The Flower Ornament Scripture
A Translation of the Avatamsaka Sutra
Thomas Cleary
A
P P E N D I X 3
Commentary
on Book 39 by Li Tongxuan
Translator’s
Introduction
A C C 0 R DING T 0 B U D D H IST LEGE N D , the
fullest extent of consciousness available to hun1ankind was rediscovered by
Gau tanu Buddha thousands of years ago and summarized in the monurnental
discourse known as The Flower Ornament Scriptu re (Auatamsaka Sutra). Finding
this staten1ent of complete enlight
enrnent beyond even the most advanced minds of his
time, the Buddha spent the rest of his li fe teaching people how to prepare
then1selves for this comprehensive understanding. At every step of the way, there were those
who succeeded in absorbing , utilizing,
and finally superseding each stage of preparation , as well as those who took
the part for the whole, assumed they had realized all there was to
know, and fell by the wayside.
A fter the disappearance of Gautama Buddha, those
among
his mendicant followers who had attained a certain
stage of individual enligh temnent gathered together to recite and sys
tenutize what they had learned from their teacher. Since the Buddha's teachings
were adapted to the specific needs of indi viduals and groups according to
their stage of evolution, the result was
a vast a tnount of material, a highly complex body of principles and practices.
No t yet having reached the full consciousness of the Buddha, however, these rnendicants
were unaware of the teach ings beyond their own range,
and some of them assumed that they had recorded the full dispensation of
their n1aster, even though all of then1 refused to say they had attained all
that the teacher had attained . Eventually the followers of the followers
1545
of these mendicants, imagining then1sel ves to be
the elite of a new religion holding the authentic teachings of the Buddha, not
only rejected the more ve rsatile and expansive teachings le ft among certain
lay adepts and com n1unities but even organized thernsel ves into n1ore than a
dozen competing sects, each with its own
proprietary interest in what it considered truth .
According to
The Scrip ture of the
G reat Ultimate Extinction, the fragmentation
of the Buddha's teaching, with
different fa ctions using parts of the teaching as clain1s to their own
authority, was to be expected as a characteristic degeneration. The Scripture
on Un locking the Mysteries,
revealing certain ad vanced teachings, represents this as
already happening to men tally isolated Buddhist groups in the tirne of Gautama Buddha an d explains its
technical inefficiency.
Legend has it that the comprehensive teaching
of The Flower Ornament
Scripture was under
these conditions withdrawn fo r a time, until th e advent of a
major renewer, the great Nagarjuna , who studied all aspects of Buddhist
learning and recovered the teaching of The Flower
Ornam.ent Scriptu re " fro m the ocean. " Consistent
with his role in revitalizing the compre hensive teaching, Nagarjuna is also
regarded as ancestor of all the n1 ajor branches of East Asian Buddhisn1,
including the Zen, Pure Land, and Tantric schools.
Turning from legend to history, it n1ust be ad n1itted that the terrestrial
source of The Flower Ornament Scripture is un known. This is a characteristic
it has in con1mon with the other great scriptures of the universalist Buddhist
tradition, but the ran ge of this scripture and
the multitude of far-flung branches of the school it comprehends places
it in a class by itsel f. It appears to be the product of an esoteric
association like the later Sarn1oun "Bees" who are said to traverse
the world gathering the "honey " of knowledge from relict deposits .
The Sarmoun is the inner branch of the Designers ,
recog nized fo r the last five hundred years as the most comprehensive school
of Sufisn1. Teachings projected by the
Designers and their
associates h ave been outwardly
connected by observers,
and inwardly connected by practitioners , with every
m ajor religion in the wo rld, a phenomenon easily understood in reference to
the activities of the Bees . The idea of restoration of lost knowledge
parallels the legend of the recovery of
The Flower Ornament Scriptu
re, and
the connection with all religions also parallels the clain1 of the
scripture that true teaching has been represented in all cultures and in all
faiths.
When Buddhism
began to filter into China to
revitalize that delapidated civilization in the early centuries of the
com mon era, The Flower Ornament Scriptu re
was among the
first sources of study materials in
translation. At first only a
limited nun1ber of ideas from the great body of the Teaching were introduced to
broaden the mental horizons of the
Chinese, but by the early fifth cen tury a nearly con1plete translation was
available . Some two centuries later a more comprehensive ver sion was
produced , not only adding teachings missing from the earlier wo rk but
also rendering the
text in a far
more skillful and readable translation.
Uni fying the scattered lore of complete Buddhisn1,
The Flower Ornament Scripture
presents a schen1e of fifty-two
stages of enlightenment in five or six ranks . The five ranks are known as the
ten abodes, the ten practices, the ten dedications, the ten stages , and
universal enlightenment. The
designation of six ranks adds to this
the final rank of sublime enlightenn1ent.
During the
early absorption of Flower Orna n1ent
teachings in China, special attention
was given to the ten stages, which are
described in a book of the scripture
that traditionally circulates as
a single volume and was separately translated into Chinese at least five tin1es
. The book on the ten stages is without
a doubt one of the key sections of the scripture, one of only two that still exist in the
Sanskrit language fron1 which so many Buddhist scriptures were translated.
The other book still extant in Sanskrit is the thi
rty-ninth book of The
Flower Omamcnt Scripture,
the Candavyuha, or
Garland Scripture,
known in the
con1prehen sive Chinese edition as The
Book On Entry
into the Realrn
of Reality . This final book,
of unparalleled beauty and grandeur, recapitulates
the entire scheme of the fi fty-two stages in the tale of a pilgrimage reflecting the total
effort of the original
recollectors of the con1p
rehensive teaching of The Flower
Ornament Scriptu re. It is this book that is the su bject of the
present volume, a com rnen tary on the
Gandavyuha con1posed by the great Li Tongxuan, a distinguished eighth-century
Chinese Buddhist.
There are two m ajor Chinese commentaries on the
com plete tran slation of The Flower Ornament Scripture, the one by Li
Tongxuan , a l aynun, and one by his contemporary Zhengguan, a n1onk.
Zhengguan's co1n n1entary, which
also includes a subcom n1entary on the con1 n1entary, is
largely done from the point of view of what is known as the School of
Characteristics, and is typically encyclopedic and astonishingly detailed. In contrast,
Li's com rnentary , Huayan helu rz, is
done fro n1 the point of view of what is known as the School of Essence and
places tremendous e n1phasis on sudden enli ghtenn1ent.
When I translated the complete version of
The Flower Ornament Scripture
into English years ago, I used both Li's and Zhengguan 's con1n1entaries . No
one who reads the latter could fail to be impressed by Zhengguan's colossal
scholarship; n1ore di ffi cult than
the scripture itsel f,
that comn1entary is a tour
de fo rce ranging over the enorn1ous domain of Buddhist psychol ogy and
philosophy. A Western scholar once assured me that Zhengguan had wasted his
tirne writing his con1mentary be cause
no one would ever read it; and while I deeply lament this
attitude, it is not di fficult to understand it as
an a ffirm ation that
the current state of Buddhist scholarship in the
West is insuffi cient to n1ake Zhengguan's work com prehensible to the average
reader of the present day .
Li's con1 n1entary, on the other hand, without the
intensive detail that characterizes Zhengguan's work, demonstrates the
expansive e n1brace, vibrant aliveness, and sensitivity to sy n1- bolism
typical of Chan Buddhis n1. Li emphasizes the point that Tlze Flower
Omament Scrip ture is directed at ordinary people, and his con1 n1entary renders the
scripture even n1 ore accessible
to the nonspecialist. Nevertheless, produced as it
was from a background of extensive learning in Buddhist teachings, it contains
a great deal of material that makes sense only to someone similarly well versed
in the whole range of Buddhist scriptures. For this reason I h ave chosen to
use a Ming dynasty (1 4th-1 7th centuries C. E.) distillation of Li's original
commen tary, adapted after the fashion of the time to present the essential teachings in a manner
accessible to the nonspecialist.
In recapitulating the teachings of The Flower Ornament Scrip ture, the Gandavyuha, The Book
on Entry into
the Realm of Reality,
uses the format of a journey for knowledge. Sudhana, the inspired young pilgrim of the
story, visits fifty-three teach ers to learn the conduct of the bodhisattva,
the enlightening being dedicated to liberation of the hidden resources of hum an
ity. Quite out of keeping
with the modern myth that the
inner circle of living Buddhism was traditionally a male monkish elite, the story represents a small
minority of the teachers as monks, and nearly half as females .
The first ten teachers visited by Sudhana teach him
the so called ten abodes, which are explained in quite different terms in the fifteenth book
of The Flower Ornament Scripture. The first abode, called the
abode of inspiration or initial determination, is a preliminary stage in
which the aspirant sets his or her mind
on the comprehensive knowledge that characterizes fully awak ened buddhas. In
this abode practitioners serve buddhas, ren1ain willingly in the world,
guide worldly people
to reject evil, instruct people in the Teaching and
encourage them to practice it, learn the virtues of enlightenment, enter the
company of the enlightened, teach tranquil concentration as an expedient, en
courage detachment fron1 compulsive routines, and provide protection for those
who are su ffering.
The second abode, called the abode of preparing the
ground, requires certain attitudes towards others : altruis n1 and
compassion, desire to give happiness and security, pity
and con cern, the desire to protect,
identification, and the willing
ness to learn from everyone. Practitioners in this abode encour-
age and study fo rmal learning, caln1ness,
association with the wise, kind speech , timely speech, fearlessness,
understanding, action in accord with the teaching, avoidance of
folly and delusion, and stability .
The third
abode, called the abode
of practice, invol ves con tetnplation of phenon1 ena in
certain specific ways : as i n1 per n1 anent, as irritating, as en1pty of
ultim ate reality, as selfless, as h aving no creation, as senseless, as not
corresponding to the names conventionally given to then1 , as having no
locus, as being beyond
conception, and as
lacking stable solidity.
Here practitioners observe the realms
of sentient beings ; the realms of phenon1ena and principles; the realms
of the world; the ma terial elements; and the realms of desire, form, and formlessness.
The
fourth abode, called
the abode of noble birth, is
characterized by pern1anent access to the presence
of the en lightened; deep and
pure faith; careful
examination of things; and
knowledge of beings, lands, worlds, actions, consequences , birth and death ,
and nirvana. Practitioners in this abode en deavor to learn, practice, develop, and ful fill the teachings of past,
present, and future buddhas; and they realize that all buddhas are equal .
The fifth abode,
called the abode of full equip
n1ent with skill in means, calls for practitioners to cultivate virtues for the
salvation and benefit of others, to free others fro n1 trouble, to free others from the miseries of
compulsive routines, to inspire pure
faith, to harm onize and pacify others , and to enable others to experience
perfect peace. In this abode
practitioners learn that beings are
infinite, inconceivable, and identityless; create nothing; and possess nothing.
In the sixth abode, called the abode of the correct
state of n1ind, the practitioners ' minds are unwavering regardless of whether
they hear praise or vilification of buddhas , buddhas ' teachings , or
enlightening practices . Their n1inds arc also un wavering regardless
of what they hear
about sentient beings that they are finite or infinite,
defiled or undefiled, easy or hard to liberate. Practitioners arc also
undisturbed in mind regardless
of what they hear about the origin or end of the
universe or the existence or nonexistence of the universe. In this abode they learn in what respect all
things are signless, are insubstantial,
arc impossible to cultivate, lack ultimate existen ce, lack true reality, are
empty of absoluteness, h ave no identity, are like illusions, are like dreams,
and cannot be apprehended concep tually.
In the seventh abode, the abode of nonrcgression,
the practitioner is firm and does not backslide, regardless of what is said
about the existence or nonexistence of buddhas , of truth, of enlightening
beings, or of the practices of enlightening beings . Similarly, the
practitioner is undaunted by
whatever n1ay be said about whether enlightening beings do or do not
attain emancipation; whether or not there were, are, or will be buddhas in the
past, present, or future; whether buddhas' knowledge is finite or in finite; or
whether past, present, and future are uniform or not . Here the
practitioner learns in what respect one is many and many are one, how
expression accords with meaning and meaning accords with expression, how non
existence is existence and existence is nonexistence, how forn1- lessness is
form and forn1 is formless, how nature is natureless and naturelcssness is
nature.
The eighth abode, called the abode of youth ful
nature, or innocence, is characterized
by flawless thought, word, and deed. The practitioner takes on new modes of li
fe at will; knows people's various desires, understandings , realn1s, and
activities; knows how worlds con1e into
being and pass away; and is able
to travel freely by psychic projection.
Topics of study in this abode include knowledge, activation,
nuintenance, observa tion, and visitation of fields of enlightenment.
In the nin th abode, the abode of the spiritual
prince, practitioners know how people are born , how a fflictions arise, how
habits continue, and what techniques arc to be ernployed to liberate people.
They know innumerable teachings and un derstand n1 anners . They know the differen
tiations of the wo rld, they know past and future events , and they know how to
explain both conventional and ultinutc truth . In
this abode they also study the skills, n1 anners, contemplations , power,
fearless ness, and repose of spiritual monarchs.
In the tenth abode, the abode of coronation, the
spiritual monarchs analyze, illun1ine, support, visit, and purify countless wo
rlds ; they observe and teach countless people, knowing their faculties , and
cause countless people to strive for enlightenn1ent and realize peace and
harmony. The practitioners pron1ote the knowledge that is proper to buddhas;
knowl edge of past, pres ent, and
future; knowledge of all worlds; knowledge of all beings ; knowledge of all
things; and knowledge of all buddhas .
The next ten teachers instruct the pilgrim Sudhana in the ten practices , which are described in
the twenty- first book of The Flower Ornamerzt Scripture.
The first one,
called the practice of joy, or
giving joy, is based on transcendent generosity. The practitioner is
magnanimous in giving, without any concept of person, personality, human being,
giver, or receiver. Exercising generosity in this way,
the practitioner observes only the infin ity of reality and the real
n1 of beings and sees the n1 as e n1pty, signless, insubstantial, and
indeterminate. In this way the prac titioner develops pure generosity without
taking pride in it.
Second is what is known as beneficial practice,
based on transcendent morality . The practitioner n1aintains pure disci pline
and self-control, free fro n1 attachment to n1 aterial senses, without seeking
power, status, wealth, or don1inion . By
know ing all things
are unreal, practitioners
are able to
nuster li fe, death, and nirvana;
to liberate then1selves and others ; to attain tranquillity, security, purity,
dispassion, and happiness; and to foster these attainments in others .
Practitioners aspire to fo llow the enlightened; to detach fro n1 n1undanc
activities; to ful fill the qualities of
buddhahood; to remain supremely equanin1ous and be impartial towards all; to
understand objective reality clearly; to
eliminate error; to cut through conceptualization ; to abandon attachment;
to achieve emancipation; and
to abide n1 entally in supreme wisdon1.
The
third, the practice
of nonopposition, is based
on
transcendent toleran ce . Practitioners develop
hurnility and fo r bearance, refraining
fron1 harming others . Not seeking
personal pron1inence or material gain , practitioners resol ve to expound the
Teaching to others so that they n1ay get rid of all evil and put an end to
greed, hatred, folly, pride, hypocrisy, possessi ve ness, jealousy,
obsequiousn ess, and dishonesty. They transcend su ffering by reflecting on the
ultimate unreality of the body, detaching from the idea of self and all that
pertains to it.
The fourth , the practice of indon1itability , is
based on transcendent energy. Practitioners becorne free fro n1 mental
poisons and direct their
energy towards ending
psychological a fflictions; uprooting confusion ; eliminating the
compulsion of habit; and learning all about people, phenon1ena, time, and the
powers and qualities of the enlightened.
The fi fth, the practice of noncon fusion , is based
on tran scendent meditation .
Practitioners develop perfect
mindfulness, so that their minds becon1e undistracted, imperturbable, pure,
open, and free from confusi on. With this mindfulness they are able to hear
and reme n1ber enlightened teachings and put them into practice without confusion. They are also able to change from one state of being to
another without n1 ental disturbance and to enter into all sorts of n1
editation states, realizing that they are all of the sa n1e essence.
Practitioners attain true knowl edge of phenomena and develop an increasingly
vast sense of compassion.
The sixth, called the practice of good
manifestation , is based on transcendent wisdorn . Here practitioners
are pure and nonacquisitive in thought, wo rd , and deed, realizing that
thoughts, words , and deeds have no absolute existence. Free from falsehood,
they are accordingl y freed from bondage; they abide in the absolute essence of
reality yet appear in life expe diently, having no retribution for their
actions . Practitioners realize the transcendental truth of em ptiness, the incon ceivabil ity of reality; yet they
never give up the will to enlighten others and always expand their sense of
compassion .
The seven th, the practice of nonattachn1ent, is based on
transcendent skill in means . Practition ers neither
fo rn1 attach ments to the sacred nor feel aversion towards the n1 undane,
holding the Teaching without proprietary sentiments and teach ing people
without emotional involvement. By virtue
of their great con1 n1itn1ent and will power, practitioners remain secure while
teaching others , not becoming disturbed or discouraged, having attained
nonattachn1ent and independence.
The eighth,
the practice of the
difficult-to-attain , is based on trans cendent vows. Here practitioners perfect virtues that are difficult to attain and never
abandon or weary of the vow of universal salvation. They understand that people
do not really exist, yet they do not abandon them; they do not ren1ain in the
n1undane wo rld yet do not ren1ain in transcendental nirvana either, alway s traveling back and
forth to deliver others fron1 the n1undane to the transcendental.
Practitioners observe all things to be ungraspable yet not nonexistent; they
see things as they are, without neglecting their work of den1onstrating the
practices of enlightening activities wherever they are.
The ninth, the practice of good teachin g, is based
on transcendent power. Here practitioners attain inexhaustible in tellectual
powers and boundless versatility in teaching, their con1p assion extending to
all beings. They adapt to the faculties, natures , and inclinations of the
people they address, and re spond inexhaustibly to whatever questions
or difficulties people bring then1. Practitioners of good teaching are able to
do this by discovery of the
boundless resources of the potential of enlightenment, by attainn1ent of the light of all
truths, and by ful fillment with
universal knowledge. They arc void of wo rld liness yet enter into all worlds,
acting as refuges , lights, and guides
for others, revealing the powers of the enlightened.
The tenth, the practice of truth, is based on
transcendent
knowledge.
Here the practitioners develop
knowledge of what is so and what is not so; knowledge of consequences of
past, present, and future actions; knowledge of faculties, realms, and
understandings; knowledge of where all
paths lead; knowledge of
defilement or purity and proper or
itnproper timing of all
n1editations, liberations, and concentrations;
knowledge of past abodes in all
worlds; knowledge of
clairvoyance; and knowledge of the end of all taints . Practitioners preserve
the right teachings of the buddhas of
all tin1es for the benefi t of all people
and reach the source of the reality of th e teachings of buddhas. Through the influence of the
practitioners those who associate with thern attain understanding, joy, and purity.
From the next ten teachers Sudhana learns the ten
dedica tions , extensively des cribed
in the massi ve twenty-fi fth book of
The Flower Ornament
Scripture. The fi rst is called
dedication to s aving all beings without clinging to any inuge of beings.
Practitioners of this dedication cultivate transcendent generos ity ,
discipline, patience, energy, n1editation, and wisdom; and they d well in great
co mpassion , kindness, joy, and equanimity. They dedicate these virtues to the
benefit of all people to enable everyone to be puri fied, to reach the ultimate
realization of enlightenn1ent, and to be
fo rever freed from the su fferin g and a ffli ction of miserable states .
The second is called indestructible dedication. Practitioners of this dedication attain
indestructible faith in buddhas and bodhisattvas , in the qualities and
teachings of buddhas, in pure ways
of life, in
the path of
dedication to enlighten n1en t, in teachers of ways of enlightenn1ent, in
spiritual powers of bud dhas, and in the practice of expedient means of
enlightenment . Practitioners anuss virtues, develop then1, concentrate on
then1, conten1plate and analyze then1 , find joy in them, and li ve by then1;
they set their rninds on dedication in accord with the essential nature of
things, dedication entering into uncreated truth yet perfecting created
expedients, dedication of techniques discarding attachments to concepts of
phenon1ena , and dedica tion of expedient application of practices without
clinging to fo rms.
Third is dedication equal to all buddhas.
Practitioners of this dedication do not conceive either like or dislike for any
perceived o bjects ; their n1 inds are free, pure, joyful, flexible, and
without sorrow or trouble. They vow to increase the bliss
of the enlightened, the bliss of the unconceivable
abode of buddhas, the bliss of the matchless concentration of buddhas, the
bliss of unlimited compassion, the bliss of liberation, the bliss of im
n1easurable power, and the bliss of tranquillity de tached
fron1 cognition. Practitioners
dedicate their virtues
to enabling others to ful fill their vows, perfect transcendent prac tices , stabilize an indestructible
determination for enlighten n1ent, give
up conceit, and attain the clear, sharp senses of the enlightened.
Fourth is dedication reaching all places .
Practitioners of this dedication intend
the power of their virtues to reach all places , all things, all worlds, all
beings , all lands, all space, all tin1e, and all speech; they pray that their
virtues m ay include all truths , all enlightening practices, all enlightened
spiritual p ow ers , all enlightening methods of In editation, all educational
activities, and all ways of adaptive response to others . Practi tioners are
able to develop people to maturity;
beautify and purify lands; avoid spoiling works; understand all things ; con1-
prehend ultinute reality apart from desire;
achieve pure faith; and h ave clear,
sharp faculties . They are able to appear respon si vely in all
worlds, expound truth in all places ,
travel psychi cally in res ponse to others ' n1inds, attain com prehensive
recol lective and explanatory powers , and attain instantaneous universal perception reaching
all places .
Fifth is dedication of infinite stores of virtue.
The infinite stores, or treasuries, of virtue dedicated by the practitioners are
attained by repentance and removal of obstructions caused by past actions, by p
aying respect to all the enlightened, by re questing the enlightened to teach,
by listening to the teachings and putting them into practice, and by rejoicing at
the virtues of all buddhas and
all people in all tin1es. These
practitioners are aware th at all things are like phanton1s and illusions, yet
they cultivate the
pure deeds characteristic of the
enlightened; they enter into inconceivable freedom yet employ skill in
expe dient means to perform
the work of the
enlightened and illu n1 ine the
wo rld. They dedicate all their virtues to all fields of
enlightenment, to all those
working for enlightenment, to all
the enlightened, to
enlightenment itself, to
all universal vows, to all essential ways of c
n1ancipation, to purifying all real n1s of being, to seeing the enlightened
appear in all worlds, to seeing the life of the enlightened as infinite, to
seein g the enlightened teaching throughout the cosmos, and to assuring the develop ment of all people.
Sixth is dedication that stabilizes all roots of
goodness, causing then1 to endure. Practitioners exercise all manner of
generosity, including the giving of right teachings and the giving of
protection. As they exercise this generosity, the practitioners develop mental
control by which they practice dedication, controlling the body and con
trolling sensation , conception, action, and consciousness. When they give 111
aterial things to people, they pray that
people nuy attain correspond ing qualities : for
example, when they give clothing, they pray that people m ay develop a sense of
shame and conscience; when they give flowers , they pray that people n1ay becon1e pleasing to all they meet; when
they give perfumes , they pray that people m ay becorne generous; when they give bedding, they pray that people may becon1e wise; when
they give shelter, they pray that people m ay becon1e peaceful; when they give
la n1ps, they pray that people nuy become illun1inated; when they give
medicines , they pray that people m ay become mentally as well as physically
healthy .
S eventh is dedication according to all sentient
beings . Prac titioners of this dedication
cultivate virtues by
the p ower of pure determination for enlightenment and
give people what they need without any
psychological artifice, without expecta tion, without desire for reputation,
without regret, without irritation; they extend compassion and mercy to all
unrenlit tingly, not letting conditions stop their generosity and never growing weary of it. Through this
generosity they develop an unattached n1ind, an un fettered n1ind, a liberated
n1ind, a strong mind, a pro found n1ind, a concentrated n1ind, a nonsub
jective n1 ind, a controlled mind, an undistracted n1ind, an
understanding mind, a dedicated n1ind, a penetrating
mind. In dedicating their virtues , they pray that people m ay lack nothing
material or n1 oral, experience peace and happiness, get rid of confusion and
delusion , attain pure impartial n1inds,
and attain all knowledge without difficulty .
Eighth is dedication characteristic of true
Thusness. Prac titioners of this
dedication attain clear and perfect recollection and get beyond confusion and
disturbance. They vow to attain freedo n1 of thought, word, and deed so as to
carry out enlight ening practices; they vow to develop infinite
generosity, to cultivate all
enlightening practices , to n1as ter all the teachings, to arrive at the realm
of universal knowledge, to remember the buddhas of all times, to li ve in the
world unwearied to edify others, an d to
activate countless liberative techniques of thought and wisdom. Practitioners
dedicate these virtues without cling ing to the wo rld or to people,
not relying on anything , free from
discriminatory views, in accord with all impartial truths.
Ninth is dedication without bondage or attachment.
Prac titioners of this dedication
honor and respect e n1ancipation from compulsi ve routines,
embodi n1ent of all virtues, repen
tance of past acts , moral support of virtues , and expressions of respect fo r
the enlightened. They dedicate their virtues with an unbound, unattached,
liberated mind, to accon1plish universally good thought, word, and deed
without forming arbitrary
no tions of worlds or wo rldly things, of enlightenn1ent or enlight
ened beings, of enlightening practices
or ways of emancipation , of buddhas or their teachings, of training
or not training people, of virtue or dedication, of self or others , of
gifts or recipients, or of truth or knowledge. They do not become proud or
conceited, yet they are not sel f-dem eaning either; the virtues they cultivate are for the
benefit of all conscious creatures, dedicated to the most honorable human
state, the state of buddh ahood.
Tenth is infinite dedication equal to the cosmos.
For prac titioners of this dedication , the giving of teaching is paran1ount,
establishing the will fo r enlighten n1ent in others . They are
impartial, tireless in practicing good works, pure
of heart, independent in knowledge. They vow to develop the ability to perfect
all perspectives of universal freedo m;
the ability to absorb, retain, and expound true teachings; and to
cultivate enlightening practice for the benefit of one and all . They also vow
to ful fill the practice of unall oyed Inorality, non reliance,
nonacquisitiveness, nonattachment, noncontention, stabiliza tion of good will,
incomparable compassion, immutable joy, and undisturbed equanimity.
The next ten teachers represent to Sudhana the ten
stages, which arc expounded in the twenty-sixth book of The Flower Ornament
Scripture. The first stage, the stage ofjoy, is character ized by calmness,
happiness, ebullience, exaltation, delight, vigor, geniality, and freedom from
anger. The practition ers of this stage becon1e cxtren1ely joyful thinking of the enlightened ones and their teachings,
of those working for enlightenment and their practices, of the
ways of transcendence, and of the ability to help people. They becon1e free
from all fear by transcending the very idea of self, so they cannot be coerced by fear of ill
repute, fear of death, fear of misery, or intimidation by crowds . Practitioners in
this stage also make a preparatory study of the indications of all
the stages , becon1ing versed in
the problems and solutions of the stages , the attainments and cultivation of
the stages , and the step-by-step
progression through the stages . No longer interested in n1undane
satisfac tions, practitioners attain a special
p ower that fosters in them the
elen1ents that purify the stages : faith, compassion , kindness,
relinquishment, indefatigability, knowledge of the teachings, knowledge of the
world and hun1anity, modesty and con science,
stability, and association with
the enlightened.
Second is the stage
of purity, which is sought by way
of ten dispositions of n1ind: honesty, gentleness, capability, docil ity,
tranquillity, goodness, purity, nonattach n1ent, broad rnindedn ess , and
magnani mity. In this stage practitioners nat urally avoid killing, stealing,
sexual misconduct, false speech ,
coarse speech, useless speech, covetousness,
tnalevolence, and erroneous views.
Third is the stage of reful gence. Practitioners enter
this stage by consciously focusing their n1inds on purity, stability, freedon1
fron1 illusion , dispassion, nonregression, steadfast ness, ardor,
tirelessness,
high-tnindedness, and rnagnanin1ity. In this stage they also
exan1ine the in1pern1anence, pain fulness, i rnpurity, unreliability,
destructibility, instability, and mon1en tariness of all that is conditioned,
thus causing their rninds to become yet tnore liberated fro n1 conditioned
things and di rected towards en lightened knowledge. Practitioners cultivate
nine levels of rneditation , up to the stage of neither perception nor
nonperception , and experience tnany kinds of rniracles and extraditnensional
powers, such as clairvoyance, clairaudience, knowledge of the past, and ability
to go in and out of extraor dinary states without falling under the sway of
those states .
Fourth is the stage of blazing radiance.
Practitioners attain this stage by entering into the radiance of the Teaching
through ten ways of contemplation: conten1plation of the realn1s of beings, of
the realn1s of the world, of the realn1s of phenornena and principles, of the
realm of space, of the realn1 of conscious ness, of the realm of desire, of
the realm of forn1 , of the realm of the formless, of the realm of high-n1inded devotion, and of
the realm of inclinations of the magnanin1ous n1ind. Practition ers at this
stage exan1ine inner and outer phenon1ena with precise awareness, getting rid
of worldly desire and dejection; they strive for the developn1ent, enhancen1ent,
and preservation of good states and for the lessening, elimination, and
prevention of bad states . They also develop the bases of spiritual powers, the
elements of the path to liberation, and the various branches of enlightenn1ent.
Fifth is the stage difficult to conquer. Practitioners enter this stage by irnpartial
attention to purity of the teachings of past, present, an d future buddhas; to
purity of conduct, to purity of n1ind; to purity of rcn1oval of opinion, doubt,
uncer tainty, and perplexity; to purity of knowledge of what to apply
and what to relinquish; to purity of the final
discernrnent and realization of all the elcn1ents of cnlightenrnent; and to
purity of perfecting all people. They attain unwavering attention and bccon1e
fa n1iliar with both conventional and ultin1ate truths. As they n1editate on
all truths, practitioners also develop skills in practical arts and sciences,
according to the needs of the people of the tin1e.
Sixth is the stage of presence. Practitioners enter
this stage by observing phen01nena in tern1s of their equality in having no
ultimate definition, in having no fixed origin, in being apart fron1 any
concept or notion of things, in being prirnordially pure, in neither con1ing
nor going, in being existent in son1e sense and nonexistent in another, and in
being like drean1s or reflected in1ages. They observe the fonnation and
disintegration of worlds, they realize that the origins of worldl y ways arc
all rooted in attachn1ent
to self. This
leads then1 to
a thorough exarnination of the
process of conditioning, followed by liber ating absorption in en1ptiness,
signlessness, and wishlessness. Practitioners in this stage furthennore develop
unbreakable intent and become imn1L1ne to delusive influences.
Seventh is the stage of going far, in which
practitioners are profi cient in concentration on emptiness, wishlessness, and
signlessness; enter into selflessness and transcend ideas of per sonality; yet
still accumulate virtue and knowledge and do not give up practicing infinite
kindness, compassion, joy, and equa ninlity. They detach from the world yet
work to beautify the world; whereas practitioners arrive at extinction in the
sixth stage, in the seventh stage they plunge into extinction and emerge from it
in each n1ental instant, without being overcome by extinction. They live in the world by willpower for the
sake of others, without being stained by the ills of the world; they becon1e
calm and serene, yet they can be passionate as an expedient without, however,
becoming inflan1ed by passion.
Eighth is the stage of in1n1ovability. In this stage
practi tioners fully realize that all things are nonconceptual, accessible to
nonconceptual knowledge. They become wholly detached
frotn mind, intellect, consciousness, thought, and
ideation and thus become free from all striving in thought, word, and deed; no
actions based on views, passions, or intentions become nunifest in then1.
Nevertheless, even though they have attained peace and liberation, practitioners
in this stage who are sup ported by their past vows of complete enlightenment
do not become con1placent but are further inspired to seek infinite knowledge.
By rneans of the knowledge they develop, they are able to distinguish nuny
paths in the world, show all aspects of virtue, control their own resolution,
know the past and future, repel deluding influences, and carry out enlightening
activities in endless contexts without regression.
Ninth is the stage of good mind. Practitioners in
this stage gain accurate knowledge of good, bad, neutral, n1undane, and
transn1undane actions. They also know how people get entan gled in
afflictions, acts, senses, resolutions, dispositions, incli nations,
propensities, and habits; and they know what is bene ficial or not.
Practitioners also know all about the compartmentalization of mind, the
con1plexity of mind, how the n1ind becon1es defiled, how the mind becomes bound
and liberated, and how it creates illusions. Learning to become expert
teachers, practitioners in this stage develop analytic knowledge of principles,
meanings, expressions, and elocution; and they attain n1ental comnund of the
teachings through concentration spells, learning to teach in accord with the
dis positions, faculties, and inclinations of the people with whon1 they are
working.
Tenth is the stage of cloud of teaching, emblematic
of the ability of practitioners to teach like clouds showering rain. In this stage-which is also called the stage
of anointment or coronation, symbolizing anointment or coronation with the
crown of all knowledge-practitioners attain
incalculable num bers of special
concentrations and gain access to the higher knowledges characteristic ofthe
enlightened. They attain incon ceivable liberation; infinite powers of recollection;
and ability to
receive, absorb, and hold the revelations of the
n1ysteries of complete enlightenment.
The next ten teachers after this represent the
eleventh stage, the practice of Uni versal Good. Universally Good, the nan1e of
the supernal bodhisattva Samantabhadra, who represents the active manifestation
of the totality of all enlightening
practice, is the fifty-third and final benefactor visited by the pilgrim Sudhana in the tale of the Gandavyuha
. These teachers of the eleventh stage transn1it ten major aspects of this
totality: pro ducing knowledge fron1 compassion, consistently remen1bering all
truths through mastery of knowledge and compassion, teaching worldly principles
everywhere, penetrating the nlys teries of writing and higher knowledge of arts, helping people by both
conventional and n1ystical arts and sciences, pure liberation by being in the
world without clinging thoughts, illumination by pure knowledge working in the
world, finding infinite forms in fonnlessness, speaking so as to reveal truth,
and living in the world with con1plete knowledge and compas sion.
The fifty-first teacher is Maitreya, the Loving One,
who is thought of as the Buddha of the Future. The Heaven of Satisfac tion,
where the higher personality of Maitreya awaits incarna tion on earth, is
extensively described in the twenty-third and twenty-fourth books of Th e
Flower Ornament Scriptu re, and the encounter between the pilgrim Sudhana and
an earthly person ality of Maitreya is now described in sin1 ilar grandeur and
detail. Maitreya opens the door to a building of cosn1ic propor tions, the
inner dimensions of which Sudhana finds
even greater, containing infinite numbers
of buildings of equal size. In
these buildings Sudhana sees the entire panoran1a of Mai treya's career,
feeling the passage of eons in a short period of tin1e, learning the way to
enlightenn1ent in one lifetime.
Maitreya finally
sends Sudhana back to Manjushri, who first sent him on his journey for
knowledge and who now becon1es his fifty-second benefactor. Manjushri in
turn, reach ing out to Sudhana beyond
time and space, illun1ines hin1 with
the light of infinite knowledge and leads hi n1 into
endless n1ental con1nund, presence of n1ind, concentration, and higher
knowledge, plunging hi n1 into the sphere of practice of Univer sal Good.
The vision of Sarnantabhadra, the Un iversally Good
bodh isattva, finally ushers the pilgrim Sudhana into the ultimate range of
the enlightetunent experience. Samantabhadra is intro duced as a prototype of
the bodhisattva effort in the third book of The Flower Ornament Scripture, in
tenns sin1ilar to the Sufis' global
Assembly of Saints and the Taoists' Celestial
Govern nlent: " Universal Good always fills the universe with
various bodies flowing everywhere, with concentration, psychic power, skill and
strength, teaching widely without hindrance in a universal voice." Then
the final chapter of the final book of the scripture describes the cosn1ic
vision of Universal Good and the n1erging of the pilgrin1 with the total being
of Universal Good and the final realization of enlightenn1ent.
Entry into the Realm ofReality
The Gu ide
T HE INHER EN T BASELE SSNESS of physicaJ and mental
objects is called reality. The interpenetration of one and many, the
disappearance of the boundaries of the real and artificial, of affirmation and
negation, is called the realm.
Also, the realn1 that is purely concomitant with
knowledge and not with emotional perceptions is called the realm of reality.
Furthermore, actually to realize that the seeds of
unenlight ened consciousness arc purely functions of knowledge and are not
subsumed by delusion is the sphere of independent knowl edge and is called the
realm of reality.
What is n1ore, since the substance of knowledge has
no abode and is all-pervasive, one sees the absolute and the mun dane to be
totally inconceivable. In the infinite realn1 where all beings and objects
reflect one another, buddha-lands are multi plied and ren1ultiplied , sages
and ordinary people are the same whole, and the forms of objects
interpenetrate. This is called the realm
of reality.
And when one subtle sound pervades the universe, a
single hair n1easures infinity, views of great and snull disappear, others and
self are the same body, conditioned consciousness and feelings arc gone, and
knowledge pervades without ob struction, this is called entry into the realm
of reality.
1565
This is the eternal goal of all buddhas of all
tin1es, without beginning or end. The progressive practices of the preceding
stages all have this as their substance. At this point practice is cornplete;
allowing knowledge to act, it returns to its original state-fundamentall y
there is no change.
As to the setting of this scripture, it takes place
in the hunun world to illustrate that
the garden of the human world is the
very garden of the reality realm, that the nature of living beings is the
nature of the reality realm, and that the world of living beings is the world
of true awakening.
Manjushri,
the spirit of
wisd01n, wanted to
induce the pilgrin1 Sudhana to
trust in the fundamental unshakable knowl edge that is inherently pure and has
no origin or extinction, no cultivation or witness, to induce hin1 to become a
bodhisattva, an enlightening being, of the stage of faith . So Manjushri
explained enlightened teachings for Sudhana, to inspire the thought of
enlightenrnent in him.
Since the thought of enlightenn1ent is not learned
or culti vated, the thought of enlightenn1ent is always clearly self evident as long as we carry out
enlightening practices to quell habit energy.
It is as when clouds disperse in the sky; the sky is
itself clear, so there is no further search for clear sky.
Just carry out the n1yriad practices of compassion
and wisdom as means of stabilizing enlightenment. If any practice is not understood or not
carried out, or if there is any grasping and rejecting, then there is an
obstacle, and so the thought of enlightenn1ent is not in its complete state,
since enlightening action is itself the thought of enlightenn1ent.
So once Sudhana had awakened the thought of
enlighten rnent, he asked Manjushri how to learn to act as an enlightening
being and practice
the path of enlightening beings-he
asked no n1ore about the thought of enlightenn1ent.
Because the methods of progress expounded in the
previ ous assemblies of the Avatamsaka Su tra had not yet been realized by an
ordinary hun1an being, in the Gandavyuha Manjushri
wants to make Sudhana a signpost for later
generations of seekers.
Also,
the nan1es of the
teachers and their
abodes-people holy and ordinary, spirits, royalty, mendicants, lay
people, non-Buddhists, humans, celestials, n1ales and females-repre sent
certain principles.
Furthennore,
the South, the direction of Sudhana's pil gri nuge, is used to stand
for truth, clarity, and openness. When you arrive at open, clear, true
knowledge without subjectivity, then everywhere is the South .
Therefore Manjushri sent Sudhana south to call on
spiritual friends and benefactors, each of whom sends him onwards that he may
progress and not dawdle over past learning. This is why the friends always
praise the virtues of those Sudhana has yet to n1eet.
In the realm of principle, Manjushri stands for knowledge of the
fundan1ental . Samantabhadra stands for knowledge of differentiation, and
Maitreya stands for the uncreate realization within Manjushri and
Samantabhadra.
These three principles are all in the fifty
spiritual friends representing the five ranks of enlightenn1ent-that Sudhana
meets on his pilgrimage, so there are fifty-three teachers.
Since the fifty teachings of the spiritual friends
each has cause and effect-as in other books of the Avatamsaka
Sutra, where there arc ten bodhisattvas and ten buddhas to represent
cause and effect-this makes one hundred.
Add to this the basic ten ways of transcendence and this makes one
hundred and ten, the number of cities Sudhana is said to have passed through.
The F�fty-three
Teachers
1. MEGHASHRI
First Sudhana clin1bed the Mountain of Marvelous
Peaks, saw the monk Meghashri ("Glorious Clouds") , and realized the
abode of inspiration.
Clouds have four meanings. They are everywhere, repre-
senting concentration . They bear n1oisture,
representing virtue. They shade and
cover, representing cmnpassion.
They shower rain, representing
knowledge. Hence the nan1e Glorious Clouds. The significance of n1onkhood is
the cessation of opinion ated argument. The word used means "stopping
contention. " When one is without thoughts, still and quiet as a mountain,
then forn1less subtle principles becon1e evident.
Sudhana climbed the rnountain to its furthest reach
and looked all over for Meghashri . This syrnbolizes use of the power of caln1
observation to gain access to the abode of the enlight ened.
Sudhana saw Meghashri on a separate peak. This
syn1bol izes going through expedient n1editation methods to get into the
original state where there is neither concentration nor distraction.
Meghashri was walking slowly, syn1bolizing being
undis turbed. Walking around represents not lingering in concentra tion
trance.
Meghashri saw all living beings as the body of
enlighten n1ent and saw the n1undane world as like light, like a reflection,
neither real nor false, inherently undefiled. He rnaintained the integrity of
ordinary vision, so he saw living beings. He n1ain tained the integrity of
objective vision, so for hin1 all objects were insubstantial. He rnaintained
the integrity of the vision of knowledge, so he could n1agically produce
objects . He saw the body of buddhas to be free of both being and nonbeing.
Therefore Meghashri told Sudhana that he always saw
infinite buddhas of the ten directions and knew the teaching of universal
vision through the light of knowledge attained by recollection of the reahn of
buddhas.
2. SAGARAMEGHA
Next
Sudhana went to
the country of Sagaran1ukha (" Ocean Door") ,
saw the rnonk Sagaratnegha (" Ocean Cloud") , and realized the abode
of preparing the ground.
Spontaneous discipline is like the ocean. Not
retaining the corpse of birth and death is the ocean door. Because he was able to make the ocean of
birth and death itself into the ocean of great knowledge and always benefit
people with this princi ple, the monk was called Ocean Cloud.
Having attained the light of highest knowledge,
using it to observe current subjective and o bjective worlds to develop all
knowledge, he knew that the ocean of ignorance
and pain caused by the twelvefold process of conditioning is wholly the
vast ocean of essence of the buddhas of all times, and that there is no place
to attain buddhahood outside the ocean of birth and death. Therefore Ocean
Cloud said he had been living in that country for twelve years.
Because this ocean of essence is not finite and is
full of knowledge and virtue, Ocean
Cloud said the ocean was very deep and very wide and adorned with many
treasures .
In ordinary people, the seven conditions of
ignorance, restlessness, self-consciousness, name and forn1, sense recep tors,
contact, and reception are currently active, so they cling greedily and
obstinately, thus forn1ing the three conditions of craving, grasping, and
becoming. Fron1 these three conditions develop the conditions of birth, aging,
sickness, and death.
Being tossed about on the waves of pain in an
endless circle, temporary students of individual liberation reject this in
disgust and do not conceive great con1passion.
Therefore Sagar a tnegha directly used basic intuitive insight to
illun1ine all at once the intrinsic baselessness of the substance and forms of
conditioned production, all at once transforn1ing it into an ocean of great
knowledge.
This ocean produced a huge lotus, symbolizing the
action of knowledge without taint. Because enlightened action is always in
accord with knowledge, the flower covered the whole ocean.
When titans stand in the ocean, the water only comes up to their waists;
because wise action does not sink into the ocean of birth and death, the lotus
stem was held by titans .
As knowledge gives natural discipline to wash away
mental ddilernent, water spirits showered fragrant water.
As objectless cornpassion responds without
contrivance, the spirits bowed in reverence.
As knowledge is invincible, the embodin1ent of the
buddha sitting on the lotus blossom was immensely tall . The function of
knowledge is represented by the buddha extending his right hand. The reflection
and con1bination of knowledge and ac
tion is represented by the buddha's laying his hand on Sagara n1egha's head.
Knowledge of the fun dan1ental is represented as the
univer sal eye, knowledge of differentiation is represented as a scrip ture.
Teachings are set up in consideration of people's faculties and states, and so,
as people arc infinite, the teachings are infinite.
So Sagaramcgha said there was a buddha on the flower
whose height reached to the summit of existence and that the buddha had reached
out with his right hand, laid his hand on Sagaran1egha's head and expounded the
universal eye scripture, which is so vast that an ocean of ink and a brush
n1ade of mountains could not write out even a little of one statement of one
doctrine of one book of the scripture. Sagaramegha said he had been keeping the
scripture for twelve hundred years, allud ing to the use of knowledge of
expedients to overturn the t welve hundred afflictions and be liberated from
then1 all.
3. SuPRATISHTHITA
The Sudhana went to a village on the seashore of
Lanka, where he saw the monk Supratishthita (" Well Established") and
realized the abode of practice.
Having conten1plated the twelve links of
conditioning, Sudhana reexan1ined current habit energies of discrin1ination
active in his senses and found that they had all becon1e seeds of knowledge, so
he no longer lingered over then1.
The n1ountain of Lanka is in the south seas, so high
and
steep that it is nearly impossible to clin1b. Now
that the ocean of birth and death had turned into the ocean of knowledge,
Sudhana had found the way of ascent and rested peacefully in patience, not deluded
by the bedevilments of birth and death. Therefore Sudhana saw the n1onk
Supratishthita walking in the sky; because he dwelt neither in the world
nor beyond the world, he "traveled
in the sky. "
Because the voice of the teaching had universal
influence and the light of knowledge destroyed illusion, therefore the rain
spirits produced thunder and lightning as o fferings to the tnonk.
Because of his practical knowledge and con1passion ,
his hun1ility and self-discipline, bird maidens surrounded the monk respectfully.
Because of his nustery of use of the ten
transcendent ways to benefit beings, the n1onk was honored by ten kings.
Because he had entered the door of freedom through
great knowledge, the monk was unhindered by barriers of defilement and purity;
all false states of existence n1elted away on contact, to become like the sky.
Therefore the monk said he had found the door of
unob structed liberation, swiftly serving buddhas everywhere, going throughout
the ten directions in an instant of thought, going through walls, penetrating the earth, and walking on water,
as if they were all space.
4. MEGHA
Then Sudhana went to the Dravidian city of Vaj
rapura, saw the gran1marian Megha, and realized the abode of noble birth.
The significance of Dravidia is the n1elting away of
mis taken understandings by the teaching of sages. Megha tneans "Cloud,
" representing one who contains life-giving n1oisture and showers the rain
of the teaching.
Sudhana saw Megha in the 1niddle of the city ,
surrounded by thousands of people, expounding ways into truth through arrays of
revolving letters.
The preceding teachers were all n1endicants : Megha
is a layn1an, to represent the fact that when transcendence of the world is
achieved, transcendent knowledge is not divorced fro n1 the world. He was in
the world yet unaffected by it, so he
was "in the middle of the city. " His knowledge body was free,
interchanging with society, so he was "surrounded by thou sands of people.
"
Revolving means turning completely. Since the fact
that an individual word or sound has no inherent identity underlies infinite words and sounds, infinite words and infinite sounds are one
word and one sound. Therefore one and many revolve around and embellish each
other. All n1undane phenon1ena are transmundane phenomena, and all transmundane
phenomena are n1undane phenon1ena.
When it is said that phenomena exist, each one is
inherently empty; when it is said that phenomena do not exist, that does not destroy appearances. Therefore
the absolute and the n1un dane, existence and nonexistence, completely change
into each other and embellish each other. Since the totality, individuality,
san1eness, difference, integration, and disintegration of all phe nomena
sin1ultaneously revolve around each other in an inter related array, this is
called the rnethod of arrays of revolving letters.
Megha is personally a layman, while the spirit of
enlight enment is an absolute principle. Mundane truth should obey absolute
truth, so when Megha heard that Sudhana had awak ened the thought of
enlightenn1ent, he imn1ediately got down from his seat and bowed.
Because he wanted to inspire Sudhana to further
progress, Megha told hirn that he only knew this teaching method of
concentration spells of subtle sound.
5. MuKTAKA
Next Sudhana went to Vanavasin (" Forest D
weller") , saw the distinguished man Muktaka ("The Liberated
One") , and realized the abode of full equipn1ent with skill in means.
Muktaka was in the n1idst of the mundane, the same
as Megha . The wise use places where there are nuny beings living and dying for
rneditation comn1unities, and n1editation con1- munities are called forests ,
so Megha had indicated a con1 n1u nity in the South called Forest D weller.
Indicative of the fact that the twelve links of
conditioning ignorance, restlessness, self-consciousness, 11an1e and forn1,
sense receptors, contact, reception, craving, grasping, becorn ing, birth,
aging and death-are the substance of n1editation, Sudhana traveled for twelve
years to get to Vanavasin .
Before, with Sagaran1egha, he had observed the twelve links of conditioned
life and attained transn1undane awareness; here he neither destroys conditioned
life nor clings to condi tioned life. Traveling n1eans not dwelling.
When Sudhana saw Muktaka he threw hin1sclf bodily on
the ground, because the essence of the body-mind cluster is itself n1editation;
he also joined his paln1s, syn1bolic of the nonduality of the absolute and
rr1undane.
Because the subject of trance is immensely deep,
all-per vasive, and completely ful filling, Muktaka entered absorption into a
concentration forn1ula for the whirlpool of boundless buddha-fields, whereat
there appeared in the ten directions the enlightenn1ent sites of buddhas as
nun1erous as atoms in ten buddha-fields.
The whirlpool has the meaning of depth, the number
ten has the meaning of fulfillment. In absorption, the buddhas resulting from
his own knowledge and his own causal practices appeared in profound stillness,
so Muktaka said that when he entered absorption in trance he saw ten buddhas in
the ten directions, with their ten chief assistants .
Because buddha is the accord of the inner mind with reality, therefore one thought in
harn1ony is a n1orr1ent of buddhahood, while a continuun1 of thoughts in harrr1ony
is a continuum of buddhas.
There is no country outside rr1ind, no buddha outside rr1ind, so the Liberated One Muktaka
said that if he wanted to
see buddhas such as the Buddha of Infinite Light in
the World of Bliss, he could see them as soon as he thought of them.
Because the whole realm of the infinite
con1passionate acts of all knowledge is a meditation community, inherently un
impeded, Muktaka said he had only delved into the ins and outs of this way to
liberation through unimpeded manifestation .
6. SARADHVAJA
Then Sudhana went to the tip of the continent, saw the monk Saradhvaja, and realized the
abode of the correct state of mind.
Because Saradhvaja had reached the ultimate boundary
of transmundane knowledge, he "lived on the tip of the conti nent. "
Because he had only attained the great compassion by which worldlings transcend
the world and had not attained the great compassion by which to enter the
mundane and share its confinen1ents, he was a "monk. " Because his
oceanic knowl edge could smash through delusion, he was called Ocean Ban ner.
*
Sudhana saw Saradhvaja by the side of a place for
walking meditation. A place for walking represents function, concentra tion in
quiescence. This represents having tranquillity based on function . That
Saradhvaja was sitting by the side of the prom enade represents not dwelling
in quiescent function, being spontaneous and free. He was detached from his
breathing, representing tranquillity and function in accord with inner reality,
since essence is inherently omnipresent and is not going in or out.
So Sudhana saw Saradhvaj a in a trance next to a
promenade detached from his breathing.
Grandees, householders, and Brahn1ins are worldly
people who practice virtue, while feet are means of travel; so Sudhana saw
grandees, householders, and Brahn1ins issuing frotn Sar adhvaja's feet and
traveling throughout the ten directions.
*Chinese translates the name as if it were Sagaradhvaja.
Warriors are a governing class, Brahn1ins are a priestly class. Knees are
joints that bend and extend freely. Because of Saradhvaja's freedom of pure
knowledge, warriors and priests issued from his knees.
The midsection is the place of worldly desires, and
wizards are people without desire. By knowledge Saradhvaj a magically produced
actions similar to those of sentient beings yet was without desire
himself, so wizards
as numerous as
sentient beings issued fron1 his waist.
Water spirits symbolize the rain of the Teaching
enlivening beings, and the sides of the body are covered, so a multitude of
water spirits issue fron1 Saradhvaja's sides.
The heart has the meaning of bravery, the auspicious
symbol on a buddha's heart has the meaning of endless purity of conduct. Titans
represent not sinking in the sense of not sinking into the ocean of birth and
death because of diligence in all practices. Therefore a multitude of titans
issued from the auspicious syn1bol on Saradhvaja's heart.
Because the practices of all vehicles are not left
out in the developn1ent of sentient beings yet the two vehicles of individ ual
liberation turn their backs on the great function of the compassion and
knowledge ofbuddhas, inultitudes of followers of the two vehicles of individual
liberation issued from Sara dhvaja's back.
The shoulders have the sense of bearing burdens,
while fearsome supernatural beings have the sense of protection. Because they
bear the great work and protect sentient beings, therefore a multitude of
supernatural beings issued from Sa radhvaja's shoulders.
Celestial n1usicians are the spirit of n1usic, and
the abdo men represents the containing of myriad truths. Since
they always sing praises of enlightening truths, celestial musicians
issued fron1 Saradhvaja's abdomen.
An en1pcror signifies the turning of the wheel
of the Teaching, so a n1ultitude of
emperors issued from Saradhvaja's face .
The sun breaks through the darkness, so suns issued
fron1 Saradhvaja's eyes.
In the n1idst of birth and death, practical wisdom
is fore most, so enlightening beings issued from Saradhvaj a's head.
Because their knowledge is n1ost elevated, buddhas
issued fron1 the crown of Saradhvaja's head.
This all illustrates the usc of knowledge of
en1ptiness to produce various bodies, creating multitudes of en1a11ations fill
ing the ten directions, developing, educating, and adorning sentient beings
while in essence being like space, con1pletely free fron1 cogitation. Therefore
Saradhvaja produced the ap pearances of these n1ultitudes of beings in the
n1idst of trance.
Sudhana also saw Saradhvaja producing countless
light bean1s fron1 his
pores-his whole body
was the unimpeded light of truth of the body of
reality.
Sudhana stood there for a day and a night, two days
and nights, seven days and nights, a fortnight, a n1onth, finally six months
and six days, until Saradhvaja en1erged from trance. One day and one night
represents the ful filln1ent of generosity. Seven days and seven nights
represent the seven branches of ethics . The full fortnight represents the
fulfill n1ent of forbear ance (a fortnight is half a 1nonth, and forbearance is a half in the sense of
only benefiting oneself and not actively benefiting others) . One n1onth
sytnbolizes the ful filln1ent of diligence. Six months represent the sixth
abode, the correct state of mind. The six days represent the ful fill n1ent of
the sixth transcendent way, that of wisdon1.
Because he had only attained the pure love of
unaffected
action and had not yet attained the great compassion
and skill in tneans to cooperate with sentient beings, Saradhvaj a said he had
only attained this method of absorption in transcendent wisdom.
7. AsHA
Next Sudhana went to Samudravetali, saw Asha, and
real ized the abode of non regression.
San1udravetali ("Keeper of the Ocean
Door") is the tide. This represents reality adapting to evolve sentient
beings in a tin1ely n1anner.
Asha was in a park called San1antavyuha, which is
trans lated as "Ubiquitous Adornn1ent. " This represents countless
practices taking place in life and death constituting a ubiquitous array of
adornn1ents.
Being
greatly con1passionate yet
unaffected, Asha was a l ay devotee.
Being gentle and
of good will,
she appeared as a
won1an, though she was not conscious of being a won1an .
Sudhana saw the park an d its buildings, ponds, and
other features as being adorned with
jewels and saw Asha's features to be ineffably beautiful, because they were an
environment and a person produced by respect for the enlightened
and service to life, the countless practices of knowledge and com
passion.
Because of the con1bining of compassion and
knowledge, Asha said that the buddhas of the ten directions all came to explain
truths to her. She also said that the eighty-four quadril lion beings living
in the park carrying out the san1e practices as she were all irreversible in
progess towards supreme perfect enlightenment, because she used the eighty-four
thousand af flictions to appear to be like then1 in order to meet and guide
thern, so that they had arrived at the original
unity of the essence of life and
death and enlightened knowledge.
As she would enter into life and death to educate
sentient
beings-while realizing that life, death, sentient
beings, and the teaching activity are all nirvanic processes that neither come
into nor
go out of existence,
and are ultin1atcly
peacefu l-she said she had attained this state of sorrowless well-being.
8. BHISHMOTTARANIRGHOSHA
Then Sudhana went to the land of Nalayur on the
coast, saw the seer Bhishn1ottaranirghosha, and realized the abode of youthful
nature, or innocence.
The seer lived on the seacoast because he had used
transcen dent vows to initiate works of wisdom to complement his con1passion,
n1erging them into one, and only thus had attained effortless great function,
benefiting multitudes without even thinking about it, like the ocean tide
thundering and washing effortlessly.
The land of Nalayur is called Not Lazy, in the sense
of the homeland of the seer being the use of effortless knowledge to help
beings tirelessly.
Bhishn1ottaranirghosha is called He Who Utters A
Fear son1e Sound, in the sense that when he spoke he crushed followers of
aberrant doctrines. Because he used knowledge to adapt to different religions
without havin g different views, he is represented as a seer.
Because he had both knowledge and con1passion, the
vir tues that protect beings, the seer was seen in a grove variously adorned.
The seer himself was sitting on an antelope hide spread on some grasses,
symbolizing a state of few desires.
Because the seer had n1yriad practices in him, he is
repre sented as having ten thousand followers, wearing deerskin.
Because the realms of the "dusts"-sense
experiences-all return to the "ground" of knowledge, Sudhana cast his body on the ground.
Because effortless knowledge is unshakable, the seer
said he had attained a liberation called "unsurpassed banner, " en1-
blen1atic of invincibility.
Because the seer's union of knowledge and
environment was comprehensive, when he took Sudhana's hand the pilgrin1 saw
hin1self going to buddhas in the ten directions as numerous as aton1s in ten
buddha-fields.
The gesture of taking the hand represents mystic
empow ern1ent: because the eighth stage is the beginning of effortless
knowledge, people at this stage may linger in quietude and be unable to let
knowledge and compassion work spontaneously. Then it is necessary for sages to
add support and promote
inspiration. Thus when the seer took his hand,
Sudhana was helped and supported by the sage in his entry into reality.
Once one has entered reality, one is always thus of
one's own power, just as one does not carry a boat about
after crossing a river in it. Therefore when the seer let go of his
hand, Sudhana returned to where he had been before.
9. jAYOSHMAYATANA
Then
Sudhana went to
Ishana, saw Jayoshnuyatana, and realized the abode of the spiritual
prince.
Ishana is called Long and Straight, symbolizing the
use of inclusive teaching to extend the straight path, making one's abode in having no false pretences.
Jayoshrnayatana the Brahrnin is called Ovcrco1ning
Heat because he used knowledge to adapt to fal sehood, his power able to
overcome the poisonous heat of en1otional afflictions; entering into spiritual
function, he appeared to be like a Hindu ascetic, roasting his body with fires
all around under the burning sun, yet in reality he was leading aberrant
cultists back to right knowledge.
There was a razor mountain there, syn1bolizing the razor of truth cutting
through confusion . Below was a bonfire, representing the light of adan1antine
knowledge. Because he un derstood
inherent liberation and could use his energy freely, he had no fear and could
show and ren1ove the emotional afflictions
of beings in
the long night
of ignorance; so
the Brahn1in clin1bed the razor mountain and threw his body into the
bonfire.
Because it is ordinarily unthinkable to contravene
the ob jective order, when jayoshmayatana urged Sudhana to climb the razor
mountain and jump into the fire, Sudhana
hesitated.
Because this inconceivable realm of energy use must be en tered into experientially,
celestial spirits appeared in the sky and sang praises of Jayoshmayatana's
virtues, urging Sudhana not to doubt.
When his knowledge meshed with the total event,
Sudhana entered in experientially; so he clin1bed the razor mountain and
leaped. Before he was even halfway down he attained well established n1ental
focus, and the mon1ent he hit the fire he also attained mental focus on the
bliss of tranquillity.
Because he used this one practice to show endless
different practices according to people's different inclinations, Jayosh
nuyatana said he had attained liberation into an inexhaustible sphere.
10. . MAITRAYANI
Then Sudhana went to the city of Simhavijurn1bhita, saw the girl Maitrayani, and realized the
abode of coronation.
As she was spontaneously compassionate yet
unaffected by the habits of attraction that result in bondage to existence,
Maitrayani is represented as a girl . As her compassion was born of knowledge
and she was independent and fearless, her father was a king called Lion Banner.
In this abode of coronation, knowledge and
compassion con1pletely include the knowledge and compassion of the five ranks,
with no different road, so Maitrayani is
portrayed as having a retinue of five hundred girls.
As she was able to abide in the abode of buddhas,
contain ing the causes and effects ofbuddhahood through the five ranks, she
lived in a palace of radiant jewels. As she used the practice of great compassion
based on all knowledge to expound the five-part body of reality, the pure
teaching covering sentient beings, she sat on a seat set on sandalwood legs,
draped with nets of gold strings and arrayed with celestial cloth.
Since all beings entered this chamber of compassion
in this palace of knowledge and the enlightening beings of the five ranks all sojourned there,
Sudhana saw countless people going in the royal palace.
The crystal base of the palace stands for the clear
purity of the body of reality. The lapis lazuli pillars stand for n1aintenance
of pure conduct. The diamond walls stand for
protection by knowledge. The golden fences stand for outward strictness in
discipline. The bright windows stand for illun1ination of the ordinary world by
the light of the Teaching.
Because her heart was undefiled, Maitrayani was born
with golden skin; because she covered living beings with knowledge, she was
born with jet-black eyes and hair.
So Sudhana saw the objects and person in the palace
thus magnificently adorned.
And since each principle contains all principles,
and they interpenetrate simultaneously, so knowledge and objects inter
penetrate on infinite levels; therefore when the girl had Sudhana look at the
palace, he saw the features of the realms of all the buddhas contained in each
wall, each pillar, and each mirror 1 nuge.
The girl said this was the n1edium of wisdom in the
total array, which she had learned from buddhas
as numerous as grains of sand in
thirty-six Ganges rivers, entering into
a different aspect of it with each buddha.
The medium of the total array refers to one rank
including all ranks. The ten abodes, ten practices, and ten dedications are
three decades; the ten beliefs, or ten stages of faith, are faith in these
three teachings. The ten stages and the eleventh stage are also just
developments of these three teachings,
involving no new principles. So these three teachings produce the six
ranks; this is the reason for the number thirty-six.
The six ranks are included in this abode, and each
rank has inexhaustible practical undertakings; though the characteristics of
the practices are different, the principles are not different this is the
significance of entering into different aspects of the Teaching with each of
the buddhas, who are as numerous as grains of sand in thirty-six Ganges rivers.
Summary of the First Ten Teachers
1. Meghashri
elucidated the way of meditation to bring out the buddha-knowledge in one's own
mind and see the realms of the buddhas everywhere.
2. Sagaran1egha
elucidated the way to contemplate the twelve conditioning links in the ocean of
birth and death as the fundan1entally pure ocean of buddha-lands.
3. Supratishthita
elucidated the way to emerge unimpeded into the ordinary world with the freedom
of the knowledge of reality .
4. Megha
elucidated the way to live in the ordinary world and cultivate worldly letters
and penetrate all they imply.
5. Muktaka
elucidated the way of spontaneous meditation on the body containing the
countless realn1s of buddha-fields.
6. Saradhvaja
elucidated the way to the unin1peded spir itual power of tranquil function
freed from bondage.
7. Asha
elucidated the way to live in the world to develop and extend great compassion.
8. Jayoshmayatana
elucidated the way of asceticism to con tact aberrant cultists .
9. Bhishmottaranirghosha
elucidated the way to appear sin1ilar to rnisguided people by means of
effortless knowledge.
10. . Maitrayani elucidated the way of simultaneous com pleteness of
knowledge and compassion, including all ranks when knowledge is fulfilled and
compassion con1plete.
The next ten teachers represent the ten practices
for self help and helping others. It is not that the ten abodes do not include
self-help and helping others, but the polish of the teachings of the ten
practices is necessary lest one be incapable of autonomy in the different
realms of the world.
11. .
SuDARSHANA
Next Sudhana went to Trinayana, saw the mendicant
Su darshana, and realized the practice ofjoy.
Trinayana n1eans "Three Eyes." The eye of
knowledge observes faculties, the objective eye knows principles, and the eye of wisdorn distinguishes right
fron1 wrong. These three are originally one, which is given three nan1es
according to func tion .
If one lacks these three eyes, one is also deluded
already and so cannot help others . Therefore the name of the land is Three
Eyes.
Sudhana sees a rnendicant for the first of the
practices because it is possible to enter the world and integrate illumina
tion beneficially for others, inducing them to end contention, only when one's
own rnind is unattached to the world.
The practices involved in adaptation to the world
are n1any, as n1 any as trees in a forest. Their purpose is to enter birth and
death to liberate beings fron1 birth and death-and also to induce beings to nuke compassionate
commitments to go back into birth and death to liberate yet others, going on and on in this way, like one lamp
lighting a hundred thousand lamps so that all darkness is illun1ined and the
light never ends. This is the meaning of going and returning. Thus the story
says Sudhana saw the mendicant walking around in a forest, em blernatic of
this process.
The mendicant's appearance as a young man signifies ability to carry out practical
actions . His handsome features stand for correctness of action. His hair
curled regularly to the right, symbolizing his action in accord with the Way.
He had a topknot of flesh on top of his head, symbolizing lo ftiness of
knowledge and fullness of virtue. His skin was golden, sym bolizing clarity of heart and purity of intellect. His forehead was broad, flat, and square,
symbolizing breadth of knowledge and vision. His lips were red and clean,
symbolizing skillful explanation of the principle of emptiness. He had an
auspicious sign on his chest, symbolizing clarity and coolness of wise action. His fingers were webbed, symbolic of using
the Teach ing to scoop sentient beings up out of the ocean of suffering.
Because his practice of saving beings was universal,
he was surrounded by celestial spirits. Because he could adapt the Teaching to
people's faculties, his method being without fixed n1ethod and his teaching
being without fixed dognu, spirits of direction guided him whichever way he
turned. Because his
conduct was undefiled, footstep-following
spirits held lotuses for hin1 to walk on
.
As he used n1editation to manifest the
production of knowledge and wisdom, so
the earth spirits revealed jewel mines to him. Because he was elevated yet
humble, the polar moun tain spirits bowed to him. He spoke elegantly, causing others to adn1ire hin1 ; breeze
signifies verbal teaching, and flowery fragrance signifies appreciation, so the
wind spirits gave o ff a flowery fragrant breeze.
Because he was at the beginning of the ten
practices, he is represented as young. He included the three teachings of the
ten abodes, ten practices, and ten dedications all in one practice without
leaving the eightfold correct path, and this lifetime was a lifetime without
before or after, beginning or end; so Sudar shana said he was young and had
only recently left home, but he had in this lifetime cultivated pure conduct in
the company of as nuny buddhas as sand grains in thirty-eight Ganges rivers.
Because the moment delusion disappears an instant and all time interpenetrate,
there being no far or near in knowledge, each atom containing oceans of lands,
Sudarshana said he had cultivated pure conduct with some buddhas for a day and
a
night, with others up to untold eons.
12. INDRIYESHVARA
Then Sudhana went to Sumukha, saw the boy Indriyesh vara by a river, and
realized beneficial practice.
The land symbolizes the fragrance of morality
scenting everywhere, the river symbolizes
the undefiled discipline to enter
the world autonon1ously, eventually to enter the ocean of knowledge, just as
rivers flow to the sea.
Because play is buddha-work, Sudhana saw the boy
playing in the sand.
For him the substance of discipline was in using
practical and artistic genius to enter the world and yet go beyond the world,
just as for Sagaramegha the substance of discipline was
in identifying the ocean of birth and death with the
ocean of knowledge.
For the boatn1an, a later teacher, the substance of
discipline was in carrying people across, not staying on this shore or on the
further shore. For the night goddess ofjoyful eyes, another teacher, the
substance of discipline was great compassion. *
According to the rank, progress is not the same; but
when knowledge penetrates, every rank is included. Therefore the boy said he knew the teaching
of higher knowledge of all practical arts and knew about writing, printing,
analysis, med icine, industry, agriculture, commerce, and alchen1y.
13. .
PRABHUTA
Then Sudhana went to Samudrapratishthana, saw the
lay woman Prabhuta, and realized the practice of nonopposition.
The city where Prabhuta lived was called Ocean
Founda tion because her tolerance was like the ocean admitting a hundred rivers. Prabhuta was called
Perfected because she per fected all practices through patience and tolerance.
Because of her patience, Prabhuta is depicted as
physically beautiful, clothed in pure white, her hair hanging down. Be cause
of her fulfillment of myriad practices, she is depicted as being surrounded by
ten thousand maidens.
By means of the distribution of the cosmic network
of knowledge of the real universe, the small contains infinity; and by the
great heart of willpower of knowledge of
the real universe, Prabhuta could satisfy the hunger of all living
beings with a tiny morsel of food, yet without diminishing the food.
Because a single n1orsel of food is as extensive as
the universe-food unlimited to
inside or outside,
center or ex tremes-Prabhuta said she had attained a
way of liberation that was an infinite treasury ofblessings and could feed an
unlimited number of beings with a small vessel of food and drink.
Countless beings
entered Prabhuta's home by its
four
* Sec nos . 22 and 33 .
doors,
because they were
received by the
four infinite minds infinite love, infinite con1passion,
infinite joy, and infinite equa nirnity.
14. VIDVAN
Then Sudhana went to Mahasambhava, saw the house
holder Vidvan, and realized the practice of indomitability.
Because his diligence produced great benefit, Vidvan's
city was called Great Production; and because he observed faculties and
examined phenomena, Vidvan was
called the Knower. He is represented as
a householder because he stayed in society to improve custon1s and n1orals.
As he used the practices of the four integrative
methods and seven branches of enlightenment to live on the road of life and
death un wearied, Vidvan was seen at a crossroads in the city, sitting on a
pedestal n1ade of seven precious substances.
Using diligence to equip himself with blessings and
virtues and to eliminate suffering and poverty, Vidvan said he had attained a
way of liberation that enabled hin1 to produce treas uries of blessings at
will.
Since both n1aterial and metaphysical generosity are
pro duced by knowledge of emptiness and baselessness, therefore when countless
beings came from various lands seeking from him what they desired, Vidvan looked up to the sky, and all they
wanted descended from the sky; and he taught them truths according to their
faculties.
In the first abode, one begins to understand the
wisdon1 of buddha, and one is born in the home of the enlightened. In the
fourth abode one quells worldly delusions, pure buddha-knowl edge
appears, and one is born in the home of
the enlightened. In the eighth abode one is born in the house of the effortless
knowledge of the enlightened. In the tenth abode, knowledge and compassion help
everyone, one ascends to the rank of coronation, and one is born in the house
of the enlightened.
Now in the fourth practice, by using
the approach of
contemplating the emptiness of phenomena, this
understanding produces liberation and quells ren1aining worldl y habits;
knowledge of the reality body appears, and one is born in the hon1e of the
enlightened. Thus Vidvan said that his companions had already been reborn in
the family of buddhas.
15. .
RATNACHUDA
Then Sudhana went to Simhapota, saw the eminent Rat
nachuda, and realized the practice of nonconfusion .
The city was called Lion Foundation to represent the
fearlessness attained through meditation. The body of concen tration pervades
all practices: just as Muktaka in the fifth abode contained innumerable lands
in himself and took for his medi tation the provenance of objects fro n1 the
body, here in the fifth practice the body is in function; so countless objects
are all included in one meditation, reaching the crown of the Teach
ing-therefore Ratnachuda is called Jewel Topknot.
The silent function of the body of practice is
always concentrated, undi n1inished in the midst of the n1arketplace of life
and death; so Sudhana saw Ratnachuda in a n1arketplace.
Ratnachuda used meditation to embody the ten
transcen dent ways and the eight-fold right path, so he is represented as
living in a building with ten stories and eight doors.
On the first floor of the building, food was being
distrib uted, representing generosity. The other floors each represent one
transcendent way; finally the top floor was filled with buddhas, representing
knowledge. These ten floors completely take in the five ranks and include
buddhahood. Since the substance was independent meditation in the real
universe, the stories of the building were adorned by the ten transcendent ways
within meditation .
Ratnachuda said that in the remote past he had played
n1usic and burned a ball of incense in o ffering to a buddha who can1e to the
city and dedicated the n1erit to three points; and that for this he had been
rewarded with such an abode.
The remoteness of that past event symbolizes the
trancend ence of feelings and entry into concentration. The music sym bolizes
explanation of truth. This represents producing insight through concentration.
The ball of incense represents one kind of
"scent"-con centration-including the five kinds of "scent,
" the fivefold spiritual body consisting of discipline, concentration,
insight, liberation, and the knowledge and vision of liberation.
The three points are always seeing the enlightened,
always hearing truth, and always being free from poverty and misery. The message
is that the substance or body of concentration has already been attained in the
ten abodes, and now, in the meditational aspect of the ten practices,
independence of tran quil function is attained. Ratnachuda's attainment of
liberation of the treasury of inf1nite blessings means fulfillment of myriad
practices within meditation.
16. . SAMANTANETRA
Then Sudhana went to Vetramul aka, saw the perfumer
Samantanetra, and realized the practice of good manifestation.
The land was called Reed Roots, because wisdom is
deep and stable, penetrating to the wellspring of truth, just as reed roots
reach deeply into the water table.
Samantanetra was called Universal Eye because he
knew all through wisdom.
Because the gates of wisdom are manifold, lofty, and
hard to enter, the city where Samantanetra lived was seen to have high walls.
Because insight into emptiness has no boundaries, the streets were wide and
even.
Samantanetra said he was skilled in curing diseases,
mean ing that he had learned conventional medicine; this also repre sents the
Teaching. For example, illnesses associated with wind represent people who
think too much, an affliction cured by counting breaths. Jaundices represent
people with too much desire, an affliction cured by contemplation of impurity. In-
ftammatory illnesses represent people with too much
foolish ness, an affliction cured by
conten1plation of conditioning. Mental illnesses represent people who
cling to subtle forms and are not free from bewilderment and extraordinary
perceptions, an affliction cured by contemplation of the emptiness of phe
nomena. Illnesses caused by toxins represent the way posses siveness can
produce binding and harmful actions. Illnesses associated with water represent
craving, illnesses associated with fire represent anger. All these illnesses
can be treated by the Teaching .
Samantanetra also said he was skilled at compounding
perfumes . This means he practiced worldly arts, and it also represents the
Teaching, as wisdom skillfully expounds the Teaching, whose fragrance perfun1es
the odors of evildoing to turn them into the scent ofknowledge.
Samantanetra said he knew how to induce sentient
beings to see buddhas everywhere and rejoice, using wisdom to cause all realms
to enter the realm of buddhahood.
17. . ANALA
Then Sudhana went to Taladhvaja, saw the king Anala,
and realized the practice of nonattachment.
Taladhvaja is called Bright and Clean, because the bright and clean knowledge and
wisdom that goes beyond the world also enters the world to practice compassion,
observing people's faculties so as to be able to harmonize with them, not
contact ing people randomly-hence the name of the city.
King Anala is called Tireless because he helped
beings masterfully and never tired of helping
them. Because King Anala used myriad activities to enter
the world, Sudhana saw him surrounded by ten thousand ministers, collectively
order ing the affairs of state.
Anala used his knowledge of skill in means to
manifest the appearance of horrifying scenes in order to govern, so there were
ten thousand fierce soldiers cutting off the heads of
crin1inals, or gouging out their eyes, or any number
of similar horrors.
The king had Sudhana enter his palace and look at
its superlative adornments; then he said he knew magical libera tion,
explaining that these punishments, the criminals, and the soldiers, were all
magical projections of great compassion to frighten actual people into giving
up evil. In reality, not even a single
gnat or a single ant was harmed, much less any humans. This was why he had been
rewarded with such splendor, to make it
clear that he would, on the contrary, have been doomed if he had been torturing
people intentionally because of his own subjective feelings.
18 .
MAHAPRABHA
Then Sudhana went to Suprabha, saw the king Mahap
rabha, and realized the practice of the difficult-to-attain.
The city is called Beautiful Light to represent the
subtle function of differentiation within effortless knowledge.
King Mahaprabha is called Great Light to represent
funda mental effortless independent knowledge.
One gains access to effortless, subtle function only
when one has remedied the unfulfilled knowledge and compassion of earlier
stages and balanced them masterfully; thus in the story Sudhana wandered through
the human world, eventually to make his
way to the city of Beautiful Light.
Effortless knowledge and compassion are difficult to
attain; even though Sudhana looked around, he still sought certainty through
direction. So when he had reached the city he inquired further of the longtime
inhabitants.
Because Sudhana had en1bodied a variety of practices
of knowledge and compassion, he saw the ground, trees, build ings, terraces,
and flower ponds of the city to be all adorned with jewels.
The story says the city was octagonal, with ten
leagues to a side, and also that it had ten million streets, on each of which
lived countless beings. Ten million streets could
not fit into a ten-league octagon; these are not worldly measurements, but
representative of the great n1etropolis of funda1nental knowl edge, with
streets representing the infinity of interactions of the ten ways of
transcendence.
Therefore beings
saw the city differently, according
to their faculties and
their ways of acting-some saw it as
large, some as small, some as clean, some as polluted, and so on. In
this way the king of knowledge showed everyone the laws of reality.
When one uses independent knowledge to enter into
minds as many as beings and identify with them, there is no separate nature-the
sentient and insentient are of one nature, and all are transformed according to
knowledge into agents of buddha work.
In the world when a national leader is
enlightened, even the anin1als dance,
and phoenixes appear. When ordinary peo ple are perfectly filial, they also
experience phenomena like finding
leaping fish in frozen ponds and bamboo shoots sprout ing in winter. How much
the better when knowledge penetrates the fountainhead and practice is equal to
the real world kindness takes in all beings, spirituality gathers all
awarenesses; one has no subjective mind but takes to heart the minds of all
beings, just as a clear jewel may take
on all colors.
As the king had entered the door of absorption in
great kindness adapting to the world, so the people, birds, and animals of the city and its environs all
came to pay him respect. The trees and grasses of the mountains and plains all
b owed towards him; the lakes, springs, rivers, and seas all flowed towards
him; and the celestial spirits showered him with gifts.
The reason that the seventh and this eighth practice
are both represented by kings is to illustrate that while the power and
function of compassion and knowledge differ according to the rank, there are
not two paths. Therefore the seventh and eighth abodes are both represented at
the seashore, and the seventh and eighth dedications are represented in the
san1e
assembly. The appearance of the teachers as various
persons in various walks of life symbolizes the differences in power and
function.
1 9 . AcHALA
Then Sudhana went to the kingdom of Sthira, saw the devout wonun Achala, and
realized the practice of good teach Ing.
The location is called a kingdom to represent
mastery of teaching, the devout wonun is called Immovable because of her
spiritual power to remain unaffected.
Protected by the mother of knowledge and the father
of skill in means, the mind is not influenced by objects ; to repre
sent this and the compassion of hun1ility, Achala is
said to be a
young woman in the care of her mother and father.
When Sudhana went into her house, upon contact with
the golden aura of the house he attained five hundred trances; illumined by the
edifying light of the chamber of con1passion, he gained access to five hundred
entryways into the five ranks. The trances were subtle as the consciousness of
a new embryo, because when knowledge enters compassion, it is harmonized and
becomes comfortable.
No one who saw this young woman became enamored of
her; because her behavior was unaffected by en1otional love, her body was not
erotic but caused the n1inds of all who saw her to become upright and correct.
Achala said that long ago in the tin1e of an ancient
buddha she had been a princess, daughter of a king named Vidyuddatta, called
Lightning-bestowed. At that time she was inspired with the thought of
enlightenment on seeing the magnificence of the buddha, and in all the eons since that time she had
not so much as had a lustful thought, let alone acted on lust.
The buddha of that titne was called Arn1s Extended
Down ward, representative of carrying out transcendent vows fro n1 effortless
knowledge to guide sentient beings. The king was
called Lightning-bestowed because knowledge sees the
path of enlightenment quickly. Achala was a princess because from knowledge she
cultivated kindness.
Before the eighth practice one is still affected by
the habit of sadness; here in the ninth there arc no ingrained habits . That is
why Achala said she had no lust. In the
rank of teachcrhood one overcon1es obstacles to mastery of teaching, requiring
tireless effort; so she said she had attained absorption in tireless search for
all truths.
20 .
SARVAGAMIN
Then Sudhana went to Tosala, saw the mendicant
Sarvaga min, and realized the practice of truth.
Tosala
is called Production
of Happiness, to represen t
the
use of ubiquitous physical manifestation through ful
fillment of transcendent knowledge in order to benefit ordinary people and
n1ake them happy.
Sarvagamin is represented as a mendicant because his
knowledge was equal to a buddha's. He is called Going Every where because he
appeared to assimilate to false ideas and to the three vehicles of Buddhism.
The Confucian and Taoist sages were also in this category.
Ordinarily, learners are called outsiders as
long as they have not yet entered into
the real universe, where there is interpenetration of noumenon and phenomena,
of bodies and lands. In this case, Sarvagamin appeared to be an outsider,
helping beings according to type, yet in reality he was not an outsider.
In the middle of the night Sudhana saw the flora on
the n1ountain east of the city of Tosala radiate light like the rising
sun, representing the sun of great
knowledge in the middle of the night of birth and death.
Sudhana saw Sarvagamin walking around on the flat
moun taintop: the mountaintop symbolizes the lo fty supremacy of knowledge,
the flatness symbolizes the evenness of compassion.
Walking around illustrates not dwelling partially on
either knowledge or compassion.
Sarvagan1in said he knew the enlightening practice
of going everywhere; by n1eans of knowledge he penetrated all
existences, and appeared in corresponding physical forms, as
echoes respond to sounds without there being any
substance
. .
coming or go1ng.
After this the ten dedications are set up. By means
of the ten practices one can perfect worldly arts of government and education,
yet one is still unable to remain in the ocean of birth and death, neither
emerging nor sinking, based on unob structed action in the real universe by
the universally good practice of inherent buddhahood. Therefore the ten
dedications are needed.
21 . UTPALABHUTI
Then Sudhana went to Prthurashtra, saw the eminent
perfumer Utpalabhuti, and realized dedication to saving all beings without
clinging to any image of beings.
The land is called Vast Territory to represent
far-ranging vows. Utpalabhuti's being a perfumer symbolizes the combin ing of
knowledge and compassion, noumenon and phenomena, nirvana and samsara, and
ideas of defilement and purity all into one ball while still freely totalizing
or distinguishing them. He is a l ayman
on account of his great compassion, entering birth and death without being
affected.
The nature of fragrance rests on nothing, yet it radiates good and extinguishes bad;
this symbolizes great vows that rely on nothing yet radiate deeds that benefit
beings.
The regal fragrance of fundamental knowledge emerges
within ignorance, the fragrance of differentiating knowledge emerges within
myriad objects; so the en1inent said he knew where the king of fragrances can1e
from and knew how to compound fragrances .
According to Utpalabhuti there is in the human world
a fragrance that comes from the struggle of water spirits and that causes those
anointed with it to become golden in color. This represents the first abode, in
which tranquillity and insight struggle with conditioning, producing the
fragrance of knowl edge; those who enter thereupon attain true awakening.
Also, there is a kind of sandalwood whose essence
will protect people from burning by ftre. This represents the abode of
preparing the ground, in which the body of discipline is anointed with the
principle of essencelessness so that it can enter the fire of the three poisons
without being burned.
In the ocean there is a fragrance called invincible,
which, when painted on drums, causes even brave opponents to retreat on hearing
the sound of the drums; this represents the develop ment of acceptance of
reality in the abode of practical cultiva tion, causing evils to withdraw
spontaneously.
Ten kinds of fragrance are mentioned, representing
the ten abodes; by combining the two aspects of the ten abodes and ten
practices-the absolute and the mundane, knowledge and com passion-causing them
to be free, the method of dedication is created.
Because this dedication first enters the ocean of
great compassion, one might leave out the awareness of knowledge; so ten
fragrances are used to syn1bolize the principle of the ten abodes. Because one
principle contains all the principles, this is represented by compounding
fragrance.
22. VAIRA
Then Sudhana went to the city of Kutagara, saw the mariner Vaira, and realized
indestructible dedication.
Kutagara is called the City of High
Houses, the high houses
representing knowledge. Vaira is called Independent, because he used natural
discipline and great compassion to go into the ocean of birth and death while
remaining free.
Vaira is represented as a n1ariner, for he was like
a ship that
does not stay on the near shore, does not stay on
the farther shore, and does not stay in n1idstream, but carries people across.
He ferried people over the ocean of birth and death by means of myriad
principal and satellite practices within discipline, so he was seen on the
seashore surrounded by hundreds of thou sands of merchants.
Being profoundly caln1 and unshakable in the middle
of the ocean of birth and death, Vaira said he knew all the treasure islands in
the ocean.
Knowledge of the locations of precious
substances refers to the empty
and nonempty matrices of enlightenment. Knowl edge of categories of precious
substances refers to countless natural virtues. Knowledge of types of
precious substances refers to the
realization of buddha-nature. Knowledge of pre cious vessels refers to
understanding ofbeings' faculties . Extrac tion of precious substances refers
to setting up teachings accord ing to faculties in order to bring out
knowledge and virtue.
Part of the enlightening beings of the pure lands
are free like dragons; when purity and pollution have not been forgot ten,
this is the danger zone of the dragon abodes. Listeners can empty the three
poisons; this is the danger zone of demons. Conditional illuminates dwell in
the ocean of nirvana, so bud dha-knowledge does not appear; this is the danger
zone of goblins. Since the ocean of birth and death becomes a way of access to
the real universe, Vaira said he avoided all such danger zones.
Knowing whirlpools, depths, and shallows refers to know ing the workings
of craving , grasping, and becoming. The ranges of ocean waves refer to the
quantity of thoughts in emotive consciousness. The good and bad
colors of the waters refer to the joy and anger of the clinging mind.
Vaira also knew the movements of the sun, moon,
and stars, meaning that he understood the mysterious signs of yin and
yang in the world and used this to help people. It also represents the methods
and guidelines for developing maturity according to faculties by different
teachings and practices.
Vaira also knew about the soundness of ship hulls
and how well their machinery worked, emblematic of his knowledge of the degree
of maturity of faculties and capacities, of whether or not people's minds were
transformed, and of whether or not they could enter birth and death.
Vaira brought merchants to treasure islands so that
they could collect jewels, then brought them back to the continent; this
symbolizes passing through the various ranks and their teachings, and then,
when the ten stages are fulfilled, in the eleventh stage going back to live as
before in the ocean of birth and death to carry out the practice of Universal
Good.
Vaira said he had attained practice characteristic
of great compassion, meaning that the natural discipline of great com passion
is indestructible.
23 .
jAYOTTAMA
Then Sudhana went to Nandihara, saw the eminent
Jayot tama, and realized the dedication equal to all buddhas.
Nandihara was called the City of Happiness because
the eminent grandee Jayottama skillfully settled people's affairs and because
he skillfully examined truths, to the delight of the people.
Jayottama was called Supreme Victor because of the
su premacy of his practice of patience. He was seen in a grove of
"sorrowless" trees east of the city lecturing to a group of innumerable
businessmen and city elders : east of the city sym bolizes development of
goodness by knowledge; the grove of "sorrowless" trees represents
protection from anxiety through patience; the businessmen symbolize exchanging
ignorance for knowledge, bad for good; the city elders represent education of
the populace by means of virtue.
Jayottama said he knew the pure method of
cultivating enlightening practices everywhere, because the practice of ded
ication equal to all buddhas reaches everywhere.
The reason these last three teachers are lay people
is to represent dedication directed from the absolute to the mundane.
24.
SINHAVIJURMBHITA
Then Sudhana went to the city of Kalingavana in the land of
Shronaparanta, saw the nun Sinhavijurmbhita, and realized dedication reaching
all places.
The land was called Brave, the city called Struggle,
em blematic of energetically entering the ordinary world to stop the struggle between the two
views of absolute and mundane, pure and defiled.
Sinhavijurmbhita was called Lion Stretch to
symbolize the tirelessness of her practice of kindness. She is portrayed as a nun because in this
rank, like the fourth abode and fourth stage, one leaves the bonds of the world
and is born in the family of the enlightened. Her mendicancy represents
patience by aban donment of superficial adornments, and her femaleness repre
sents kindness.
She was in the park of the king Victorious Light.
Kingship symbolizes knowledge; this means that in this rank of energy and
diligence one combines patience, knowledge, and kindness to comprehend the
practices of the five ranks in one spiritual realm.
The park was magnificently adorned, illustrating
environ nlental perfection as a result of spiritual development. Sudhana saw
the nun sitting on various seats lecturing to various groups, symbolizing her
integrative educational activities, including those in all the stages up to the
eleventh, which borders on buddhahood.
This is the teaching of the infinite cosmic network,
in which one rank pervades all ranks, and each rank pervades the
spiritual cosmos, all refining one another, forming fifty-three teachings and
one hundred and ten cities as a totality, as individually distin ct, as the
same, as different, as integrated, and as disparate, all freely interacting.
25 . VASUMITRA
Then Sudhana went to the land of Durga, saw the
woman Vasumitra, and realized dedication of infinite stores of virtue.
This woman was settled in a polluted, fearsome
realm, nuking it hard for people to believe in her; so the land was called
Danger. By means of rr1editation she entered into defiled realms and turned
them all into spheres ofknowledge; by virtue of great compassion she remained
in the ordinary world, and by virtue of knowledge
she rerruined unaffected,
so her city was
called City ofJewel Arrays.
The 11a n1e vciSumitra means "Friend of the
World, " n1eaning that she was a teacher and friend to people. Her
femaleness represents being in the absolute without being absorbed by it, while
being in the midst of bondage without being affected by it. She gave the
appearance of impassioned behavior, yet her heart was dispassionate. She
appeared to be a won1an, yet in ultinute reality one is neither male nor
female; she is just portrayed as a fenule to represent the con1passion of the
real universe.
In the real n1 of the magic of knowledge of
Universal Good one's own body is like a magical effect, the world is like a projected i n1age; with no mind influenced
by objects, there are no objects that can influence the n1ind. The mind having
no nature of its own, objects are also basically nonexistent. This is
inconceivable to comtnon sense and inaccessible to the folly and confusion of
subjective views. It is necessary that knowledge penetrate the true source and
that practice match the real universe
before one can embody this Way.
This woman was living in her house north of the town
square; this means that the dangerous road of folly in the long night of birth
and death is the house of enlightening beings, and that they h ave no other
house.
Vasumitra said she had attained the liberation of
ultimate dispassion, because by means of the supreme knowledge of the real
universe she lived in the midst of pollution without becom ing defiled. One attains the joy of meditation just by
believing in this, so Vasumitra said that anyone who looked at her became free
from desire and attained absorbing joy. Because insight produced from
concentration understands the nature of sound,
she said that anyone who conversed with her for a while attained n1astery of sound.
Vasumitra went on to speak of holding her hand, getting up on her couch, gazing at her,
en1bracing her, and kissing her. Holding
her hand means
seeking salvation. Getting
up on her couch means ascendancy of formless
knowledge. Gazing at her n1eans seeing truth, embracing her means not departing
from it. Kissing her means receiving instruction.
This illustrates how all who come near enter a door
of total knowledge, unlike those who only seek to get out of bondage and do
not arrive at the ultimate
dispassion-supreme knowl edge of
the real universe that ren1ains in the polluted
world without being defiled, freely helping the living, neither bound nor freed.
Vasumitra also said that in the time of a past
buddha, Manjushri had fostered her inspiration to enlightenn1ent; and that upon
her inspiration with the thought of enlightenment she had distributed all of
her wealth and thereby attained this liberation. The encouragement of Manjushri
represents produc ing concentration from knowledge, the wealth represents the
ability of concentration to permeate everything totally.
Inspiration with the thought of enlightenment is
detach ment from lust, giving of wealth is detachment from greed. A single coin
may not be much n1oney, but if the mentality of ability to give up what is
valued is the same as when giving a lot of money, then this is what is called
infinite stores of virtue.
26. VESHTHILA
Then Sudhana went to Shubhaparamgama, saw the house
holder Veshthila, and realized
dedication adaptively stabilizing all roots of goodness.
Veshthila is called the Etnbracer, illustrating the
vastness of his knowledge and wisdom, which embraced all things. This layman
had before hin1 a shrine where there was placed a sandalwood throne without an
icon on it; the idea is to illustrate
how buddhas and sentient beings have no sign of
origination and destruction, using the shrine with the sandalwood throne as a
device to indicate this symbolically, to inform us that our own essence and
manifestations are like the original formless Buddha on the throne.
When you understand that essence is spacelike and
find that appearances are like projections, you open up enlightened knowledge
and vision; then there is no beginning and no end, no present and no past. Thus
Veshthila said that when he opened the shrine he attained
liberation without complete ex tinction, absorbed in the infinity of the lineages
of buddhas .
27. AvALOKITESHVARA
Then Sudhana went to Mount Potalaka, saw the
enlighten ing being Avalokiteshvara, and realized dedication according to all sentient beings.
Potalaka is a mountain where many small white
flowers grow; this represents the modesty and compassionate behavior of the
enlightening being.
Avalokiteshvara represents living in the ocean of
birth and death, helping beings con1passionately. This is one of the three laws
that make up the virtues of Vairocana , the Illuminator Buddha; the other two
are the subtle principle of the spiritual body represented by Manjushri and the
myriad acts of the body of knowledge represented by Samantabhadra.
Avalokiteshvara lives on a mountain of little white flowers to show people they
should not do even a little wrong and
should not abandon even a little good.
Sudhana saw Avalokiteshvara on a plateau on the west
side of the mountain, which was adorned with shining springs and streams, thick
woods, and soft fragrant plants spiraling to the right covering the ground.
West is the direction associated with killing and punishment, meaning a place
calling for the practice of compassionate education. The great compassion of
the en lightening being is paramount, intent on the benefit of beings
and not dwelling on personal rewards, so he lives in
the material world of sentient beings, represented by the mountainside. The
springs and strean1s represent the clear shining of the heart of compassion,
the woods represent the dense shade of works of kindness. The fragran t plants
represent fine words that please people, while spiraling to the right
symbolizes sentient beings going along with the teaching.
Sudhana saw Avalokiteshvara sitting on a diamond
boul der, surrounded by countless enlightening beings sitting on jewel rocks. This symbolizes
adamantine knowledge going along with compassion, their subtle
functions meshing without disturbance.
The enlightening being said he had perfected
liberation of great cotnpassionate action, showing how Avalokiteshvara rep
resents the universal con1passion ofbuddhas of all tin1es . There fore fron1
here on, even to the tenth stage, all levels are associ ated with great
compassion, but in this rank one enters the ordinary world and great
con1passion becon1es ful filled; so Avalokiteshvara says he has perfected it.
Then the enlightened being Ananyagamin came from the
sky and stood atop the mountain range surrounding the world, causing the earth
to quake and radiate light so brilliant it obscured the lights of all the
celestial bodies. Ananyagamin can1e from the sky because true knowledge has no
resting place. The surrounding mountains are the deluded attachments of
sentient beings to conditioned realn1s; the earthquakes represent the
disappearance of delusion on the appearance of knowledge. The light outshining
the sun, moon, and stars is the light of uncontaminated knowledge that cannot
be reached by the lights resulting from worldly actions. Ananyagamin coming to
where Avalokiteshvara was represents
great knowledge con1ing back to con1passion.
28. .
ANANYAGAMIN
Then
Sudhana saw the
enlightening being Ananyaga111in and realized dedication
characteristic of true Thusness.
As knowledge and compassion are not two separate
enti ties , Ananyagamin, called He Who Proceeds Directly, was also on the
mountain oflittle white flowers, the same as Avalokitesh vara.
Ananyagamin said he had come fro tn the East, fron1
a world pregnant with subtle marvels, where he had associated with a buddha
born of universal light, and thus attained libera tion enabling him to speed
forth in all directions.
One's
own treasury of knowledge of subtle inner designs is
always producing without producing anything-this is the eastern world pregnant with
subtle marvels.
From fundamental knowledge are produced
differentiated nugical knowledge-bodies, which echo throughout the ten
directions without traveling in essence; this is the liberation enabling one to
speed forth in all directions, attained
in the con1 pany of a buddha transcending all.
It had already been eons since Ananyagamin had left
that world, and in each instant he took as rnany steps as atoms in untold
buddha-fields, with each step passing as many buddha fields as atoms in untold
buddha-fields, honoring each of the buddhas in those fields with subtle
offerings .
Because the essence of knowledge is inherently
omnipres ent and all-inclusive, it extends without actually speeding,
transcending sensual or intellectual assessments; therefore An anyagamin
passed so many buddha-fields in a single instant of thought. By the
unfabricated seal of knowledge he mastered the magical function of acts, so
that they succeeded effortlessly, becoming subtle o fferings.
29. MAHADEVA
Then Sudhana went to Dvaravati, saw the celestial
Maha deva, and realized dedication without bondage or attachment.
Dvaravati means "Having a Door, " the name
of the place deriving fro n1 the fact that in the rank of teacher there is a
great door of truth that opens up to enlighten sentient beings.
Mahadeva ("The Great God") had knowledge
like the celestials, showing signs of good and evil, rewarding and pun ishing
in a timely manner, always responding spiritually to n1yriad beings, yet without deliberate contrivance. This is
why he is portrayed as a celestial spirit. All nature spirits are reflec tions
of enlightening beings, beyond the psychic power of mundane ghosts.
Mahadeva extended four hands, brought water from the four oceans, and washed his
face. This symbolizes using the four integrative methods to receive sentient
beings with careful consideration.
Mahadeva said he had attained "cloud net"
liberation, showering teaching as rain
from clouds of great compassion and rescuing sentient beings as
with a net.
Mahadeva manifested heaps of gold, silver,
and jewels, then gave them to Sudhana for him to practice giving to
others. This illustrates how the function of acts is inexhaustible with the
magical great compassion born of uncontrived knowledge.
30. STHAVARA
Then Sudhana saw the earth goddess Sthavara at the
site of enlightenment and realized infinite dedication equal to the cosmos.
In this rank, the five realities of
enlightenment, inner design, knowledge,
kindness, and compassion are united into one and all fulfilled as the site of
enlightenment.
Because kindness and compassion underlie and produce
the various teachings and methods, supporting and nurturing living beings,
Sthavara is represented as an earth goddess.
The sky god Mahadeva represented the subtle function
of pure knowledge; this earth goddess represents the substance of great
compassion. The substance is always
functioning yet always tranquil, so the earth goddess is called Stable.
Sky moves, earth is still; this symbolizes the
protection and support of knowledge and compassion.
Sudhana saw Sthavara with a million earth goddesses,
all radiating light and causing the earth to tremble; this illustrates how
compassion and knowledge are completely fulfilled at this point, so habits that
defile purity disappear.
Sthavara touched the ground with her foot, whereupon
countless deposits of jewels spontaneously gushed forth: this represents the
way great compassion can clearly reveal the hidden resources of the
mind-ground, having full use of the
spirit without overt effort.
Sthavara said she had attained liberation through an
inde structible store of knowledge; since compassion arises from
knowledge, nothing can destroy it, and
since in action in the real universe no knowledge is not included and no
compassion not fulfilled, it is called a store, or mine.
The goddess also said she had attained this
liberation eons before in the service of buddhas; because great compassion is
limitless, even enlightenment and final extinction are all begin ningless and
endless household affairs .
31 . VASANTI
Then Sudhana went to the city of Kapilavastu, saw the night goddess Vas anti, and realized
the stage ofjoy.
Kapilavastu is called the Yellow City, representing
knowl edge uniting with the middle way. Yellow is the color associated with
the center and with felicity.
Vasanti is said to be in charge of spring growth,
symbolic of the production of myriad practices in the first stage. She is a
night goddess to represent great knowledge in the night ofbirth and death.
The next ten teachers beginning with this night goddess are female,
emblematic of the great compassion of enlightening beings, like a mother
begrudging no effort to raise her children. As they are in the spiritual
ranks-in charge of protecting and helping the world-even though
they do not physically leave the
Buddha's assembly, they still can project their appearances throughout the ten
directions.
The night goddess wore a red robe, a sacred crest, and pearl necklaces; all the stars and
constellations shone on her body. This represents how the first stage includes
the l aws of all the stages, so the awareness of great compassionate differen
tiating knowledge is comprehensive.
The goddess said she had attained the liberation of
the light of truth that dispels the darkness of ignorance in all sentient
beings and was able to be a guide or make shelter, passage, and light on dark,
stormy, and dangerous nights
to free beings from fear of the darkness. This shows how the practice of
great compassion is detailed and comprehensive. She also said she had always
been a woman for countless eons, practicing this teaching, showing how great
compassion is so deep that it does not seek to leave the world, for in the
original real universe there is no world
to leave.
32. SAMANTAGAMBHIRASHRIVIMALAPRABHA
Then Sudhana saw the night goddess Samantagambhira
shrivimalaprabha at the site of enlightenment and realized the stage of purity.
Great compassion in the ordinary world is not
separate from fundamental awareness , so
this scene also takes place at the site of enlightenment.
The night goddess said she had attained liberation
through the bliss of tranquil meditation going everywhere. This is because the
fundamental meditation underlying discipline, spontaneous meditation on the
essence of all objects, is by nature inherently omnipresent.
She said that while she focused her mind wholly on
the salvation and protection of living beings, she practiced the various stages
of meditation up to the extinction of irritation and affliction
in sentient beings.
This shows how
the substance of discipline of
the spiritual body is always spontaneously in a state of concentration yet
always functions along with compas sion, teaching in accord with the faculties
of the learners; all is
an aspect of meditation. Though this meditation is
the same as what is practiced in the meditation heavens, there is not the same
attitude of attraction to meditation and enjoyment of tranquillity.
33. PRAMUDITANAYANAJAGADVIROCANA
Then Sudhana saw the night goddess Pramuditanayanaj
a gadvirocana on the right side of the enlightenment site and attained the
stage of refulgen ce.
The right is the position of compassion; this
represents initiating action by enlightenment and developing tolerance and
kindness. The goddess is called Joyful Eyes Illumining the World; joyful eyes represent tolerance
and kindness, illumining the world means not abandoning sentient beings.
From every pore of her body the night goddess
enunated countless multitudes of projected bodies, filling the ten direc tions
and expounding the practical aspects of the ten ways of transcendence; this
illustrates how the work of the teaching reaches everywhere.
She also emanated multitudes of bodies like various
beings and rnultitudes of bodies like human and celestial rulers, per vading
the ten directions, adapting and assin1ilating everywhere to liberate others.
The night goddess said that in the distant past she
was the wife of a king who was in fact Manjushri, the spirit of wisdon1, and
that she was awakened by a night spirit emanated by Samantabhadra, the spirit
of Universal Good. This represents how activation of complex functions based on
fundamental knowledge and practice of great compassion are not limited by time;
this is because cultivation of world transcendence shows up in an instant,
while practice of great compassion goes on forever.
34. SAMANTASATTVATRANOJAHSHRI
Then at the same assembly Sudhana saw the night
goddess Samantasattvatranojahshri and realized the stage of blazing radiance.
In this rank knowledge and compassion are completed
and one is born in the house of the enlightened, never parting from
enlightenn1ent; hence the goddess was in this assembly at the Buddha's site of
enlightenn1ent .
Sudhana saw the goddess in all worlds, in all states
of being, in all times, liberating sentient beings by techniques adapted
to their languages, behaviors, and understandings. This was because she had
attained the freedom to appear in all worlds to civilize beings.
The goddess said that in a past eon called Sphere of
Purity there appeared as many buddhas as particles in a polar moun tain; in
that time a king was born spontaneously from a lotus, and the king had a
daughter, who was none other than the night goddess herself. The name of the
age is based on the roundness and purity of the body of knowledge. The buddhas as nun1erous as particles
represent different fruits of knowledge realized in the course of progressive
practice. The king being born from a lotus represents knowledge being
undefiled. The princess being the night goddess herself stands for the merging
of knowledge and compassion.
The goddess said she had attained her liberation
from one hundred and ten buddhas in the past, and she also said she followed
buddhas numerous as atoms in lands. The interpene tration of the causes and
results of the ten and eleven stages make a hundred and ten buddhas. When
knowledge is complete and praxis comprehensive, one's own mind is like buddha,
all acts are like buddha, all insights are like buddha, nothing in all worlds
in the ten directions is not buddha-this is "buddhas numerous as aton1s in
lands." To see any thing or any being as other than buddha is a false
view.
The goddess also said that in such and such
ages, in the time of such and such
buddhas, she had been a night spirit, an emperor, and other beings, including
an entertainer. Entertain ment represents delight in truth. These incarnations
all repre sent practices according to rank within the realization of en
lightenment.
Therefore when practice and realization reach each
other, the buddhas spontaneously respond. If you see anything apart fron1 your
own practice and own realization , this is not true seeing. Even if you get
visions by forced seeking, these are only temporary hallucinations, not real
buddhas .
35 .
PRASHANTARUTASAGARAVATI
Not far from here Sudhana saw the night goddess
Prashan tarutasagaravati and realized the stage difficult to conquer.
In this stage one uses meditation concentration to
cultivate worldly arts and crafts . As one has these skills without becon1- ing
alienated fron1 the essence of enlightenment and the practice of diligence, the
goddess's place is said to be "not far from here. "
The goddess is called Possessed of an Ocean of
Tranquil Sound. Tranquillity is
concentration, while the ocean of sound
is function. This illustrates how the body of concentration is uncontrived yet
its response is universal. This
night goddess was the mother of the
night goddess of universal salvation, representing the ability of the body of
concentration to produce energetic action. Unless all practices are based on
concentration, one will become fatigued at some time.
The goddess said she had attained liberation of
supernal manifes tations producing floods of joy in each instant of thought.
This illustrates the all-pervasiveness of the joy of n1editation, the mutual
adornment of principle and practice, the vastness of benefit to the living. She
also said she would serve all the future buddhas of
this eon, as well as the future buddhas of all worlds in all eons, illustrating
how the essence of meditation is complete, in the sense that past, present, and
future form one tin1e, like a mirror containing multiple images .
36. SARVANAGARARAKSHASAMBHAVATEJAHSHRI
Then in the Buddha's assembly Sudhana saw the night
goddess Sarvanagararakshasambhavatejahshri and attained the stage of presence.
This goddess represents protection of the minds of
sentient beings and increasing the power of knowledge and insight in the mind.
She said she had attained liberation of extremely profound, free, subtle
sound, illustrating the single
"sound" that is everywhere in the universe, without substance,
without discrimination, able to express all truths, teach sentient beings, and
manifest all knowledge freely.
The goddess said she had attained this liberation
eons in the past. The first buddha in her recollection was called the
Illuminating King Voicing the Ocean of All Truths; after that buddha's demise,
a certain king left home to preserve the buddha's teachings. The countless eons
refer to the ability to turn the countless expressions of the sentient
beings of all worlds into a total ocean
of expressions of insight. The first buddha stands for fundan1ental knowledge,
and the buddha's name represents freedom in expounding truth and breaking delusion.
The demise of the buddha represents the attainment
of knowledge free from bondage and the disappearance of trapped attention and
reflection. The king leaving home stands for knowledge of emptiness. Since
wisdom activates transcendent compassion, the king's daughter also became a
nun.
By the time the buddha's teaching was about to die
out, there were a thousand sects that often engaged in disputation and
quarrel and were on the verge of
destroying Buddhism. This illustrates insight into emptiness that is not yet
equipped with the great compassion to enter the ordinary world.
The goddess also mentioned one hundred buddhas and said she had served them all: this
represents cultivating the fruits of interdependent progress of all ten stages
within the sixth stage. The reason she did not reach the manifestation of the
fruits of the eleventh stage is that insight into emptiness is not yet the
practice of Universal Good that enters into bondage. It is for this same reason that in the book
on the ten concentrations the thirty enlightening beings with insight into
emptiness all
entered the stage of coronation yet did not see the
body of Universal Good.
37. SARVAVRIKSHAPRAPHULLANASUKHASAMVASA
Then, in the Buddha's assembly, Sudhana saw the
night goddess Sarvavrikshapraphullanasukhasamvasa and realized the stage of far
going.
This goddess symbolizes using expedients in the
midst of freedom from birth and death to enter into birth and death and carry
out practices everywhere.
The goddess said she had attained liberation
producing the light of great joy, meaning that she had clearly penetrated the
four integrative methods and the four infinite minds.
She also said that in the remote past there had been
a king named Encompassing Sound of the Proclamation of All Laws, who had five
hundred ministers, six thousand concubines, and seven hundred sons. The king
set up a great charitable event, which a young woman named Jewel Light,
daughter of a grandee, attended with sixty maids .
The king was Vairocana and the young woman Jewel
Light was the night goddess; this represents the stage of practical compassion
in a bad time when there is a lot of suffering. The king represents knowledge,
the five hundred ministers represent the five ranks being practiced in concert,
the six thousand concubines represent compassion pervading the six realms of
being, the seven hundred princes represent the practices of the seven limbs of
enlightenment, the woman Jewel Light represents compassion, the sixty maidens
at the assembly represent the compassion of the six ranks combining with
knowledge. That the king was Vairocana
Buddha represents knowledge being the fruit of action in the ordinary world.
38. SARVAJAGADRAKSHAPRANIDHANAVIRYAPRABHA
Then at the site of enlightenment Sudhana saw the
night goddess Sarvajagadrakshapranidhanaviryaprabha and realized the stage of
immovability.
The sp1nt, whose name means " Light of Energy
of the Vow To Protect All Beings, " represents total absorption in helping
living beings, using effortless knowledge to let the power of the fundamental vow do its work.
Sudhana saw the spirit sitting on a seat ofjewels
reflecting the abodes of all beings;
this represents how the pure function of knowledge in effortless
knowledge appears in all places.
The body of the night goddess showed reflections of the sun, moon, and
stars; and she appeared to sentient beings everywhere in the forms of various
bodies, according to the mentalities of those beings. This represents the body
of knowl edge appearing in context.
The night spirit said she had attained liberty to
teach beings in ways that promoted goodness. When knowledge of the essence of
nonbeing is realized, all faculties of goodness de velop.
Certain metaphors are raised here, such as that of
the orb of knowledge of enlightening beings being like the sun travers ing the
sky, having itself no day or night; or
like a phantom in the world, having no joy or sorrow. The goddess uses them to
answer the question of how long it has been since she has been inspired to seek
enlightenment, making it clear that enlighten ing liberation cannot be
measured in temporal terms.
The goddess re1 ated that in the remote past there
had been a buddha named King Illumining Space with the Voice of Truth, who sat
on the enlightenment site for a full hundred years. The king of that time and
place, called Victorious Light, had a son, the crown prince Conquerer, who had
t wenty-eight of the thirty-two marks of a world ruler. A fter releasing people
from prison, the prince led a holy life for five hundred years.
The buddha represents effortless knowledge, like an
echo, everywhere aware yet not based anywhere. The hundred years represent the
hundred transcendent ways of the full ten stages practiced in one stage. The
king represents knowledge, the prince represents practical kindness, the
prison represents the sphere of operation of kindness. Leading a holy life for
five
hundred years after renunciation stands for leaving
the home of effort and penetrating the five ranks in effortlessness . The
prince only had twenty-eight of the marks of greatness, lacking four, because
in the eighth stage one lacks the causes and effects of the ninth and tenth
stages.
39. SuTEJOMANDALARATISHRI
Then Sudhana saw the night goddess
Sutejomandalaratishri in the Lumbini grove and realized the stage of good mind.
Lun1bini is the garden where Buddha was born, called
Supreme in Pleasure because of the bliss produced in people by the Teaching.
In the stage of good mind, subtle insight and
intellect are completed, and one is good at explaining teachings; hence the
spirit is called Glory of the Sphere of Good Power.
The goddess explained ten kinds of birth by which
enlight ening beings are born in the family ofbuddhas and said she had
countless eons since attained liberty to be freely reborn. This means that having
attained effortless knowledge and being on the verge of rising to receive a
buddha's work, in this stage one studies buddhas' powers of elucidation-this is
called being reborn.
The goddess said she had purposely been reborn in
the Lumbini grove, where she realized
the Buddha would be born in a hundred
years. The Buddha also appeared to be born in each Lumbini grove in the
billion-world universe and in each atom of all worlds in the ten
directions. The ascent from this stage
to the tenth stage is referred to as a hundred years; being born in all
places means that since unfabricated
knowledge is like space, like magic, even a single moment of the descent of the
spirit pervades the real universe, without any here or there, coming or going,
or interruption in time. Goddesses bearing gifts awaited the birth of the
Buddha, illustrating the ancient saying, "Sages act, and all beings
observe. "
The night goddess recounted the story of a past age
in
which eighty decillion buddhas were born. A royal
queen, accompanied by twenty decillion ladies-in-waiting, went to a park of
golden flowers, and there, as she held onto a tree, she gave birth to an
enlightening being. The wet nurse at that time was none other than the
night goddess herself.
The number of buddhas in the eon, eighty decillion,
represents the issue of the effortless knowledge of the eighth stage. The
number of ladies with the queen, twenty decillion, represents the fulfillment
of joy in truth produced by the buddhas'
twin practice of con1passion and knowledge. That the queen gave birth while
holding onto a tree represents the development of great knowledge through focus
on great com passion. The role of the wet nurse also syn1bolizes compassion.
40. GoPA
Then Sudhana saw the girl Gopa in Kapilavastu and
realized the stage of clouds of teaching.
The setting symbolizes the essence and function of
knowl edge and con1passion reaching everywhere, immaterial yet nur turing and
supporting all beings. The setting is the san1e as that of the first stage
(represented by the night goddess Vasanti, the thirty-first benefactor) because
knowledge and compassion are simultaneous.
Gopa's name has the sense of watching over, or
protecting, representing the preservation of the ground of great com passion.
According to the story, Gopa was the wife of Buddha
in a past life, representing kindness, compassion, and delight in truth. She
also is said to have been wife to Buddha for eons, symbolizing the
inseparability of knowledge and compassion.
Knowledge attuned to reality is omnipresent; it
cannot be discussed in terms of matter, cannot be understood in terms of form
or appearance. It manifests similarity to humans and den1onstrates humanlike l
aws, it manifests similarity to celes tials and demonstrates celestial ways;
it is variegated according
to the species to which it appears; it cannot be
known by one practice, cannot be understood by one body. This is because that
is the nature of the body of practices of Universal Good.
The qualities of
knowledge are briefly described
in ten ways . First, the body of knowledge rests on nothing, manifest
ing characteristics according to the subject. Second, appearances of knowledge
are like reflections in essence, without any mate rial conventionality. Third,
reflections of knowledge originally do not exist; the subject appears
according to the mind. Fourth, knowledge
has no "here" or
"there"-it
responds to objects like an echo. Fifth, sentient beings
see it falsely, but that is not the doing of knowledge itself. Sixth, knowledge
n1akes nothing but arises according to illusions. Seven th, magical birth does
not involve thoughts of desire. Eighth, the spacelike power of intention
appears responsively throughout the ten directions. Ninth, uncontrived, great
compassion pervades the ordinary world to benefit beings . Tenth, knowledge is
common to all conscious beings, so observation of the ordinary is always real.
These ten aspects of the Teaching are Gopa's practice.
At that time there was in the hall of universal reflections
of the light of truth a goddess named Sorrowless who came with ten thousand
house goddesses to welcome Sudhana. Ten thou sand symbolizes myriad practices,
the house goddesses repre sent the shelter of kindness and compassion.
Welcoming repre sents knowledge and kindness meeting.
Sudhana saw Gopa surrounded by eighty-four thousand
maidens of royal lineage, representing the eighty-four thousand a fflictions .
All of them were engaged in the same practice, through kindness and compassion;
and compassion is born of knowledge.
Gopa said she had once been the bride of a
prince, who was a previous manifestation
of the present Buddha; she and her
husband went together to see the buddha of their time and hear the Teaching.
This symbolizes the inseparable union of knowledge and compassion in this
stage.
She added
that she had attained liberty to
observe the
concentrations of all enlightening beings, yet even after eons she did not completely
know the practices of enlightening beings, because the practice of Universal
Good is infinite.
The ten teachers who follow Gopa represent the practice of Universal Good in
the eleventh stage.
41 . MAYA
Then Sudhana saw Lady Maya in this world and
realized the n1ethod of nugical attainment of enlightenment by produc ing
knowledge from compassion.
"This world" symbolizes the realm embraced
by great compassion, without distinctions of far and near, inside and outside.
Lady Maya represents the effortless great compassion that is always in the
world. The fact that she is the mother of Buddha symbolizes great
compassion magically producing great knowledge.
A city goddess named Jewel Eyes exhorted
Sudhana to guard the citadel of mind, a
goddess named Spiritual Lotus eulogized Lady Maya, lights entered Sudhana's head,
and a goblin guarding the teaching hall instructed Sudhana to view body and
mind as like drean1s or reflections as he sought teachers .
Jewel Eyes represents the eye ofknowledge within
compas sion, the lights symbolize teaching, and the goblin represents
devouring the poisons of ignorance. These three principles constitute
expedients on the threshold of the eleventh stage, ushering one into the great
practice of Universal Good.
When Sudhana put these teachings into practice, he
saw a jewel lotus spring up from the earth, with Maya sitting on it manifesting
countless incarnations in conformity with the doings of sentient
beings. This illustrates the absence of inher ent identity of body and
mind-this is seeing bodies magically produced by compassion and knowledge.
Maya said that her body, even though in its original
state, contained oceans of enlightening beings who traveled freely
within her belly,
crossing a billion-world universe
in a single step . This n1eans that the ocean ofgreat compassionate p ractices
of Universal Good is endlessly vast, like space.
Maya said she was the mother of all buddhas of all
times, meaning that the knowledge to help beings spontaneously is all born of
the mother of great compassion.
M aya also said she had attained this liberation of
the magic of knowledge inconceivable eons before, making it dear that it is not
possible to calculate in ordinary relative terms-it is necessary that
calculation be forgotten , feelings end, and knowledge become manifest before one could know how long it
had been since she had attained this liberation. Therefore only buddhas could
know how tnany eons it had been.
42. S
URENDRABHA
Then, in the thirty-three-fold heaven, Sudhana saw
the goddess Surendrabha, daughter of the god Smrtimati, and realized unfailing
mindfulness of all truths through mastery of knowledge and compassion.
The god Smrtimati ("Mindful") appeared
in an earlier book of The Flower Ornament Scrip ture, and here is called
a king, who also has a daughter. This represents spontaneous wisdom and
con1passion without thought, spiritual teaching without fixed convention; this
freedom is represented as divinity and kingship, which thus do not refer
literally to a specific realm or status .
The goddess said she had attained liberation of
unimpeded recollection, meaning that the extent of the eons of past, present,
and future was perfectly clear to her, manifest in the immediate present. This
is natural, by knowledge without thought.
The goddess said that she served all the buddhas in
count less eons. This is a description of temporal relativity within the
absolute where there is no temporal relativity. Because the tin1eless realm of
knowledge is instantly all-pervasive,
this is not a result of fabrication .
After this the teachers are lay people, not
presented as supernatural, to show that the Way of transcendence is fulfilled,
but there may be lack of breadth of freedon1 in helping living beings. There is
no more will to seek liberation apart from defilernent and purity: there is
only riding on the ship of the essence of reality and hoisting the sail of great compassion,
with great knowledge as the captain, following the wind of the fundamental vow,
casting the net of transcendent ways, travel ing the ocean of birth and death,
hauling out "fish," those with attachments, and placing them on the
shore of independent knowledge, to dwell in the precious hall of the real
universe, like the tower of Maitreya described hereafter.
43. .
VISHWAMITRA
Then Sudhana saw the young teacher Vishwamitra in
the city of Kapilavastu and realized how to be a teacher of worldly principles
everywhere.
Vishwamitra did not tell Sudhana anything but sent
him to see Shilpabhijna, illustrating the rule for teacher-exemplars, which is
properly not to instruct personally but to leave this to assistant mentors,
just answering questions about unresolved matters. This represents the fact
that the virtuous are never alone,
always having associates to assist in the development of education.
44. SHILPABHIJNA
Then Sudhana saw Shilpabhijna and realized universal
knowledge of writing.
Shilpabhijna was a student of Vishwamitra. He said
he had attained liberation with higher knowledge of arts . Constantly reciting
forty-two phonemes, he entered into
countless facets of transcendent wisdom.
Because these phenomena include all writings, to hold one in mind is to hold
all in mind, and to hold all in mind is
to hold one in mind-this is the portal
of wisdom.
For example, in reciting A, he entered the facet of
transcen dent wisdom in which there are no distinctions in the power of
enlightening beings. A is the negative
prefix: realizing the truth that all is empty and not really existent is the
realm of nondif ferentiation in the power of enlightening beings. Pronouncing Ra, he entered the facet of
transcendent wisdom in which there are infinite differentiations, as Ra
represents the realm of differ entiated knowledge and practice of Universal
Good.
45 . BHADROTTAMA
Then Sudhana saw the Buddhist l aywon1an Bhadrottarna
and realized how to help people by conventional and mystical arts and sciences.
Bhadrottama is called Best of the Good because she
under stood all principles. Because she was in the material world helping
beings, son1etimes she was a diviner, sometimes a curer, sometin1es an
appraiser ofjewels, sometimes a writer.
Understanding all genius and effective knowledge,
able to control all pernicious influences, containing the ocean ofknowl edge
of Universal Good, equaling the spiritual
body of Man jushri, en1bodying buddhahood, spiritualizing myriad
beings, reaching everywhere and
performing all practices, in accord with the saying that buddhas have
reality for their body, only when one arrives at all realities and knows all
truths can one be a teacher of gods and humans.
But reality has no place of abode, so the body also
has no anchor-though it pervades n1yriad existences, it has no sub stance
itsel f. Therefore Bhadrottama said she had only realized liberation of the
baseless sphere.
46. MUKTASARA
Then Sudhana saw the goldsmith Muktasara in the city
of Bharukaccha and realized the way to pure liberation by being in the world without clinging
thoughts.
Adorn thoughts
with formless knowledge and
thoughts will naturally not cling to phenomena. This is liberation.
47. SucHANDRA
Then Sudhana saw the householder Suchandra in the
same city and realized the way to illumination by pure knowledge working in the
world.
The practical great compassion represented in this
meeting is one with the formless liberation of the preceding meeting, so it
takes place in the same city. In the ten abodes, ten practices, ten
dedications, and ten stages, the seventh and eighth steps merge into each
other; in this eleventh stage, the sixth and seventh grades are one body. Using the light of great compas sion to
break through the confusion of sentient beings
is liberation of the illumination of pure knowledge.
48. AJITASENA
Then Sudhana saw the householder Ajitasena in the
city of Roruka and realized the method of finding infinite forms in
formlessness.
The city Roruka represents the great vows that
produce spiritual practices. The householder Ajitasena represents vic tory
over the demons of birth and death.
The totality of states of mind are the infinite
forms of buddha. These are the infinite forms in formlessness.
49. SHIVARAGRA
Then Sudhana saw the Brahmin Shivaragra in Dharma village and realized the
way of speaking in such a manner that truth is revealed.
Dharma village represents the rank of a teacher of Dharma
whose village is the real universe. The Brahmin Shivaragra represents
transcendent power-in the ordinary without being ordinary, in the clamor
without making clamor.
The liberation of speech revealing truth is attained
by realization that the essence of all words and speech is inherently real and
that persons and
things are all
thus-so there is no
empty talk.
50. SHRISAMBHAVA
AND SHRIMATI
Then Sudhana went to the city of Sumanamukha, saw the boy Shrisambhava and the girl
Shrimati, and realized illusori ness, living in the world with complete
knowledge and com passion.
The city represents subtle practice within
knowledge, the b oy and girl represent
desireless, unaffected gentility and hu mility, with equal knowledge and
compassion.
The boy and girl said they had attained the
liberation of illusoriness, meaning they had realized that the realms of
buddhas and sentient beings are both illusory products of knowledge.
In the illusory state, there is neither real nor false; mind and o
bjects merge, essence and appearance do not interfere: the body and the
environment interpenetrate, their radiance and reflections multiply ad infinitum. The being pervading the sacred and the profane, the
essence complete through all time, they abide in the world permanently yet
without resting on anything. Therefore they said that the essence of illusory
states in inconceivable.
After this they directed Sudhana to see Maitreya,
who is to
fulfill buddhahood in one lifetime. This one
lifetime is the birthless lifetime, not a lifetime in the ten1poral order.
The three principles represented by Maitreya, Manjushri, and Sa
mantabhadra are the body of all causes and effects of the fifty ranks, not
principles that exist outside the fifty ranks.
51 . MAITREYA
Shrisambhava and Shrimati used the
inconceivable power of faculties for
goodness to make Sudhana feel at ease and
aglow, then
directed him to the great building called chamber of adornments of Vairocana in
the Great Array Park in Samu drakaccha, at the edge of the ocean, where he saw
the enlight ening being Maitreya and realized the way to buddhahood in one
lifetime.
The seashore represents gradually ascending progress
to buddhahood in one lifetin1e, facing the shore of the ocean of birth and
death. The Park of the Great Array symbolizes adornment ofbuddhahood with the
knowledge and compassion to enter birth and death.
The name va irocana includes both the meaning of
differen tiated light, symbolizing knowledge of distinctions, and ubiq uitous
illumination shining everywhere, symbolizing funda mental knowledge.
The building represents the universally enlightening
knowledge of the substance and function of the real universe, working in
various ways for the maximum benefit of
living beings. Therefore its size is equal to space, so that all worlds and their beings are living in it-though unaware of each
other-as told in detail in the scripture,
represented by the various worlds seen by Sudhana in the
tower.
The building was made by the great compassion of the ocean of enlightened knowledge, the
great vow to help the living, and it was
situated in the park of birth and death of all sentient beings. Therefore
Maitreya said its manifestation is produced from skill in means, from virtue
and knowledge; it comes from nowhere and goes nowhere. These are all charac
teristics of presence in the n1idst of origination and destruction with
knowledge of illusoriness. It is like the p ower of actions of sentient beings,
which arises and disappears without any grasp able substance or appearance of
coming and going.
Maitreya is the Loving One, of whom buddhahood in
the next lifetime was foretold. In the realn1 of knowledge of illusory states
in the real universe, in every particle of every land there are infinite oceans
of buddhas, but their unique enlightenment is always as is, without origin or
disappearance, without past,
future, or present. It is only through the great
practice of Universal Good that there
are manifestations of attainment of buddhahood, nirvana, and giving
instructions for the future, according to what is timely and appropriate for
sentient beings. That is why Maitreya appears to be in the position of
successor ship before the present buddha's mission is ended, while in reality
Maitreya is already equal to the buddhas.
Shrisambhava and Shrimati extolled the virtues of
Maitreya at length to induce Sudhana to approach and attend Maitreya, and
warned hin1 not to try with a limited mind to practice the six ways of
transcendence, dwell in the ten stages, purify a buddha-field, or serve
teachers. This makes it clear that the six transcendent ways and the ten stages
are not yet free from the transcendental partial view of purity; do not yet
fully embody the practice of Universal Good; and are not the same as the body
of virtues of the ocean of fruits of rewards of Vairocana Buddha, the ocean of
blessings represented as flower crowns, necklaces, bracelets, and so on.
Through them one only attains equality with the emanation buddhas transcending
the world, giving up the mortal body that likes and dislikes.
Therefore when the eleventh stage is ful filled, the
Teaching leads into the real universe, to merge with the complete embod iment
of the fundamental root and arrive at the realm
of the great knowledge of the real universe that originally underlies
unawareness, thus naturally to be rewarded with boundless virtues.
In addition, the infinitely adorned body of
enjoyment developed by the differentiating knowledge of the ocean of practical
vows of Universal Good would not allow Sudhana to stick to limited practices
projected to inspire ordinary people.
Now Sudhana prostrated himself in front of the
building, using various modes of praise to extol this building as the abode of
great sages with measureless virtues. This illustrates the fruits of buddhahood
as being such that they can never be fully described.
The enlightening being Maitreya came fron1 elsewhere
and
lauded Sudhana's virtues to the crowd, then extolled
at length the virtues of the thought of enlightenment. "Coming from
elsewhere" n1eans that when adapting to conventions in order to teach
people, one does not dwell on one's own rewards. The process of using all
spiritual capacities, enlightenn1ent power, and the myriad practices of enlightening
beings to turn the ocean of afflictions into the ocean of all knowledge is all
based on the thought of enlightenment.
The thought of enlightenn1ent is independent, and
knowl edge is also independent, so all that is done is without depend ence or
obsession-myriad practices are like projections, help ing the living is like
magic, spiritual capacities and enlightened powers are like the moon in the sky
appearing in waters everywhere. All these are functional capacities of the thought of enlightenment. Anything
attained through any agency but the thought of enlightenment is not natural
law, so the virtues of the thought of enlightenment are inconceivable.
Maitreya n1ade a sound by snapping his fingers , and
the door to the building opened up. Snapping the fingers has the meaning of
dismissing material sense, sound has the meaning of stirring awake. When
material sense is removed and attach ment gone, the door of knowledge
spontaneously opens.
Once Sudhana had entered the building, the door then
reclosed. Opening means the disappearance of delusion and the appearance of
knowledge. Reclosing means that in knowledge there is no inside or outside, no
exiting or entering, no delusion or enlightenment. This n1eans wholly returning
to the source.
Sudhana saw the interior of the building to be
infinitely vast as space. This represents the infinity of the rcaln1 of
knowledge. The ornaments were all made of precious sub stances, representing
the value of practical acts of kindness and wisdom.
In the building Sudhana saw spiritually projected
scenes: the past, present, and future
practices of Maitreya, as well as the buddhas with whon1 he worked and his
spiritual friends, who also expounded various truths to Sudhana. Because the
realm of knowledge of the body of reality is by natural
law always so, no thing is not spiritual, no phenomenon is not
wonderful-these are spiritual scenes.
Because past, present, and future
are not beyond a n1oment, Sudhana saw events of all times. Because the nature
of past, present, and future is perfect, they clearly always teach-so Sudhana
heard past buddhas teaching.
When Maitreya withdrew his spiritual force, the scenes that had been manifested
now disappeared. This is because the identities of phenomena are like dreams,
like illusions, like shadows, like reflections, always there and yet always
gone, always one and yet always different.
Maitreya let Sudhana know the essence of true Thusness, naturally going
along with con ditions yet naturally reverting to essence.
52. MANJUSHRI
Then Maitreya sent Sudhana back to see his first
benefactor Manjushri , showing that the ultimate result is the same as the
cause, because the way into eternity of the silent function of universally
illumined knowledge is not of the past, present, or future and has no beginning
or end, no exit or entry.
Sudhana traveled through a hundred and ten cities to
see Manjushri , representing simultaneous certainty of the principles he had
practiced. The unity of all buddhas and
sentient beings in the same one real unverse is the place where Manjushri is
seen .
Manjushri reached out over a hundred and ten leagues
to lay his right hand on Sudhana's head, praising his ability to set out on
these practical undertakings and be received by spiritual friends. Then he had Sudhana
fulfill countless teachings, and had him
enter the sphere of the practice of
Universal Good. Laying the hand on the head syn1bolizes mutual identification
of cause
and effect. The
hundred and ten
leagues symbolize having passed
through the causes and effects of the five ranks. Introduction to the realm of
practice of Universal Good means
introduction to perpetual practice of Universal Good
after the fruition of buddhahood.
A fter establishing Sudhana in his own place,
Manjushri disappeared, illustrating how after the fruition of buddhahood one is
not different from when one was among
ordinary n1ortals. A fter one attains buddhahood, buddha is basically
nonexistent, so Manjushri "disappeared."
Sudhana saw as n1any spiritual benefactors as atoms
in a billion-world universe, in the sense that knowledge of the body of reality
pervades the real universe evenly, so he saw everything everywhere as no
different from the body of Manjushri, the personification of wisdom.
53. SAMANTABHADRA
Finally, in front of the Buddha's seat at the
diamond mine site of enlightenment, Sudhana escalated his awareness to the
vastness of space, whereupon he saw Samantabhadra (" Univer sally
Good") , sitting on a jewel lotus in front of the Buddha. This means that
the aftermath of the fruition of buddhahood is ultimately not apart from the
subtle principle of enlightenment, the diamond mine of knowledge, in the first attitude of faith, yet it
activates the cosmic network of perpetual practice.
Samantabhadra extended his right hand and lay it on
Sudhana's head, whereupon Sudhana attained as many concen trations as atoms in
all buddha-fields. And just as Samanta bhadra lay his hand on Sudhana's head
here, so did each Sanuntabhadra before every buddha in every atom of every world in the ten directions also lay
his hand on Sudhana's head, and Sudhana attained the same spiritual experience.
This illus trates the eternal buddhahood of the real universe and its eternal
practice of Universal Good; only upon reaching and according with these do you
realize the buddhas are already enlightened and Universal Good is already in
action. It also illustrates how the fulfillment
of practice is not
apart from cause-time
does not shift, knowledge does not alter.
With each step in the buddha-fields in the pores of
Univer sal Good, Sudhana crossed untold worlds , but even traveling thus
throughout the eons of the future one could not know the limits of the order of
succession of oceans of lands in a single pore of the matrices of oceans of
lands, of the differences in oceans of lands, of the interpenetration of oceans
of lands, or of the formation and disintegration of oceans of lands; one could
not know the limits of the oceans of buddhas or the oceans of congregations of
enlightening beings. This is because such is the reality of the vast realm of
infinite practice of Universal Good.
Then Sudhana attained the ocean of practical vows of
Samantabhadra, equal to Universal Good and equal to the buddhas, filling all
worlds with one body, equal in sphere, equal in practice, equal in true
awareness, equal in spiritual powers, equal in teaching, equal in kindness and
compassion, equal in the freedom of inconceivable liberation. This illustrates
how the ocean of infinite practices is carried out by all buddhas of all times
and places. This is the ultimate enlightenment, in which there are no more
ideas of attaining buddhahood or not attaining buddhahood.
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