enlightened knowledge, thus completing
and restarting the cycle of self- and other- enlightenment. Within this
overall cycle are parallel cycles of elevation of self and others; as the
enlightening beings progress from stage to higher stage, there is ongoing
expansion not only of extent, depth, and precision of awareness and perception,
but also of corresponding versatility and power in communicative outreach.
Throughout this progress, the development of awakening is
prevented from halting at each stage by the overriding aspiration for complete,
perfect enlightenment, the thoughts of the enlightening beings set ulti mately
on the attributes of buddhahood. The practitioner aspires to be the best of
beings, not by comparison with others, but in terms of potential fulfillment,
not limiting horizons or coveting personal satisfac tion by acceptance of
lesser goals. The ten stages include phases of practice such as are usually
associated with the so-called lesser vehicles of individual salvation, but the
enlight ening being does not take the annihilation or liberation from worldly
concerns made available by these methods as the final realization. In the high
stage wherein effortlessness and cessation of mental and physical action take
place, it is external inspiration that motivates the practitioner to rise even
beyond this stage of personal peace. In the highest stage the cosmic awareness
whose perspective pervades the whole scripture ulti mately opens up explicitly,
showing the "all in one, one in all" vision of the realm of reality.
An important theme in the ten stages, one that appears here and
there throughout the scripture in various guises, is the cultivation of both
mundane and transmundane welfare. This
is presented in concrete terms in this book, as the practitioner in a certain
stage engages in the development and exercise of skills in worldly occupations.
The choice of activities-whether in the arts and sciences, business, crafts,
literary and cultural pursuits, entertainment, or other fields-is guided not by
the personal desires of the practitioners but by the current needs of the
society that they are serving, according to what will be beneficial.
The development of such occupational skills is undertaken in the
same stage at which meditation is the main practice among the ten transcen
dent ways. The balancing of work in the world and world-transcending practices,
characteristic of the ideal of comprehensive Buddhist activity, functions to
promote the simultaneous benefit of self and others, pre venting what is
called "intoxication by the wine of meditation concen tration, " an
obstacle in the path and an indulgence forbidden by the precepts of
enlightening beings. In a later stage, these worldly occupa tions become
effortless and can be carried on spontaneously without obstruction.
A most important concept mentioned early on in the book on the ten
stages is that of the "six characteristics, " as it was known in the
Huayan school of Buddhism in East Asia. Not explicitly developed in the
scripture but rather illustrated throughout, this idea was singled out by the
founders of the Huayan school in China as a major element of their philosophy.
The six characteristics are totality, distinction, sameness, difference,
formation, and disintegration. In the context of stages of enlightenment, or
practices, this means that all together form a single totality, while each are
distinct elements of that totality; all arc the same insofar as they complement
each other and work together to produce the total effect, while individually
they have different functions within the whole work; as elements in the same
one totality, they form the whole and in it reach their individual
consummation, while separately they not only do not form a whole but also are
not individually perfected without the others.
The philosophy of the Huayan school, based on The Flower Ornament
Scripture, also sees the six characteristics as aspects of all phenomena.
According to this philosophy, the six characteristics are a comprehensive way
of viewing things so as to overcome the tendency to lapse into partial or
one-sided perceptions. Considering the phenomena and prin ciples of Buddhism
in this light, for example, produces an understanding quite different from that
fostered by the notion of the multiplicity of Buddhistic teachings as
representing rival schools and conflicting idcologies. In this sense the six
characteristics provide a useful diagnostic aid for assessing movements that
have actually hardened into exclusive schools or ideologies: seen in the Flower
Ornament context, such move ments become inwardly sterile by stabilization
around temporary and partial teachings, yet outwardly contain a portion of
nutrient in that they demonstrate this process. It is in this sense that the
Scripture on the Ultimate Extinction states that even in the time of the
extinction of the Teaching, the Teaching is not extinct, for its very demise is
its demon stration of the causes thereof, for the edification of the
perceptive.
Using the six characteristics, it is quite easy to get an overall
perspec tive on the message of The Flower Ornament Scripture, on the activity
known as the practice of the vow of Samantabhadra, the embodiment of Universal
Good. Here, all workers for
enlightenment are one totality, the whole effort is one totality. Within this
single overall effort, different workers fulfill different functions; these may
be represented, for exam ple, as different schools, different cycles of
teaching, different modes of practice. In essence, all of these workers are the
same, based on the vow of Universal Good and the aspiration for universal
enlightenment. All ultimately have the same essence, which is referred to as
the buddha nature, but they are different in characteristics, in the
formulations and methods that they employ . The work of all the workers forms
the "body" of Samantabhadra, the multitude forms the one. No
individual worker completes the entire task alone; the enlightening being
"enlight ens all sentient beings" and "purifies all
worlds" as an operative in the whole work, the vows of the enlightening
being representing attunement with this totality. If different formulae,
practices, or phases of the Teaching arc separately held on to as dogma,
absolute and complete in themselves, the total dynamic of the Universally Good
work disinte grates. The characteristics of "formation" and
"disintegration" could
also be seen in terms of the supersession of teachings and the spatial dispersal
of schools such as illustrated by the classical Chan schools in China, with
formation and dispersal part of an ongoing process. The relation to the whole work is not
necessarily organizational in the conventional institutional sense, but rather
is organic and functional.
The twenty-seventh book, The Ten Concentrations, speaks of the
enlightening being breaking through the barriers of the familiar relative
world-barriers of space, time, multiplicity, solidity-by mental concen
tration. One aspect of this practice is the entry and exit of concentration in
different domains. "Entry" is interpreted as concentration, or
absorp tion, and "exit" as insight, or knowledge; through
concentration in one domain, insight into another is awakened . This is done
through numer ous different mediums of concentration and is connected with the
development of the Flower Ornament vision of the interpretation of principles
and phenomena and the interpenetration of phenomena. Other exercises arc also
presented, embedded within the imagery and descriptive narrative of the book,
structured to foster the fundamental perspectives of the teaching and to guide
the mental focus of development of the general and specific aspects of
comprehensive knowledge for which the enlightening being strives. One
characteristic of such exercises is their telescopic quality, visualizing
simultaneous extension and immanence.
The Flower Ornament Scripture is like a hologram, the whole
concen trated in all the parts, this very structure reflecting a fundamental
doctrine of the scripture, that this is what the cosmos itself is like,
everything interreflecting, the one and the many interpenetrating. In the book
on the ten stages this is illustrated with the gradual mode of teaching
predominant; in the book on the ten concentrations this is shown with the
sudden or all-at-once mode coming strongly to the fore, paralleling the
step-by-step format. Were its method unlocked, ancient research into the mental
cosmos, such as reflected in The Flower Ornament Scripture, might have
something to offer to modern investigations into the holographic nature of the
brain and its linear and simultaneous modes.
An essential theme of the ten concentrations is the purpose of
knowledge in the context of the life of enlightening beings; specifically,
understanding the processes of development of civilizations and mental ities,
and how the cycles of teaching operate in the context of these processes and
their various elements.
Book twenty-eight, on the ten superknowledges, describes higher
faculties, functions developed through the concentrations, said to be
inconceivable to any minds except those of the fully awakened and the awakening
who have attained them.
The twenty-ninth book, on the ten acceptances, deals with entry into
nonconventional aspects of reality. The
boundaries ofconventional men tal construction are penetrated but not
destroyed because their ultimately illusory nature is realized. Transcendental
and mundane levels of truth are both accepted: the immanence of the absolute in
the relative is experienced as all-pervasive, spiritual phenomena and mundane
phenom ena being found to have the same phantasmagorical nature; thus the
ultimate tolerance is attained whereby the mind is freed.
Book thirty, called "The Incalculable, " develops the
immense num bers used in the scripture. The higher numbers far exceed present
estimations of the number of atoms in the universe; they are more closely
approached by the numbers of potential brain operations. The Flower Ornament
method of calculation includes the dimension of time as well as space, and
follows the principles expounded in the scripture-for example, since everything
is a series of moments, continually passing away and being renewed, each moment
therefore is a new universe; also, the content of each passing moment of
awareness is a universe. Further more, all existents are what they are in
relation to all other existents; thus, in terms of the "Indra's Net"
view of the Flower Ornament, the facets of existence are incalculable,
interreflecting ad infinitum. This is illustrated by the progression of squares
by which the incalculable numbers arc developed in this book. The book
concludes with a verse declaring that the cosmos is unutterably infinite, and
hence so is the total scope and detail of knowledge and activity of
enlightenment.
" Life Span, " the thirty-first book, presents a similar
progressive generation of time frames in different "worlds," culminating in the frame of reference of the
prototype of enlightening beings, in which "a day and a night" is an
inconceivably immense span of time in ordinary terrestrial terms, yet is still
within time. Here again is illustrated the interpenetration of cosmic and
mundane planes in the perspective of the enlightening being.
Book thirty-two, called "Dwelling Places of Enlightening
Beings, " names centers of spiritual activity, some of which can be
located in India, Kashmir, Pakistan, Afghanistan, and Central and East Asian
China. Whatever the historical facts behind this book may be, commen tary
takes it to represent the manifestations of the timeless and placeless
"reality body" within time and place.
Whereas book thirty-two represents buddhas in the causal state as
enlightening beings in specific domains, the thirty-third book, "Incon
ceivable Qualities of Buddhas ," deals with buddhas in the state of effect
or realization, the universal attributes of buddhas. Here the
"buddhas" represent attunement to the cosmic buddha, the
"reality-body." The former
chapter alluded to the causal state, which is there to promote effect; the
present book shows how the state of effect then extends forward into cause.
Thus the Flower Ornament doctrine of interpenetra tion of cause and
effect-cause producing effect, effect
producing cause-is illustrated; this is one meaning of representing the
Teaching as a wheel that continually moves forward .
Book thirty-four contains a long series of visualizations. Called
"The Ocean of Physical Marks of the Ten Bodies of Buddha," it also
presents the state of effect or realization, in terms of comprehensive
awareness, represented by multitudes of pervasive lights revealing the phenomena of the material and
spiritual worlds . "The Qualities of the Buddha's Embellishments and
Lights," the thirty-fifth book,
presented as spoken by Shakyamuni-Vairocana Buddha in person, refers to
the causal state, that is , to the Buddha as an enlightening being,
illustrating the light of awakening penetrating, breaking through, the veils of
the realm of tgnorance.
These expositions of the qualities of buddhahood, generally showin the emanation of the
universal principles of buddhahood from
the state of effect into the state of cause, arc followed by the thirty-sixth
book called "The Practice of Universal Good, " again taking up the
cycle of cause to effect. Narrated by Samantabhadra, the Universally Good
enlightening being, the prototype and representation of the whole body of the
practical acts of enlightening beings, this book is followed by "the
appearance of Buddha, " in which Samantabhadra goes on at length describing
the myriad facets of the manifestation of Buddha and how it is to be perceived.
The final two books of The Flower Ornament Scripture, "
Detachment from the World" and "Entry into the Realm of Reality,"
deal with the development of the enlightening being. "Detachment from the
World, " which commentary points out has
the meaning of transcendence while in the very midst of the world, is a
series of two thousand answers to two hundred questions about various aspects
of the evolution of enlight ening beings into buddhas.
"Entering the realm of reality," the final book of The
Flower Ornament Scripture, is perhaps the grandest drama of the Buddhist canon.
Known in Sanskrit as an individual scripture called Gandavyuha, this book
describes the development of enlightenment through tales of a pilgrim age. The
central character, a seeker of truth named Sudhana, is sent on a journey by
Manjushri, the personification of wisdom.
Initially directed by Manjushri, Sudhana calls on a number of spiritual
guides, each of whom sends him on to another for further enlightenment.
Eventually Sudhana comes to the abode of Maitrcya, the imminent Buddha, and
finally integrates with the total being of Samantabhadra, the representa tion
of Universal Good, the activity of enlightenment.
The guides Sudhana encounters, referred to as spiritual
benefactors or friends, are young and old, female and male, Buddhist and
nonBuddhist, renunciates and householders,
members of various classes, and experts in various professions, arts,
and sciences. They are not organized in a perceptible formal hierarchy or
institution and are not always known to the public for what they arc. The
spiritual friends are known to each other according to their own attainments,
and it is through the successive direction of the guides themselves that
Sudhana finds out who and where they arc. None of them claims to hold the whole
truth, and none tries to bind Sudhana to a given system of dogma or keep him as
a follower. Many of them teach in surroundings and formats that are not overtly
associated with what is conventionally thought of as religion.
The book begins with a symbolic description of manifestations of
enlightened awareness, explaining that those who are within a fixed system have
not the slightest inkling of the scope of consciousness that lies beyond the
bounds of their perceptions as conditioned by their training and development.
It suggests that all views that are conditioned by cultural and personal
history are by definition limiting, and there is a potential awareness that
cuts through the boundaries imposed by conven tional description based on
accumulated mental habit. According to the scripture, it is the perennial task
of certain people, by virtue of their own development, to assist others in
overcoming arbitrary restrictions of consciousness so as to awaken to the full
potential of mind.
In order to carry out this task, it is necessary to operate partly
within the field of these very restrictions. Those whose specific charge it was
to write scriptures like this one, therefore, were working within the bounds of
language and thought to hint at realities beyond language and thought. As has
been seen in earlier books of the scripture, included in the commitments of
such specially dedicated people, known here as enlightening beings, is the task
of purposely bridging boundaries of culture and religion. They are also
committed to bridge the boundary of secular and sacred, and part of their work
involves relieving mundane suffering and anxieties that would otherwise
preoccupy mental energy and hinder further awakening.
Given that the specific characters of the scripture are
"fictional, " the teaching indicates that in order to seek historical
reflections of what the characters represent, it would be necessary to avoid
being constrained by labels and definitions imposed by externalist observers.
The secrecy or inaccessibility of certain aspects of spiritual teaching is due
not merely to esotericism but also to the extent to which the realm and
activity of the teaching is outside the system of assumptions and expectations
of common convention.
Seen in this light, the scripture can foster remarkable
perspectives on the history of civilization and human consciousness. Even in
recorded history, there are numerous examples of people known as mystics who
were also eminently practical, workers in the fields of public education, civil
administration, medicine, engineering, environmental design, com munications,
agriculture, and so on. On the other hand, it is widely stated that many
overtly religious people were in fact unregenerate worldlings; it is also on
record, though less widely, that many overtly secular activities and
enterprises are in fact vehicles of spiritual teaching. Given that a complete
historical record is a physical impossibility, and that there is no such thing
as a complete fact in itself available to the ordinary senses, it is
interesting to observe how much apparently discon nected activity can be
brought into coherent focus through the vision of the Flower Ornament
Scripture.
Who were-who are-these specially dedicated and developed people
whom the scripture calls enlightening beings? We have no reason to suppose that
all enlightening beings are identified as such in historical records; there is
more reason to suggest that their identities have in many cases been
deliberately obscured. The scripture says of them:
Some appeared in the form of mendicants, some in the form of
priests, some in bodies adorned head to foot with particular em blematic
signs, some in the forms of scholars, scientists, doctors; some in the form of
merchants, some in the form of ascetics, some in the form of entertainers, some
in the form of pietists, some in the form of bearers of all kinds of arts and
crafts-they were seen to have come, in their various forms, to all villages,
cities, towns, communities, districts, and nations. With mastery of proper
timing, proceeding according to the time, by modification of adapted forms and
appearances, modifications of tone, language, deportment, situation, carrying
out the practices of enlightening beings, which are like the cosmic network of
all worlds and illumine the spheres of all practical arts, are lamps shedding
light on the knowledge of all beings, are arrays of projections of all
realities, radiate the light of all truths, purify the establishment of
vehicles of liberation in all places, and light up the spheres of all truths,
they were seen to have come to all villages, towns, cities, districts, and
nations, for the purpose of leading people to perfection.
This depicts the enlightening beings coming into the world, as it
were, with a purpose, using the available tools of the world to accomplish
their task. The versatility of enlightening beings in their modification of
appearance and activity, adapting to the specific circumstances of the
time-cultural, linguistic, technological, and
so on-and the
needs of the people they are
working with, stems from a basic freedom enlight ening beings cultivate, which is sometimes referred to as being
beyond the world even while in the world:
Enlightening beings do not seek omniscience for their own sake,
nor to produce mundane enjoyments and pleasures, nor in search of the various
enjoyments of the realm of desire, not under the com pulsion of errors of
conception, thought, and view. They live and work in the world without being
controlled by fetters , bonds, propensities, or obsessions, without being
controlled by craving or opinions, without their minds being bound up in ideas
of mundane enjoyments , without being taken with the taste of pleasure of
meditation, without being blocked by mental barriers.
Of course, this docs not mean to say that enlightening beings all
exist in conformity with stereotyped ideals . According to the scripture, the
wisdom and virtues of Buddha are in all people, but people arc unaware of it
because of their preoccupations. Just as the scripture points out that there
are lands and beings who are a mixture of impurity and purity, there are untold
incipient enlightening beings always becoming manifest in every thought, word,
and deed of compassion. It is the task of the more fully developed enlightening
beings in every community to contact and nurture what is best in others;
whether they do it through religion or art or cooperation in ordinary
activities is purely a matter of local expediency. Often it is the case that
preoccupation with the external face of such activity obscures its inner purpose;
over a period of time this leads to elaboration of forms without their original
meaning, fragmen tation of the work, and mutual misunderstanding and even
intolerance and hostility among members of what have now become factions. One
of the functions of The Flower Ornament Scripture is to present a vision of the
whole underlying the parts, so as to help people offset the effects of this
scattering tendency and rise above sectarianism and other forms of bigotry.
It is no secret, of course, that there have been numbers of
overtly religious figures, religious leaders, who fit descriptions of
enlightening beings. The potential unleashed by their appearance, however, has
often been mitigated by two persistent tendencies manifested by particular
types of observers. One tendency has been to absolutize even the tem poral
aspects of the dispensations of such leaders; the other has been to regard such
people solely as products of temporal conditions. To offset the extreme view
that abstracts a personality out of context, The Flower Ornament Scripture
sometimes represents such people as kings surrounded by their retinues, showing
that the activity of the teaching, which may be overtly represented by an
individual, is in reality sustained by many people, who may be anonymous, and
that the position and work of the king takes place within a particular context,
in cooperation with a community. To counter the other extreme view of such
leaders as merely the products of historical forces, the scripture uses the
theme of reincar nation, depicting them as being reborn again and again in
different states and circumstances, carrying out their transcendental purpose,
which remains with them throughout all changes, using the means afforded by the
temporal order.
Thus, while the scripture lauds the extraordinary achievements of
specially dedicated individuals, it does so primarily as an inspiration to the
inner sense of the potential of consciousness, and does not degenerate into
personality worship or cultism. Though it recognizes the ordinarily imperative
force of actions and events that continually condition the stream of existence,
it also emphasizes the power of will, often referred to in terms of vows,
capable of extending the awareness to reach out for latent possibilities that
are not being actualized within a given set of propensities but that can become
available through the exercises known as the practices of enlightening beings.
Naturally, many perceptions of the "meaning" of the
scripture are possible, according to the history and condition of the
interpreter. This is noted in the scripture itself and is a basic understanding
of the school of hermeneutics founded on this scripture in the Far East. Each
of these perceptions will have some meaning (even if it is thought of as "
meaning lessness") to the perceiver, and probably to others as well, as
in the case of people sharing their experience of anything, whether it is a
verbalized, conceptualized, and reflective experience or an intuitive, tacitly
commu nicative one. Whether or not particular perceptions are useful to an
individual in a developmental sense is another matter; but even if they are not
enlightening to the individual perceiver, they may be useful to others who
observe the relation of the individual with the material. The scripture carries
out its function of illustrating mentalities both directed by description and
indirectly by provocation.
The provocative aspect of
the scripture is not limited to bringing to light frames of mind by provoking
characteristic reactions; it includes, equally if not more importantly, the
evocative function of eliciting new perspectives and perceptions from the
repository of potential conscious ness. It is often said that Buddhism claims
the world is illusory; and indeed Buddhist writings do contain statements to
that effect, although it is as common to say that the world is in illusion or
the world is like illusion. What this means is that the world as we know it is
a description, constructed through processes of selection and organization; the
illusion, or delusion, is to imagine that the description is objective reality
itself. The soft sciences of modern times have come around to the recognition
of the arbitrariness, or nonabsoluteness, of world views, conditioned as they
are by cultural and personal history; but it is only recently that some Western
workers in these sciences have begun to consider it logical to take the next
step and actually experience this fact by learning how to transform or suspend
the deep structures of the description at will.
It is in this endeavor, to expand capabilities of perception and
under standing, that another mode of using the scripture comes into play. The
traditional practice of single-minded recitation of scripture,
embodying as it does meditation's twin elements of concentration and
contempla tion, has long been used to effect escalation of consciousness and
enhancement of mental powers.
In order to attempt rational understanding of how this can work,
it is important to note that the word illusion, which is so commonly used in
Buddhism to describe the known world, also means "magic. " Knowl
edge and awareness are referred to as magical. Thus illusion-magic has two
aspects, restrictive and expansive, conservative and creative. From the point
of view of the absolute, the imagined nature of things is false, but the raw
material is real; so it is said in Buddhist scripture that the sense data are
the matrix of enlightenment. What is constructed from this raw material depends
on biological, psychological, and social con ditioning, which are variable and
can be consciously modified, with the result of change in perception of the
world. Alterations of diet, posture, movement, breathing, thought, attention,
human contacts, and physical environment are among the techniques known to have
been used since ancient times for affecting the sphere of consciousness. In
Buddhism, change of state is not necessarily valued in itself so much as the
experi ential realization of emptiness,
which means nonabsoluteness of states, on the one hand, and infinitude
of possibilities, on the other. What realm of awareness is beneficial for whom
at what stage of development is held to be one of the sciences of
enlightenment, according to which random visions, ecstasies, or insights are
not productive of true spiritual matur ity, though their place as incidents
along the path should eventually become apparent to the sufficiently advanced.
Insofar as it tends to keep individuals and communities within
certain patterns, conditioning as an ongoing process is also in a sense selfperpetuating,
in that habit reinforces itself through repetition, becoming what is called
"second nature. " Certain conditioning operations, such as those used
to inculcate patterns of behavior required to maintain the fabric of society,
may be generally quite overt, though they might be given different names, such
as "education. " Often, however, the impacts and efforts involved in
conditioning are almost entirely subliminal. Examples of this might be the
practice, now prohibited in some places, of flashing pictures of refreshments
on movie screens, so briefly as to be virtually unnoticed consciously, in order
to induce viewers to crave these refreshments; or the familiar experience of
having a tune keep running through one's mind in spite of the feeling that one
is making no effort to repeat it.
To get out of the circle of habit, a reflection of what the
scripture calls the "mundane whirl, " Buddhist practice proposes a
dual process of arresting involutionary patterns and incorporating evolutionary
patterns. In the practice of spiritual recital, the focus of concentration
works to halt the wandering mind and take the attention off habitual trains of
thought, while the structure and imagery of the scripture that then flow into
the mind, bypassing the conditioned intellect, arc able to set up new patterns
of perception.
It is well known that incantation practices like this can produce
ecstatic states after a time if done in a concentrated fashion. The dazzle of
ecstasy induced in this way is somewhat like the torrent of noise that accompa
nies a rush of schoolchildren as they pour out of the classroom after six hours
of confinement, and is in itself of no particular value. On the contrary, it can
be harmful if it becomes an obsession, as if the ecstasy itself were the goal.
Various extraordinary powers have been associated with people who
spent much time in incantational practices, but these are not thought of as
mechanical techniques that automatically work for everyone at all times. In
fact, the concentration that is thereby generated with relative case can have a
stagnating effect as well, in that it can give a false sense of security or
freedom, and can mask-and therefore
perpetuate-deep seated propensities. Furthermore, without the inclusion
of other appro priate factors , concentration can turn into obsession or
rigidity, and it can also degenerate and fail to produce lasting results. As
scripture points out, there is no particular method of practice that is
universally valid; practices are part of a coherent whole that needs all its
parts to function properly. This can be seen in the doctrine of the six
characteristics as applied to the ten stages. Moreover, it is held that to
approach any spiritual practices in an unsuitable state, such as a state of
greed for personal gain, leads not to enlightenment but to magnification of un
wholesome qualities. Hence the need for proper preparation of dedica tion is
given tremendous emphasis in this scripture.
Another traditional use of the scripture is, like that of esoteric
art, as a model for visualization practice, which is similarly designed to
introduce the mind to certain patterns held to be developmental. An example of this
practice is made explicit in a short scripture of the Flower Ornament corpus,
called "Section on Cultivation of Love from The Flower Ornament Scripture.
" Part of the visualization involves imagining every particle of one's own
body as a buddha-land, replete with such adornments as are described at great
length throughout the scripture; then one visualizes all the beings in the
universe entering into those buddha-lands within oneself and consciously evokes
thoughts oflove and wishes of well-being for them all. Another visualization
practice, as evidenced in Chinese records, focuses on the lights emanated by
buddhas in various scenes of the scripture.
Yet another function of the scripture, often unsuspected or
considered gratuitous hyperbole, is to affirm the infinity of the path and
provide ongoing challenge and inspiration. This function is hinted at in the
statement of the distinguished tenth-century Chan master Yan-shou, whose
mission was to demonstrate the unity of
Buddhist teachings, to the effect that nine out often people who only practice
Chan meditation and do not study scripture become conceited and lose the way .
Another indication of this is found in the book on the ten stages, according to
which in the eighth stage, the stage of effortlessness, where perfect comfort
and tranquillity are reached, the impulse to go on to further development in
the higher stages comes from outside the individual. Certain parts of other
important scriptures such as the Saddharmapunda rika and Vimalakirtinirdesha
also present prime examples of this function. The question of uses of scripture
brings into relief one of the suppos edly peculiar principles of Flower
Ornament Buddhism, that of the mutual causation of past, present, and future.
On a microscale, the experience of the present moment is in fact an edited
replay of an immediately past moment of sensation; therefore, that past moment
becomes present to consciousness through a process that is in its future. On a
larger scale, perceptions and interpretations of the past depend on the
conditions of the perceivers in the present; the legacy of the past as it bears
on the present and future depends on conditions in the present. Therefore, the
past, as it exists relative to the present, is not a fixed actuality, but
depends on what elements of past causes are accessible and how they are
perceived and experienced, what elements are in fact being acted on in a given
situation, and how they are being acted on. What the past was is not available
to ordinary perception; what the past is, on the other hand, is being caused by
its own future, as much as it has caused its future. Various factors in the
present, including understanding, expec tation, and will, enter into the
manner in which past causes are selected, utilized, and become operative.
This would seem to present a closed circle of determinism-the
conditions of the present that determine how the past is experienced are
themselves products of that past. According to the Flower Ornament teaching,
however, the mutual inherence of past, present, and future does not represent
unmitigated determinism, because the past, present, and
future arc all infinite. What is finite is the experience of
being-time through the temporal capacity of a given range of consciousness; and
insofar as that capacity may be altered, contracted, or expanded, it might be
that many of the limitations regarded as real by any society or culture arc in
fact illusory, and the real potential of humanity is so much greater than
imagined as to be virtually infinite, even if that infinity can never embrace
the infinity of infinities.
This seems to be one of the pervasive themes of the scripture-that
there are far vaster possibilities open to humankind than ordinarily suspected
in the course of everyday life. However vital the impulses and activities
involved in the search for survival, comfort, and stimulation may be, they have
never been known to produce complete satisfaction or still the quest for
something beyond, which is yet dimly sensed in the innermost recesses of the
mind. The aim of the authors of the scripture in recording it and leaving it to
posterity might be guessed from the contents of the scripture itself; its
usefulness in the present and future, of
course, depends on the use to which it is put.
On the premise that the scripture itself is a logical place to
look for keys to its understanding and application, this translation is
presented as a sort of raw material, with a minimum of external apparatus. A
discussion of certain technical terms and concepts will be found in the
introduction to Volume I, and a glossary is appended to each volume; the major
explanatory material, however, is to be found in the context of the scripture
itself.
There is really no way to explain all that is in the scripture,
and it would seem a travesty to attempt to place it in some particular
historical or intellectual context, when there is that in it which could be
applied to any such context, and that which clearly transcends any such
context. Immersing one's consciousness in an immense scripture like this by
reading it repeatedly with judgment suspended may not recommend itself to the
impatient; but supposing that the scripture, like a Zen koan, has in itself a
quality that forces one to work through it on its own terms or lose the effect
altogether, it might be better to leave its challenging open. As the Chan
master Wu-men said, " Let another finish this poem "
Notes to Introduction
1. Translated and
published by the Pali Text Society; some of the most important texts are included
in the Sacred Books of the East Series, and some of these have been reprinted
by Dover Publications. See Buddhist Suttas (New York: Dover, 1972) which
contains several scriptures of the so-called "lesser vehicle."
2. See Edward Conze, The
Large Sutra on Perftct Wisdom (Berkeley: Univer sity of California Press,
1975) , as well as numerous other works by Conze on this class of scriptures.
3. D. T. Suzuki, The
Lankavatara Sutra (Boulder: Prajna Press, 1 978) .
4. Translated into
English from Tibetan by Robert Thurman (University Park: Pennsylvania State
Press, 1976) ; from Chinese by Charles Luk (Boul der: Shambhala, 1972) .
5. The most recent
translation is by Leon Hurvitz; Scripture of the Lotus Blossom ofthe Fine
Dharma (New York: Columbia University Press, 1976) .
6. Translated from
Japanese to English by Yamamoto Kosho (Horinkan, 1976) .
Comments
Post a Comment